Ymunodd John Cunningham ag Ysgol Cerddoriaeth Bangor fis Medi 2011. Bu'n astudio cerddoriaeth yng Ngholeg Prifysgol Dulyn (BMus, 2000), ac yno y cwblhaodd radd MA mewn cerddoleg (2001). Yn 2007 cafodd PhD gan Brifysgol Leeds (o dan oruchwyliaeth yr Athro Peter Holman), am draethawd ymchwil ynghylch y cyfansoddwr modern cynnar o Sais, William Lawes. Bu John yn dysgu amryw o bynciau yn UCD ac yn Ysgol Gerdd a Drama Sefydliad Technoleg Dulyn, a bu'n dal swyddi ymchwil ym Mhrifysgol Limerick, Prifysgol Leeds, ac yng Ngholeg Prifysgol Dulyn (lle bu'n gymrawd ôl-ddoethurol i Gyngor Ymchwil Iwerddon dros y Dyniaethau a'r Gwyddorau Cymdeithasol yn 2008-2009). Mae John yn Uwch Gymrawd o'r Academi Addysg Uwch, ac yn aelod o Bwyllgor Cymdeithas Purcell. 

Mae ymchwil John yn canolbwyntio'n bennaf ar gerddoriaeth seciwlar ym Mhrydain ac Iwerddon, c.1600–1870. Ymhlith ei brojectau presennol mae monograff ar y cyfansoddwr Charles Dibdin, yn ogystal â nifer o brojectau sy'n ymwneud ag argraffiadau, gan gynnwys cyfrol o gerddoriaeth gonsort Matthew Locke (gyda Dr Silas Wollston) i'r gyfres Musica Britannica. Cyhoeddwyd ei argraffiad, gyda'r Athro Peter Holman, o Restoration Music for Three Violins and Bass, Musica Britannica 103 yn ddiweddar (2018).  

Bu John yn Gyfarwyddwr Addysgu a Dysgu yn yr hen Ysgol Gerddoriaeth (2012-17). Mae bellach yn Gyfarwyddwr Ymchwil yn yr Ysgol Cerddoriaeth a'r Cyfryngau. 

Mi allwch chi ddilyn gwaith John ar academia, ac yno hefyd mae rhagor o wybodaeth ynglŷn â phapurau ymchwil a chyhoeddiadau o'i eiddo.

Ebost: else17@bangor.ac.uk

Ffon: +44 (0) 1248 388278

Lleoliad: Ysgol Cerddoriaeth a'r Cyfryngau, Adeilad Cerddoriaeth, Llawr Cyntaf

• Profesiynol: Uwch Gymrawd yr Academi Addysg Uwch
  Higher Education Academy, 2019
• Profesiynol: Gymrawd yr Academi Addysg Uwch
  Higher Education Academy, 2015
• Profesiynol: PGCertTHE
  2015
• PhD: ‘Music for the Privy Chamber: Studies in the Consort Music of William Lawes (1602−45)’
  School of Geography, University of Leeds, UK, 2003–2007
• MA
  University College Dublin, 2000–2001
• Arall: BMus
  University College Dublin, 1996–2000

Mae John yn dysgu amrywiaeth helaeth o bynciau cerddoregol o amryw o gyfnodau hanesyddol, gyda phwyslais ar gerddoriaeth cyn 1900. Yn 2019/20, mae'n cydlynu ac yn dysgu'r modiwlau canlynol:

• WXM 1301 Music 1550–1850
• WXM 1008 Harmony and Counterpoint
• WXM 3282 / 3283 Edition project

 Mae hefyd yn dysgu ar y modiwlau canlynol:

• WXM 2303 / 3305 Genres and Composers A/C (Mozart)
• WXM 2304 / 3306 Genres and Composers B/D (The Concerto: Baroque to Contemporary)
• WXM 2211 Musicology Year 2
• WXM 3276 / 3277 Dissertation project
• WMP 4106 Independent Research Project
• WMP 4043 Music in Society
• KAH 4401 Understanding the Middle Ages
• QXE 4025 Manuscripts and Printed Books

