Programme Overview

Thursday, 24 July / Dydd Iau, 24 Gorffenaf

12.30	Registration: Prichard Jones Hall
	Main Arts, Lecture Room 4	Main Arts, Lecture Room 3	Main Arts, Lecture Room 2
	Instruments and Performance Practice Chair: Manfred Hermann Schmid	Aquitanian and Parisian Polyphony Chair: N. N.	England I: From Henry VII to Henry VIII Chair: Warwick Edwards
14.00	Kenneth Kreitner (Memphis): Dufay and the Band	Rainer Bayreuther (Göttingen): Rhythm in Two-Part Saint Martial Sources. A New Approach	Janine Droese (Hamburg): Robert Wylkynson's Nine-voice Salve Regina: A New Interpretation
14.30	Gioia Filocamo (Terni/Perugia): Italian Dances and German Trombonists in AugsS 142 MS	Michael Friebel (Salzburg): The Triplum Alleluia Posui Adiutorium	Theodor Dumitrescu (Utrecht): A Lost Mass Book and Scribal Activity at the Court of Henry VII
15.00	John Bass (Memphis): Intellectual Structure and Regional Style in Sixteenth-Century Ornamentation	Makiko Hirai (Tokyo): Composing out a Chant: Chant Framework as a Model for Middleground Structure in Parisian Two-Part Organa	Dana Marsh (Oxford): Iubilare uel iubilum: Musical Conservatism under Henry VIII's Reformation
15.30	Coffee Break
	Instruments and Iconography Chair: David Burn	Monastic Traditions Chair: Lisa Colton	Compositional Approaches in the 16^th Century Chair: Margaret Bent
16.00	Josephine Yannacopoulou (Edinburgh): Defining the Social Allegory of Musical Instruments: A New Approach to Medieval Western Iconography	Luminita Florea (Charleston): 'Let Us Sing With a Well-rounded and Lively Voice': An Unknown Medieval Music Manuscript in the Robbins Collection at Berkeley	Julie Cumming / Peter Schubert (Montréal): Text and Motive c.1500
16.30	Franz KÖrndle (Weimar-Jena): A Late-Medieval Angels' Concert	Katarina Ster (Ljubljana): Musical Life of the Ziče Charterhouse in the 15th Century	John Milsom (Oxford): William Byrd's Fuga 'upon the plainsong'
17.00	Sarah Davies (New York): Four Apostles and an Organ Case: Panel Painting, Dürer's Legacy and Orgelflügel in the German Reformation	David Wulstan (Aberystwyth): The Cistercian Tract on the Revision of the Antiphoner	Manfred Hermann Schmid (Tübingen): Orlando di Lasso's Madrigal Solo e pensoso: Ways how to Respond to Words
18.00	Bangor University, Prichard Jones Hall: Reception in Honour of Bonnie Blackburn (with buffet dinner)
20.00	Bangor Cathedral: Concert - The Marian Consort (director: Rory McCleery)

