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Benllech Shells
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Andrew Lewis
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– for Esme –
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summer, a crowded, baking beach. Noise, movement, ice-cream, diesel.
Children and adults alike are drawn to the foaming shore, melodious
squeals and cries bobbing up momentarily through the noise of the surf.
Away from the water families stake their claim with colourful
fortifications: parents bask and sweat, little ones search the sand.
"I've found a shell…" The child's eyes and ears collect her future
memories. "We could save this shell…" |
Benllech Beach,
Isle of Anglesey,
North Wales. July and August 2003
Putting a shell to our ear to see if we can 'hear the
sea' is perhaps the earliest experience any of us has of transforming
sound artificially: the resonant characteristics of the shell filter
the sounds coming from outside to create a wholly fictitious but
nevertheless magical aural impression of the sea. Benllech Shells
employs computer technology to much the same ends, lending an
extraordinary aspect to ordinary and familiar sounds. It also tries to
draw some parallels with the way that memory transforms childhood
events – in this case the sights and sounds of the seaside – to create
an often fictitious but nevertheless magical impression of the past.
Benllech Shells was composed in the Electroacoustic Music Studios
of Bangor University in the summer of 2003.
© 2003 A P Lewis, University of
Wales, Bangor.
All Rights Reserved.
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