Modiwlau blaenorol

• WXM 1001 / 1002 The Study of Music
• WXM 1004 Introduction Harmony and Counterpoint
• WXM 2001 / 3001 Telemann
• WXM 2002 / 3002 Classical Symphony
• WXM 2007 / 3007 Music and Politics in 17th-Century England
• WXM 2014 / 3014 The Trio Sonata in England
• WXM 2019 / 3019 Opera: Monteverdi to Mozart
• WXM 2127 / 3127 Music on the English Stage, c.1600–95
• WXM 2160 / 3160 The Beatles
• WXM 2198 / 3198 Handel
• WXM 2205 Notation and Editing
• WXM 2207 Advanced Harmony and Counterpoint
• WXM 3205 Notation and Editing
• WXM 3302 Fugue
• WXP 2247 / 3247 Historical Performance
• WMP 4101 Music in Historical Context 
• WMP 4041 Early Music

Cyrsiau a ddysgir mewn tîm

• KAH 4401 Understanding the Middle Ages
• QXE 4025 Manuscripts & Printed Books

 Myfyrwyr PhD 

• Fueanglada (Organ) Prawang: Ddylanwad cerddoriaeth y Gorllewin ar ddatblygiad opera Thai (2021)

• Stephen Bullamore, 'Anthemau John Weldon' (2014)

Mae ymchwil John yn canolbwyntio ar gerddoriaeth leisiol ac offerynnol seciwlar yn Ynysoedd Prydain, tua 1600-1870. Ei ddiddordebau ymchwil allweddol yw:

• Cerddoriaeth gonsort Lloegr yr unfed ganrif ar bymtheg (a'r ffynonellau)
• Y broses gyfansoddi
• William Lawes
• Hanes cerddoriaeth a diwylliant
• Cerddoriaeth a drama yn Lloegr yn y cyfnod modern cynnar;
• Astudio'r ffynonellau;
• Golygu
• Cerddoriaeth boblogaidd
• Shakespeare a cherddoriaeth

2022

• Wedi ei Dderbyn / Yn y wasgjava.lang.NullPointerException
• E-gyhoeddi cyn argraffujava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2021

• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2020

• CyhoeddwydJohn Jenkins: Fantasia-Suites: Review of: John Jenkins: Fantasia-Suites III, ed. Andrew Ashbee, MB CIV (London: Stainer and Bell, 2019)
  Cunningham, J., 2020, Yn: The Viola da Gamba Society Journal. 13, t. 86-89
  Allbwn ymchwil: Cyfraniad at gyfnodolyn › Adolygiad Llyfr/Ffilm/Erthygl › adolygiad gan gymheiriaid
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2019

• CyhoeddwydCharles Dibdin: the melodist
  Cunningham, J., 2019, Retrospect Opera.
  Allbwn ymchwil: Cyfraniad arall › Cyfraniad Arall › adolygiad gan gymheiriaid
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2018

• CyhoeddwydRestoration Music for Three Violins, Bass Viol and Continuo
  Cunningham, J. & Holman, P., 2018, Musica Britannica gol. London : Stainer & Bell. 184 t. (Musica Britannica; Cyfrol 103)
  Allbwn ymchwil: Llyfr/Adroddiad › Llyfr › adolygiad gan gymheiriaid
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwyd“An Irishman in an opera!”: Music and nationalism on the London stage in the mid-1770s
  Cunningham, J., 2018, Music Preferred. Essays in Musicology, Cultural History and analysis in honour of Harry White. Elliott, R. & Byrne Bodley, L. (gol.). Vienna: Hollitzer Verlag
  Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod › adolygiad gan gymheiriaid