Friday, 25 July / Dydd Gwener, 25 Gorffenaf

	Main Arts Lecture Theatre	Main Arts, Lecture Room 4	Main Arts, Lecture Room 3	Main Arts, Lecture Room 2
	Panel Session: Women and the Sacred Convener and Chair: Barbara Eichner	Parallel Settings Chair: Katelijne Schiltz	England II: From Elizabeth I to James I Chair: Magnus williamson
9.15	Lori Kruckenberg (Eugene): Hildegard and the Tradition of the Medieval German Cantrix	Remi Chiu (Montréal): Modelling in Mia benigna fortuna by Rore and Wert	Helen Wilcox (Bangor): The poetry of Music in England, c. 1611
9.45	Lisa Colton (Huddersfield): Languishing for Provenance: The Troubled History of Zelo tui langueo and the Search for Women's Polyphony in England	RenÉe Fontaine (Montréal): Unification Strategies in the Vergine Cycles of Rore and Palestrina	Peter Scott (Durham): Flattery or Forgery? Two Elizabethan Psalm Settings Compared
10.15	Sue Niebrzydowski (Bangor): 'Asperges me, Domine, hyssopo': Male Voice and Female Interpretation in the Ceremony of Women's Churching	Daniela Sadgorski (Munich): Resonet in laudibus. The five-part motets by Orlando di Lasso and Jacob Regnart	Andrew Johnstone (Dublin): New Findings on the Chronology of Byrd's Great Service and Late Full Anthems
10.45	Coffee Break
	Women and the Sacred (cont.) Chair: Helen Wilcox	Music at Italian Academies Chair: Bonnie Blackburn	Source Studies I Chair: Jane Alden	Chant I: Liturgy Chair: John Harper
11.15	David Rothenberg (Cleveland) From Earthly Beloved to Queen of Heaven: A Lyrical Context for Dufay's Vergene bella	Daniel Donnelly (Montréal): The Anti-Courtier: Music, Social Criticism, and the Academy in Antonfrancesco Doni's Dialogo della musica	Jason Stoessel (Armidale): A Wain, Arthur and Scipio's Triumph: The Last Carraresi and Humanist Music in Early Fifteenth-Century Padua	Eduardo Henrik Aubert (Paris): Music Literacy and Performance Practice in 11th-Century Aquitaine: The Case of the Gradual and Tonary of Toulouse (Harley 4951)
11.45	Laura Macy (Oxford): The Song of Songs and Female Spirituality in Federigo Borromeo's Milan	Katelijne Schiltz / Inga Mai Groote (Munich): An Amateur Musician and His Manuscript: Agostino Bonzanino's Contribution to the Repertoire of the Accademia Filarmonica	Mathias Le Rider (Strasbourg): The Anonymous Chansons from the Manuscript Oxford Bod. 213 (Gatherings V-VIII)	Franz Karl Prassl (Graz): Notation in the Salzburg Liber Ordinarius (1198): Idea, Purpose, Function
12.15	Barbara Eichner (London/Bangor): 'I never heard sweeter singing in three voices': The Tricinia Repertoire in Southern-German Nunneries		Carlo Bosi (London): Musica ficta Usage: Old Questions and a Reappraisal	GÁbor Kiss (Budapest): Mixing Local and Regional Characteristics: Peripheral Sources for the Mass from Late Medieval Hungary

12.45	Lunch Break
	Main Arts Lecture Theatre	Main Arts, Lecture Room 4	Main Arts, Lecture Room 3	Main Arts, Lecture Room 2
	Panel Session: Renaissance Contrafacta Convenor and Chair: Kerry McCarthy	Josquin in Context Chair: Kenneth Kreitner	Music in Italian Culture Chair: Giovanni Zanovello	Chant II: Notation Chair: Franz Karl Prassl
14.30	Bernhold Schmid (Munich): Lateinische Kontrafakta nach Lasso-Motetten in Form handschriftlicher Änderungen in gedruckten Quellen	Bernadette Nelson (Lisbon): In hac lacrimarum valle: Tributes to Josquin and Symbolism in the Music of Cristobal de Morales	Anthony Cummings (Easton): Transvestism and the Carnivalesque at the Court of Pope Leo X: The Feast of Saints Cosmas and Damian	Marie Formarier (Lyon): Classical Rhetoric and Western Plainchant: Continuity and Discontinuity in Rhythmical Performance. The Evidence of the Beneventan Benedictiones
15.00	Kerry McCarthy (Durham, NC): Contrafacture and Ideology in the English Renaissance	Stephanie Schlagel (Cincinnati): Josquin des Prez's Missa L'homme armé super voces musicales and its Compositional Cousins	Timothy Shephard (Nottingham): Reclaiming the Studiolo for Music	Anke BÖdeker (Erlangen): German Neumes in Northen Italy
15.30	Philip Taylor (Lancaster) 'The mayden queen admired': Music and Identity in the Late Renaissance 'Englished' Madrigal		Jane Hatter (Montréal): Col Tempo: The Conceit of Musical Time in Sixteenth-Century Paintings	Louis Barton (Oxford): The NEUMES Project: A Report
16.15	Coach Transfer to Conwy (Departure in front of Main Arts Building)
17.00	Reception in Conwy Castle
20.00	St Mary's and All Souls Church, Conwy: Concert - The Clerks (director: Edward Wickham)
	After the concert: Coach Transfer to Bangor

