2011

2007

2006

2005

2002

  • CyhoeddwydCoeden Dân
    Rees, S., 1 Ion 2002
    Allbwn ymchwil: Ffurf annhestunol › Perfformiad
  • CyhoeddwydCwttig
    Rees, S., 1 Ion 2002
    Allbwn ymchwil: Ffurf annhestunol › Perfformiad

2001

  • CyhoeddwydCam Ymlaen
    Rees, S. P. & 0, N. V., 1 Ion 2001
    Allbwn ymchwil: Ffurf annhestunol › Cyfansoddiad

2000

1999

1998

  • CyhoeddwydLate Medieval Secular Song
    Rees, S., 30 Tach 1998, Yn: Early Music. 26, 4, t. 681-684 4 t.
    Allbwn ymchwil: Cyfraniad at gyfnodolyn › Adolygiad Llyfr/Ffilm/Erthygl › adolygiad gan gymheiriaid

1996

2018

2017

  • Alawon Môn / Anglesey Tunes: The Manuscript of Morris Edward (1778) [Bangor MS 2294]

    Survey of melodies in Morris Edward’s Manuscript

    2 Hyd 2017

    Gweithgaredd: Sgwrs wadd (Siaradwr)
  • First International Conference on Women's Work in Music

    ‘Tessie Thomas: The Welsh Violinist’

    Abstract:

    Among British violinists active during the first third of the twentieth century, Neath-born Tessie Thomas stands out as a remarkable prodigy. Brought up in a musical family, she was already performing virtuoso showpieces by Sarasate at the age of ten; shortly thereafter, she was sponsored by a local J.P. to further her studies in Budapest under the tutelage of the internationally renowned violinist and pedagogue, Jenő Hubay (1858–1937). She made a widely acclaimed London debut in 1917, performing as soloist at the Queen’s Hall promenade concerts; one of her programmes included Edward Elgar’s Violin concerto, conducted by the composer.

    During 1917–18, she performed throughout South Wales, including a concerto performance at the Neath National Eisteddfod of 1918. The years immediately following the war saw her give solo and chamber performances across the United Kingdom, and release a number of recordings on 78rpm discs.

    In this paper, I trace the performing career of Tessie Thomas and locate her within a significant tradition of female instrumental soloists from Britain. I also analyse the career trajectory of a spectacularly talented violinist during the years c.1910–c.1925, at a period when possibilties for advanced instrumental training in Wales were scarce.

    6 Medi 2017

    Cysylltau:

    Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)
  • British Forum for Ethnomusicology

    'Creative Renewal in the Instrumental Traditions of Wales'

    23 Ebr 2017

    Cysylltau:

    Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Siaradwr)

2016

  • Shankland Lecture 1: Fiddle Tunes from Anglesey

    Treasures from Bangor Library and Archives. An examination of the fiddle manuscript written by Morris Edward during the late 1770s. The manuscript is preserved in Bangor University Archives; Morris Edward was known to have been employed to play the fiddle at the Bodorgan estate, and his collection of tunes contains some original compositions, several possibly Morris Edward himself. The presentation includes live performances of music from the manuscript, in arrangements by Stephen Rees.

    12 Hyd 2016

    Cysylltau:

    Gweithgaredd: Mathau o waith ymgysylltu â'r cyhoedd a gwaith maes - Darlith/trafodaeth/seminar gyhoeddus (Darlithydd)
  • BEAM 2016

    Instrumental tutor for traditional music classes. trac is an ACW revenue-funded organisation which was set up in 1997 to promote the traditional arts of Wales. I was a member of the team who established trac and was chair of the organisation from 1997 until 2002.

    23 Medi 2016 – 25 Medi 2016

    Gweithgaredd: Cymryd rhan mewn gweithdy, seminar, cwrs Academaidd (Siaradwr gwadd)
  • Ar Drywydd Treftadaeth / In Search of Heritage

    Co-organiser with Professor Nancy Edwards and Professor Angharad Price. The multi-disciplinary colloquium featured speakers from many fields, and also succeded in drawing in members of the public. Feedback from those who attended and speakers was extremely positive.

    1 Maw 2016 – 21 Meh 2016

    Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Trefnydd)
  • BFE / RMA Research Students' Conference 2016

    Keyboard accompanist for a lecture-recital by Aaron McGregor (PhD candidate, University of Glasgow) on Early Scottish Fiddle Music.

    6 Ion 2016

    Gweithgaredd: Cymryd rhan mewn cynhadledd Academaidd (Cyfranogwr)

2015

2014

2012