2017

• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• CyhoeddwydThe New Oxford Shakespeare: Music
  Cunningham, J., 2017
  Allbwn ymchwil: Ffurf annhestunol › Safe Gwe / Cyhoeddiad Gwe
• CyhoeddwydThe reception and re-use of Thomas Arne’s Shakespeare songs of 1740/1
  Cunningham, J., 2017, Shakespeare, Music and Performance . Barclay, B. & Lindley, D. (gol.). Cambridge: Cambridge University Press
  Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod › adolygiad gan gymheiriaid

2016

• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2015

• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2014

• Cyhoeddwydjava.lang.NullPointerException

2013

• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• CyhoeddwydWelsh Rabbit, Anyone?
  Cunningham, J., 2013
  Allbwn ymchwil: Ffurf annhestunol › Safe Gwe / Cyhoeddiad Gwe

2012

• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2011

• CyhoeddwydFlights of Fancy: liner notes
  Cunningham, J., 2011, Avie.
  Allbwn ymchwil: Cyfraniad arall › Cyfraniad Arall › adolygiad gan gymheiriaid

2010

• CyhoeddwydEdition of: Marc-Antoine Charpentier, Laudate Dominum, for Soloists, Double Choir and Orchestra, with introduction by P. Holman, THM003
  Cunningham, J. & Holman, P., 2010, 34 t. Edinburgh : Thesaurus Musicus.
  Allbwn ymchwil: Cyfraniad arall › Cyfraniad Arall › adolygiad gan gymheiriaid
• CyhoeddwydMaurice Webster: Complete Consort Music
  Holman, P. (gol.) & Cunningham, J. (gol.), 2010, Launton: Edition HH. 60 t.
  Allbwn ymchwil: Llyfr/Adroddiad › Blodeugerdd › adolygiad gan gymheiriaid
• Cyhoeddwydjava.lang.NullPointerException
• CyhoeddwydReview of: "John Jenkins, Fantasia-Suites, ed. Andrew Ashbee"
  Cunningham, J., 2010, Yn: The Viola da Gamba Society Journal. 4, t. 154-159 5 t.
  Allbwn ymchwil: Cyfraniad at gyfnodolyn › Adolygiad Llyfr/Ffilm/Erthygl › adolygiad gan gymheiriaid
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException
• Cyhoeddwydjava.lang.NullPointerException

2009

• Cyhoeddwydjava.lang.NullPointerException
• CyhoeddwydLyra-viol Ecclesiastica: A neglected manuscript source in Archbishop Marsh’s Library, Dublin
  Cunningham, J., 2009, Yn: The Viola da Gamba Society Journal. 3, t. 1-54 54 t.
  Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid

2008

• CyhoeddwydReview of William Lawes: The Harp Consorts, ed. Jane Achtman, et al.
  Cunningham, J., 2008, Yn: The Viola da Gamba Society Journal. 2, t. 84-98 14 t.
  Allbwn ymchwil: Cyfraniad at gyfnodolyn › Adolygiad Llyfr/Ffilm/Erthygl › adolygiad gan gymheiriaid
• CyhoeddwydSimon Ives, The Four-Part Dances
  Cunningham, J. (gol.) & Holman, P. (gol.), 2008, 60 t. Launton : Edition HH.
  Allbwn ymchwil: Cyfraniad arall › Cyfraniad Arall › adolygiad gan gymheiriaid
• Cyhoeddwydjava.lang.NullPointerException

2007

• CyhoeddwydA tale of two harps: Issues arising from recordings of William Lawes’s Harp Consorts
  Cunningham, J., 2007, Yn: Early Music Performer: Journal of the National Early Music Association. 21, t. 13-24 11 t.
  Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid
• CyhoeddwydLiner notes for: William Lawes: The Passion of Musicke. Ricercar Consort, dir. Philippe Pierlot. Flora 1206 (2007)
  Cunningham, J., 2007, Flora.
  Allbwn ymchwil: Cyfraniad arall › Cyfraniad Arall › adolygiad gan gymheiriaid