Saturday, 26 July / Dydd Sadwrn, 26 Gorffenaf

	Main Arts Lecture Theatre	Main Arts, Lecture Room 4		Main Arts, Lecture Room 3	Main Arts, Lecture Room 2
	Panel Session: The Missa de Beata Virgine ConvenOrs and Chairs: Christian Leitmeir and Christiane Wiesenfeldt	Song I: Medieval England Chair: Sally Harper		Assessing a Composer's Oeuvre Chair: Julie Cumming	Reception and Transfer Chair: Metoda Kokole
9.15	Bernhold Schmid (Munich): Troping in the Missa de Beata Virgine: Aspects of an Exceptional Case of the Cyclic ordinarium missae	Katherine Barker (Dorset): Aldhelm of Malmesbury, Poet and Composer of carmina		Klaas van der Heide (Dordrecht): The year 1477 and Regis's Motets and his Missa Ecce ancilla Domini	Thomas Napp (Wiesbaden): Musical Transfer Processes between Zittau and Saxony
9.45	Jesse Rodin (Stanford): A 'Laudable Competition'?: Hearing and Composing the Beata virgine Masses of Brumel and Josquin	Helen Deeming (Southampton): Contrafactum and Recomposition in the Thirteenth-Century Lyric		Stefan Gasch (Vienna): Ludwig Senfl - A Catalogue Raisonné	Marc Desmet (Saint-Etienne): News on Handl's Sources: Lessons from the Swedish Manuscripts
10.15	David Burn (Leuven): Heinrich Isaac's Missae de beata Virgine in Context			Roger Jacob (Glasgow): The Completion of CMM 59 (Dominici Phinot Opera Omnia)	Emily Peppers (Edinburgh): Converging Cultures: Exploring the Influence of Italian Emigrant Populations on the Introduction of the Viola da Gamba into Renaissance Lyon
10.45	Coffee Break
	The Missa de Beata Virgine (cont.)	Song II: Medieval France Chair: Helen Deeming	England III: Elizabethan Culture Chair: John Milsom		Music Theory I: Chair: Ruth DeFord
11.15	Christiane Wiesenfeldt (Lübeck): Between Rome and Naples: Rocco Rodio's Missa de Beata Virgine (1562) and its Context	Jennifer Saltzstein (Norman): Ci respondit la dame: Gender and Voice in Medieval French Refrain Citation	Katherine Butler (Oxford): Music and Noble Identity in Tournaments for Elizabeth I		Gregorio Bevilacqua (Bologna): "Materia huius artis est aer et aqua". The 'Musical Rock' in Roger Caperon's Comentum super cantum
11.45	Michael Noone (Boston): The Lady Mass at Toledo Cathedral in the Sixteenth Century	Oliver Vogel (Berlin): Parodies and Models of the Monophonic Court Song in Ms F–Pn fr. 146	Michael Gale (Southampton): Life-Writing, Lute-Playing, and the Craft of Self-Representation in Early Modern England: The Case of Thomas Whythorne		Panel Session: Coniunctae in Fifteenth-Century Mantua Linda Cummins (Tuscaloosa): 'Coniunctae mixed with plainchant' in the Fifteenth Century Jan Herlinger (Baton Rouge): Coniunctae and Counterpoint in the Third Book of Music
12.15	Christian Leitmeir (Bangor): Tropes and Cantus firmi in 16th-century Missae de Beata Virgine	Ruxandra Marinescu (Utrecht): The Medieval Lay mortel and Guillaume de Machaut	Paul Schleuse (Binghamton): A Point without a Ditty: Sung Fantasias by Thomas Morley and Orazio Vecchi

12.45	Lunch Break
	Main Arts Lecture Theatre	Main Arts, Lecture Room 4	Main Arts, Lecture Room 3	Main Arts, Lecture Room 2
	Panel Session: Urban Soundscapes in Renaissance Spain Convenor and Chair: John Griffiths	Education and Influence Chair: Philippe Vendrix	Ecclesiastical Institutions Chair: Noel O'Regan	Music Theory II Chair: Leofranc Holford-Strevens
14.30	SoterraNa Aguirre (Valladolid): Church meets City - City meets Church	Tess Knighton (Cambridge): Gaffurius, Urrede and Studying Music at Salamanca University around 1500	Ilaria Grippaudo (Palermo): Sacred Music and Performance Practices in Ecclesiastical Institutions of Palermo during the Renaissance Period	Andrea Horz (Freiburg): Boethius' De Institutione Musica in the Treatises of Gaffurio and in Glarean's Dodecachordon
15.00	Cristina Diego Pacheco (Nancy): A Documentary View of Civilian Life in Renaissance Valladolid	VÉronique Roelvink (Utrecht): Mouth to Hand: Making a Living as a Singer-Composer in the Sixteenth Century	Nils H. Petersen (Copenhagen): Ducal Processions for Good Friday and Easter Sunday in Medieval and Early Modern Venice	Ruth DeFord (New York): Teaching Mensural Theory in 16th-Century Germany: In Defense of Martin Agricola
15.30	JosÉ Antonio GutiÉrrez (Madrid): Transformación y desarrollo en la vida musical de los centros religiosos de Madrid a lo largo del siglo XVI: un esbozo comparativo	Nikola LovriniC (Pazin): Palestrina's Vestiva i colli as a Model for the Parody Process in Gabriello Puliti's Early Works	David Kidger (Rochester): The Liturgy and Ceremony of San Marco in the Mid-Sixteenth Century: Giovanni Vitali's Notebook for Doge Alvise Mocenigo I	Chadwick Jenkins (New York): The Plotinusian Ugly: Gioseffo Zarlino and Dissonance as Impossible Object
16.00	Coffee Break
	Urban Soundscapes in Renaissance Spain (cont.)	The Italian Madrigal Chair: Inga Mai Groote	Song III: Historiography and Methodology Chair: David Fallows
16.30	Juan Ruiz (Granada): Power, loans and musical exchanges of the ducal house of Medina Sidonia in Renaissance Seville	Metoda Kokole (Ljubljana): "Canzon vattene al mio Signore": 16th-Century Musical Dedications to Local Patrons on the Territory of Today's Slovenia	Frank Dobbins (Montréal/London): What are the principal Tasks and Responsibilities of an Historical Musicologist Dealing with Medieval and Renaissance Song?
17.00	John Griffiths (Melbourne): Towards an Urban History of Instruments and Instrumental Practice	Seth Coluzzi (Chapel Hill): Suggestions of a New Chronology for the Early Pastor fido Madrigal	Andrea Lindmayr-Brandl (Salzburg): The Invention of the Tenorlied. A Suspicious Chapter in German Musicology
17.30	Business Meeting (Main Arts Lecture Theatre)
20.00	Bangor University, Powis Hall: Conference Dinner

