Shakespeare and Form:
‘To set a form upon desired change’
27-30 July 2027
Bangor University, Wales
Pontio Arts Centre, Bangor, Wales
Confirmed Guest Speakers
William E. Engel (Sewanee – University of the South, USA)
Florence March (Université de Montpellier Paul-Valéry, FR)
Iman Sheeha (Brunel University, GB)
The European Shakespeare Research Association (ESRA) is proud to announce that its next biennial conference will take place in the summer of 2027 at Bangor University, Wales, both at the Pontio Arts Centre and throughout the university campus. The conference will be organised by a team led by Andrew Hiscock and Sue Niebrzydowski (School of Arts, Culture and Languages).
ESRA 2027 will explore the question of ‘form’ from a variety of angles, bringing together scholar, practitioner, school and collegiate communities as well as the general public. Interest in the wide-reaching question of form with regard to Shakespeare has a long and very varied history which looks back to Henry Ruggles’ The Plays of Shakespeare founded on literary forms (1895) and beyond. In the twentieth century, we may think of key interventions, such as C. L. Barber’s Shakespeare’s Festive Comedy. A Study in Dramatic Form and its Relations to Social Custom (1959), William Toole’s Shakespeare’s Problem Plays: Studies in Form and Meaning (1966), Emrys Jones’ Scenic Form in Shakespeare (1971), Robert Weimann’s Shakespeare and the Popular Tradition in the Theatre: Studies in the social dimension of dramatic form and function (1978) and Leo Salingar’s Dramatic Form in Shakespeare and the Jacobeans (1986), to name but a few. More recently, twenty-first-century examples abound, such as Douglas Bruster’s Quoting Shakespeare. Form and Culture in Early Modern Drama (2000), Lene B. Petersen’s Shakespeare’s Errant texts: Textual Form and Linguistic Style (2010), Ruth Nevo’s Tragic Form in Shakespeare (2015), Ralph Berry’s Shakespeare’s Comedies. Explorations in Form (2016) and Jonathan’s Sell’s Shakespeare’s Sublime Ethos: Matter, Stage, Form (2022). In all kinds of ways, the corpus of Shakespeare’s works urges us to think about form in a host of different contexts in research, practice, performance and pedagogy.
This ‘Shakespeare and Form’ conference honours ESRA’s foundational engagement with the place held by Shakespeare in European cultures, while also opening itself to a range of other approaches to the chosen theme. Potential lines of vision on this theme may thus include, but are not limited to, the following:
- Shakespeare, Dimension and Format- Forming and Reforming Shakespeare
- Shakespeare, Proportion, Deviancy - Shakespeare, Formulation and Report
- Shakespeare, Kind and Genre - Shakespeare and Environment
- Shakespeare, Form and Well-Being - Shakespeare, Mass and Framework
- Shakespeare, Courtesy and Protocol - Shakespeare, Fineness, Delineation
- Shakespeare, Representation and Design - Shakespeare, System, Usage, Routine
- Shakespeare, Formation, Adaptation & Metamorphosis
- Shakespeare. [Im]propriety, [In]decency - Shakespeare, Assembly and Completion
- Shakespeare, Ornament, Fragment - Shakespeare, Observation, Observance
- Shakespeare, Process, Practice & Appropriation - Reformist Shakespeare
- Shakespeare, Embodiment, Physicality - Shakespeare, Custom, Regulation
- Shakespeare, Materiality and the External - [In]Formal Shakespeare
- Shakespeare, Emblem and Image - Performative Shakespeare
- Shakespeare, Notation, Measure, Music - Informative Shakespeare
- Shakespeare, Space, Architecture - Shakespeare, Therapy, Treatment
- Shakespeare and Perceiving - Shakespeare and Taste
- Shakespeare, Frame and Mapping - Shakespeare and Reform
- Shakespeare and Inter-relation - Virtuous Shakespeare
- Shakespeare and Bureaucracy - Programming Shakespeare
- Shakespeare and Contrivance, Co-ordination - Shakespeare and Technique
- Shakespeare, Degree and Hierarchy - Shakespeare, Behaviour, Pose
- Shakespeare, Version and Revision - Shakespeare, Object, Objectification
- Shakespeare, Anthology, Biography - Speaking Shakespeare
- Shakespeare. Integrity, Soundness - Criminal Shakespeare – ‘having form’
Members of ESRA are invited to propose a panel, roundtable or a seminar that they would be interested in convening. (NB: To become a member of ESRA, you just need to send a message to europeanshakespeare@gmail.com)
***ESRA 2027 is an in-person only event***
Panel proposals: these should be conceived as a pre-organized event with 3-4 papers focusing on a subject related to ‘Shakespeare and Form’ in some manner. Proposals should be no longer than 350-400 words (stating topic, relevance, and approach). The proposal should be submitted by the panel convenor(s) with the names of the participants (no more than four speakers) and the name of a chair (who may be one of the panellists).
Roundtable proposals: these should be conceived as a pre-organized discussion event, focusing on a subject related to ‘Shakespeare and Form’ in some manner. Proposals should be no longer than 350-400 words (stating topic, relevance, and approach). The proposal should be submitted by the roundtable convenor(s) with the names of the participants (no more than four speakers) and the name of a chair (who may be one of the roundtable members).
Seminar proposals: these proposals are for thematic strands linked to ‘Shakespeare and Form’. Seminars are designed as a series of discussion sessions in which the selected participants share their research with each other in the group prior to the scheduled meeting in the conference programme. Each seminar proposal should be no more than 350-400 words and submitted by 2 or 3 potential convenors from different countries. To encourage and allow for a broader selection of seminars at the conference, we will accept only one proposal by each ESRA member. Once the seminar list has been agreed by the conference organizers, there will be a CfP for seminar participants.
Please send your proposals until Friday 5th June 2026 to the following email address: esra2027@bangor.ac.uk
The conference organisers and the Board of ESRA will confirm their final choice of panels and seminars by Friday 3rd July 2026. All convenors will be personally informed of the choices made and the list of seminars will be made available on the ESRA and the Conference websites.
Should you have any questions, feel free to contact the organising team at the above email address (esra2027@bangor.ac.uk).
Important dates
Seminar, Panel & Roundtable Proposal deadline: 5th June 2026
Proposal acceptance notification: 3rd July 2026
Call for Papers opening: 13th July 2026
Early Bird Registration Opening: 12th October 2026
Call for Papers Deadline: 4th December 2026
Call for Papers Acceptance Notification: 16th December 2026
Early Bird Registration Expires: 2nd April 2027
Organizers and Advisors
- Andrew Hiscock
- Sue Niebrzydowski
- Nia Wright-Morgan