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Penmon Point
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Andrew Lewis
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– for Maurice Lock –
A
cold, clear Advent day. In the distance, snow-capped mountains appear
still and at peace, yet close by the sea relentlessly pounds the Point
on three sides. The steep pebble beach is drawn by waves that crackle
and seethe with the mass of moving stone, while frozen pools on the
shore splinter and craze in joyful counterpoint. Half a mile distant an
island rises up, almost touchable - Seiriol's island, home of the
hermit, now lifeless yet still echoing with ancient worship. Even the
lighthouse, beacon of guidance, tolls in ceaseless praise, as if to
continue the songs of men who now sing before God.
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Penmon Point, Isle of Anglesey,
North Wales. December 2001
Penmon Point is a place of extraordinary sounds, and this piece draws
together its three main sonic elements:
Musica Mundana –
The ceramic, roaring scintillation of the waves lifting and perturbing
the steep banks of huge pebbles at Penmon is one of its most
characteristic sounds. Together with this, the splintering of ice, the
cries of birds and the acoustic ambience of the location provide Penmon
Point's natural voice.
Musica Humana –
Seriol's monastic settlements, founded in the 6th century, are long
deserted, but the nearby Priory Church continues his tradition. A 7th
century plainchant hymn associated with the season of Advent, Conditor
Alme Siderum ('Creator of the Starry Skies'), in various guises and
transformations, is the human voice of Penmon Point.
Musica Instrumentalis
– The lighthouse, both visually and sonically, is a strikingly
artificial presence in an otherwise untamed environment. The tolling of
the lighthouse bell every thirty seconds similarly suggests the order
and conceit typical of instrumental or 'machine' music. Thus this bell
provides the overall structural organisation of the piece, both
horizontally (it sounds every thirty seconds in the music itself) and
vertically (its first eight partials form the pitch structure of the
entire work).
All three musics are
linked by their periodicity, the ebb and flow of the waves, rise and
fall of the voices, and regular tolling of the bell creating a variety
of rhythmic interactions.
Penmon Point was composed
during the winter of 2002/03 in the Electroacoustic Music Studios of
the University of Wales Bangor. It won first prize in the Fifth
Concurso Internacional de Música Eletroacústica de
São Paulo (V CIMESP) 2003.
© 2003 A P Lewis, University of
Wales, Bangor.
All Rights Reserved.
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