Coronavirus (Covid-19) Information

Dr Sarah Pogoda

Lecturer in German Studies

Originally from the Bergische Land (Nordrhein-Westfalen), I studied German literature, history and communication at the Freie Universität Berlin. As part of my undergraduate programme I went on an Erasmus exchange to the University of Vienna. After my Magister Artium I completed a doctorate in German literature. Having worked as a tutor for GfL (German as a Foreign Language) in the private sector in Berlin, I went to the University of Sheffield as DAAD-Lektorin in 2012. In autumn 2016 I came to Bangor University.


At the Freie Universität Berlin and the Humboldt Universität zu Berlin I offered several modules on Political Studies and German Literature of the 20th century. As a DAAD-Lektor at the University of Sheffield (2012-2016) I taught modules on contemporary German culture and media, post-wall German art, film and performance, as well as modules on contemporary German literature. Alongside this research led teaching, I have been teaching German language at all levels (ab initio to near native competence) since 2011. At Bangor University I continue teaching German language at all levels, as well as undergraduate and postgraduate teaching in my field of research expertise, this includes e.g. the modules "Culture in Context" (LXE 1600); "Divided Germany" (LXG 2013), "Performing Germany" (LXG 3036), "German Avant-Garde" (LXM 4037) and "Critical Theory" (LXM 4001).

In my teaching, I prefer to integrate artistic practices, such as Happenings and Creative Writing exercises. I do not only understand this kind of pracice based learning as best practice in teaching, but first and foremost, I want to show my students that the revolution starts with ourselves and inside ourselves. It is this revolution of the self which I consider as the key experience of life, and of university life in particular. I was nominated for the Special Recognition Award.


My current research project considers the idea of the moving image in Christoph Schlingensief's work and how it is transformed by working with genres other than film, such as theatre productions, radio plays and action art. In this regard I am also particularly interested in the political potential of art and how contemporary artist interfere in the public sphere. Here, I am exploring the transformative strategies of Avant-garde art. Concerning these questions I organised the international conference “Christoph Schlingensief and the Avant-Garde” at the ZIF Bielefeld in February 2017.

Furthermore, I am keen to explore methods of research as art and how research and academia may reinvent public engagement via artistic research. In this context I started the experimental project “Bellotograph”.

Further research interests lie in the interrelations of literature and architecture and, more generally, in the history, culture, politics and literature of post-1945 Germany, including the former GDR. In my doctoral thesis I look at metaphors of building and dwelling in post-war and contemporary German literature and culture. In addition I am interested in contemporary German literature in general.