2006

• Cyhoeddwyd‘Dibdin Here, Dibdin There, Dibdin Everywhere: Report on the LUCEM “Charles Dibdin Autographs Project”’
  Cunningham, J., 2006, Yn: Early Music Performer: Journal of the National Early Music Association. 18, t. 36−43 7 t.
  Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid
• Cyhoeddwyd‘“Let them be lusty, smart-speaking viols”: William Lawes and the lyra-viol trio
  Cunningham, J., 2006, Yn: Journal of the Viola da Gamba Society of America. 43, t. 32-68 36 t.
  Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid

2005

• Cyhoeddwydjava.lang.NullPointerException

2022

• Katherine Philips’s Pompey songs on the Restoration stage and page

  First performed in Dublin (1663) one of the most significant aspects of Philips’s Pompey was her addition of a song after each act, something unique in the period. Although, according to the playbook, the songs ‘were added only to lengthen the Play’ they have proved fertile ground for interpretation (e.g. Russell, 2010). However, little has been written about the songs as performed, and experienced, musical events. Lack of documentary evidence is problematic. Only one of the song settings heard on the Dublin stage appears to have survived. When the play was revived in London (early 1670s?) new settings were composed: several of these survive and can be used to shed light on the now lost music heard in Dublin. Drawing upon newly prepared performances of the Pompey songs, this paper will argue that the music in the play was carefully designed to help audiences navigate its central themes.

  2 Ebr 2022

  Cysylltau:

  • https://rsa.confex.com/rsa/2022/meetingapp.cgi/Paper/13001
  Gweithgaredd: Cyflwyniad llafar (Siaradwr)
• External examiner

  Jenifer Wagnhorn, Composers for the King's Men: Robert Johnson, John Wilson and Institutional Developments in the Company's use of Original Theatre Music, 1610 to 1625

  23 Maw 2022

  Gweithgaredd: Arholiad (Arholwr)
• External Examiner

  Undergraduate and postgraduate programmes in Music

  1 Maw 2022 – 1 Gorff 2026

  Gweithgaredd: Arholiad (Arholwr)

2021

• The Third International Conference on Women’s Work in Music

  From conference website:

  Following on from our first two Conferences (2017, 2019), we are pleased to announce that the Third International Conference on Women’s Work in Music will take place on 1-3 September 2021. The conference will be held online this year, and will provide virtual spaces for discussion, music and networking.

  The Conference will celebrate the achievements of women musicians, and aims to critically explore and discuss the changing contexts of women’s work in music on the international stage. The conference aims to bring together academics, composers, performers and music professionals from around the world to share their research and experience of all aspects of women working in music, past, present and future.

  1 Medi 2021 – 3 Medi 2021

  Gweithgaredd: Cymryd rhan mewn cynhadledd (Aelod o bwyllgor rhaglen)
• THE TRIPLE HARPS OF BASSETT JONES (1809 –1869): CONTEXT AND ORGANOLOGY

  MRes

  2021 →

  Gweithgaredd: Arholiad (Arholwr)

2020

• ‘Songs lost and found: Katherine Philips’ “Pompey’s Ghost”, Restoration to (American) Revolution’

  2 Rhag 2020

  Cysylltau:

  • http://colclough.bangor.ac.uk/events/-songs-lost-and-found-katherine-philips-s-pompey-s-ghost-restoration-to-american-revolution-44411
  Gweithgaredd: Sgwrs wadd (Siaradwr)
• MMus by research: examination chair

  Examination committee chair for Thomas Hughes's MMus by research

  13 Ion 2020

  Gweithgaredd: Arholiad (Arholwr)

2019

• External Examiner

  Undergraduate programmes in music

  1 Medi 2019 – 30 Awst 2023

  Gweithgaredd: Arholiad (Arholwr)
• Internal examiner

  Internal examiner for Matthias Wurz, 'Shades of Pierrot: Exploration of analytical concepts for performing Arnold Schoenberg's Pierrot Lunaire' PhD submission

  2019 →

  Gweithgaredd: Arholiad (Arholwr)

2012

• Celtic Studies Conference

  2012

  Gweithgaredd: Cymryd rhan mewn cynhadledd (Aelod o bwyllgor rhaglen)