Sunday, 27 July / Dydd Sul, 27 Gorffenaf

	Main Arts, Lecture Room 4	Main Arts, Lecture Room 3	Main Arts, Lecture Room 2
	Celtic Traditions Chair: Stephen Rees	The Late 15th Century Chair: Thomas Schmidt-Beste	16th-Century Italian Motets Chair: Franz KÖrndle
9.30	Kate Hope Kennedy (Princeton): 'Glory of Our Custom, Hope of the Scots': The Feast of St Columba in the 'Inchcolm Antiphonary	Agnese Pavanello (Salzburg): Gaspar van Weerbeke's motet Ave mater omnium as a Theological Document	Raz Binyamini (Tel Aviv): The Program of Zarlino's Musici quinque vocum moduli (1549)
10.00	Jeff Benedict (Maynooth): Musical Culture in the Irish Historical Annals: The Holy Grail of Medieval Irish Musicology	Rob Wegman (Princeton): The Last Will of Jehan de Saint-Gille	Noel O'Regan (Edinburgh): Palestrina's Liber primus ... mottettorum, 5, 6, 7 vv of 1569: A Practical Anthology for a New Era
10.30	Sally Elizabeth Harper (Bangor): Border Crossings: Welsh-English Musical Interchange c.1450–1600	Paula Higgins (Nottingham): Speaking of the Devil and Discipuli: The Place of Eloy d'Amerval and his 'Parnassus of Musicians' in a Cultural Geography of Late Medieval Music
11.00	Coffee Break
	Music at the French Royal Court Chair: Paula Higgins	Religious Music and the Laity Chair: Bruno Turner	Source Studies II Chair: Ian Rumbold
11.30	Yossi Maurey (Jerusalem): Renewing Contacts: Johannes Ockegherm's Missa De plus en plus	Roger Bowers (Cambridge): Polyphonic Voices in the English Parish Church, c. 1450-1559	Karl KÜgle (Utrecht): Civic Self-Fashioning in Late Medieval Bruges: The Oldest Layer of the Gruuthuse Manuscript (c.1400)
12.00	John Brobeck (Tucson): Music and Musicians at the Court of Henri II (r.1547-1559): A Preliminary Report	Sarah Long (Urbana): New Music and Texts for Monophonic Votive Masses in Late Fifteenth-Century Parisian Confraternity Manuscripts	Jane Roper (London): Mass Repertoire in the Apel Codex (Leipzig University MS 1494) and the Reception of Courtly Culture in Leipzig
12.30	Marie-Alexis Colin (Montréal): A New Source for the Music of Pierre Certon: the Moduli ... Liber primus Printed by Adrian Le Roy and Robert Ballard in 1555	Christine Getz (Iowa City): Mulier Fortis, Mater Dolorosa: The Sounding Exegesis of Feminine Virtue in Post-Tridentine Milan	Jan Kolaček (Prague): Repertory and Liturgy of Czech Utraquists in the 16th Century: A Case Study
13.00	End of Conference