2010

• The Viola da Gamba Society Journal (Cyfnodolyn)

  Editor: The Viola da Gamba Society Journal, volume 4

  2010 – 2011

  Cysylltau:

  • http://vdgs.org.uk/journal/
  Gweithgaredd: Gweithgarwch golygyddol (Golygydd gwadd)

2008

• Suffolk Villages Festival

  I prepared performing editions of the following music for this public concert:

  William Boyce, David’s Lamentation over Saul and Jonathan (Dublin version, 1744), short oratorio; William Boyce, O be joyful in God, anthem (St Mary’s Church, Hadleigh, Suffolk; 26 May 2008, Psalmody, Essex Baroque Orchestra, dir. P. Holman)

  26 Mai 2008

  Cysylltau:

  • http://www.suffolkvillagesfestival.com/
  Gweithgaredd: Mathau o waith ymgysylltu â'r cyhoedd a gwaith maes - Gŵyl/Arddangosfa (Cyfrannwr)

Papurau cynadleddau a seminarau ymchwil 

• ‘The Fantasias from William Lawes’s Royall Consort’, RMA Research Students’ Conference, Durham and Newcastle Universities (30 March−1 April 2005)
• ‘The Lyra-Viol Trio in Early Stuart England’, RMA Research Students’ Conference, University of Leeds (4−7 January 2006)
• ‘William Lawes and the “Irish” Harp Consort?’, Annual Conference of the Society for Musicology in Ireland, Mary Immaculate College, Limerick (5−7 May 2006)
• ‘Revisions in the Lyra-Viol Trios of William Lawes’, Twelfth Biennial International Conference on Baroque Music, University of Warsaw (26−30 July 2006)
• ‘William Lawes and the Harp Consort’, Research Students’ Study-Day, School of Music, University of Leeds (13 December 2006)
• ‘The Division of Originality: Lawes, Jenkins and the “Division-Fantasia”’, RMA Research Students’ Conference, University of Bristol (3−6 January 2007)
• ‘Anglo-Irish Musical Relations in the Seventeenth Century’, Musical Journeys with the Flight of the Earls: Interdisciplinary Symposium, Dublin Institute of Technology, Conservatory of Music and Drama (3 February 2007)
• ‘The Development of the Two-Part Aire in Early Seventeenth Century England’, Annual Conference of the Society for Musicology in Ireland, Dublin Institute of Technology, Conservatory of Music and Drama (11−13 May 2007)
• ‘“Composed in the way of a Fancy’: William Lawes and the Fantasia-Suite’, Annual Conference of the Society for Musicology in Ireland, Waterford Institute of Technology (9−11 May 2008)
• ‘A Musical Miscellany: Marsh’s Library, Dublin, MS Z3.4.13’, Thirteenth Biennial International Conference on Baroque Music, University of Leeds (2−6 July 2008)
• ‘A Meeting of Amateur and Professional: Playford’s “Compendious Collection” of Two-Part Airs, Court-Ayres (1655)’, Concepts of Creativity in Seventeenth-Century England: Two-day International Interdisciplinary Symposium, Martin Harris Centre for Music and Drama, University of Manchester (6−7 September 2008)
• ‘A Neglected Source of Lyra-Viol Music in Marsh’s Library, Dublin’, Seminars in Musicology, University College Dublin, School of Music (30 Oct. 2008): invited 
• ‘Appropriation and Approbation: Music and Cultural Assimilation in Ben Jonson’s Irish Masque at Court (1613)’, Music, Plantation and Migration: Interdisciplinary Symposium, Dublin Institute of Technology, Conservatory of Music and Drama (25 April 2009)
• ‘Ben Jonson’s Use of Music in the Early Plays’, Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, Royal Irish Academy of Music, Dublin (9−12 July 2009)
• ‘Composition and Arrangement in the Lyra-Viol Repertoire’, Fourteenth Biennial International Conference on Baroque Music, Queen’s University Belfast (30 June−4 July 2010)
• ‘“I fear the little gentleman is in a galloping consumption”: The death and resurrection of Arne’s The Fairy Prince (1771)’, Annual Conference of the Society for Musicology in Ireland, Royal Irish Academy of Music, Dublin (24–26 June 2011)
• ‘“Irregular and not always correct in harmony”: Revisions and re-creations in the consort music of William Lawes (1602–45)’, Seminars in Musicology, Bangor University (5 October 2011) 
• ‘“I have brought you a variety of noise”: Ben Jonson and Music, the late seventeenth century and beyond’, Seminars in Musicology, Edinburgh University (1 March 2012): invited
• ‘Mason’s Caractacus (1759) on the British stage’, Annual Conference of the Society for Musicology in Ireland, Dundalk Institute of Technology (15–17 June 2012)
• ‘Music and identity in Ben Jonson’s Irish Masque at Court’: The Inaugural Bangor Conference of Celtic Studies, Bangor University (20–23 July 2012)
• ‘Music and Ben Jonson’s dramatic works’, Fifteenth Biennial International Conference on Baroque Music, University of Southampton (11−15 July 2012)
• ‘Performance, expectation and tradition in Shakespearean songs, c.1740–1760’: Shakespeare, Music and Performance Conference, The Shakespeare Globe, London (3–5 May 2013): invited
• ‘Transgressive soundscapes: “art” vs “popular” song in the early modern theatre’, Early Modern Soundscapes, Bangor University (24−25 April 2014) 
• ‘A New Messiah: Shakespeare, music, and the 1864 Tercentenary celebration’, Annual Conference of the Society for Musicology in Ireland, University College Dublin (6–8 June 2014)
• ‘Revision and revival: William Boyce’s David’s Lamentation over Saul and Jonathan (1736−1744)’, Sixteenth Biennial International Conference on Baroque Music, University of Music and Dramatic Arts Mozarteum, Salzburg (9–13 July 2014)
• ‘The roots of English Restoration opera in masque’ (panel on English opera), Eighth European Music Analysis Conference, University of Leuven (17−21 September 2014)
• ‘Words, music, and the cult of Shakespearean veneration: the 1864 Tercentenary Celebration’, Words and Music Study Day, Bangor University (2 May 2015) 
• ‘“Faint copies” and “excellent Originalls”: Composition and consumption of trio sonatas in England, c.1690–1710’, The geography of the trio sonata: new perspectives, University of Fribourg, Switzerland (21–22 May 2015): invited
• ‘Dowland’s Ayres in Transmission: Texts and Contexts’: John Dowland (?1563–1626)Study Day, Magdalene College, Oxford (4 May 2016): invited
• ‘New Light on Thomas Arne’s Setting of The Fairy Prince’, panel and roundtable on Thomas Arne Revisited, RMA Annual Conference, Guildhall, London (3–5 September, 2016)
• ‘Jonson’s songbook?’: Ben Jonson’s Workes and their contexts: 400 years on, Sheffield Centre for Early Modern Studies, Sheffield (12 Nov. 2016)
• ‘Arne, Shakespeare and the development of a canon’: Seminars in Musicology, Liverpool Hope University (15 March 2017)
• ‘Arne, nationalism and the English stage’: Seminars in Musicology, University College Dublin (5 April 2017)
• ‘Reimagining the “English” Trio Sonata’, Faculty of Music Research Colloquia, Oxford University (6 June 2017)
• ‘The Charles Dibdin Autograph Manuscripts in the Freemantle Collection’, Nineteenth-Century Music Conference, Birmingham University (28–30 June 2017)
• ‘Charles Dibdin at Leeds: the Freemantle Collection’, Music Research Colloquia, University of Leeds (15 February 2018)
• ‘Pompey’s Ghost’ from play-house to pulpit?, Traditional Tunes and Popular Airs Conference, University of Sheffield (8 June 2019)
• ‘Corbett’s last catalogue’, Musical Instrument Collectors and Collections, University of Oxford (23–5 August 2019)