Modules for course Q3P5 | BA/EJ
BA English with Journalism

These were the modules for this course in the 2017–18 academic year.

You can also view the modules offered in the years: 2018–19; 2019–20.

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Year 3 Modules

Compulsory Modules

40 credits from:

  • UXS-3038: Journalism and Risk (20) (Semester 1)
    This course starts by presenting and critiquing the concept of risk, and the development of the field of risk communication. It then examines two key theorists of the 'risk society', namely Ulrich Beck and Anthony Giddens, to explore sociological theoretical foundations that explain inter-relationships of risk, trust, expertise and mass-mediated communication. Building on this theoretical lens, it then moves to examine journalism, risk and trust, looking at patterns of risk reporting in different aspects of the press. In-depth analysis of specific risk issues and their journalistic communication are examined, ranging from health risks like 'mad cow' disease to security risks like terrorism.
  • UXS-3076: Global News Agenda (20) (Semester 2)
    Topics that this module will discuss include: the CNN effect; manipulating global news agendas through public diplomacy; war, perception management and bearing witness through global media forms; reporting distant suffering; satellite news wars; the rise of satellite news in the Middle East and the possible rise of an Arab public sphere; and the impact of global news forms on censorship and resistance.
  • UXS-3401: Practical Journalism: ELD (20) (Semester 1)
    The course will teach students media law and how to report on the workings of government. They will gain practical experience in reporting from courts, inquests and council meetings. They will also be taught how to write and research news and feature articles, interviewing techniques, and how to cover running stories and elections.
    or
    UXC-3401: Newyddiaduraeth Ymarferol: MCD (20) (Semester 1)
    Bydd y modiwl yn dysgu myfyrwyr am gyfraith y cyfryngau a sut i ohebu am brosesau'r llywodraeth. Byddant yn cael profiad ymarferol o ohebu am achosion llys, cwestau a chyfarfodydd cyngor. Byddant hefyd yn dysgu sut i ymchwilio ac ysgrifennu erthyglau newyddion ac erthyglau nodwedd, technegau cyfweld a sut i ymdrin â straeon parhaol ac etholiadau.

Optional Modules

80 credits from:

  • QXE-3012: Detective Fiction (20) (Semester 1)
    This module covers nineteenth-century works by Poe, Collins and Conan Doyle; English ‘classical’ stories of the early twentieth century (Chesterton, Christie); American ‘hard boiled’ versions (Hammett, Chandler), and modernist and postmodernist variants (Borges, Auster). The module will situate the text in some historical and cultural contexts, and focus on the relationship between form and ideology in the genre.
  • QXE-3028: Literature in the Community (20) (Semester 1)
  • QXE-3031: Welsh Writing in English (20) (Semester 2)
    ‘Modern Welsh Writing in English’ will consider a range of texts, principally written in English, emerging from modern Wales. The module explores the development of a tradition of Anglophone Welsh writing from the late nineteenth century, across the twentieth century and up to the contemporary moment. In so doing seeks to investigate the varied ways in which Welsh writers – male and female, from North and South (and beyond), rural and industrial, and across a range of genres and forms – have articulated the Welsh experience in all its diversity. The module will also introduce students to some of the current critical and theoretical approaches being adopted in the study of Welsh writing.
  • QXE-3051: 19thC British Writers in Italy (20) (Semester 2)
    This course explores the dynamic place Italy – its literature, art, landscape and culture – held for nineteenth-century British writers. Through reading a variety of texts, including poetry, novels, travel writing/guides and art criticism, we will examine the ways in which writers commented on a number of identities, at individual, national and international levels. Students will be encouraged to draw on source material from a number of disciplines, in order to understand the complex dialectical relationships between cultures, particularly the intersection between literature and various visual and plastic arts. Of central importance will be the concepts of the ‘other’ and of ‘cultural capital’, both of which will be supported by current scholarship on post-Waterloo tourism to Italy and publishing practices in the long nineteenth century. Emphasis will be placed on Romantic authors, including Byron, the Shelleys and Jameson, though may also include their Victorian counterparts such as the Brownings and George Eliot.
  • QXE-3080: Chaucer: Comedy, Calamity and (20) (Semester 2)
    This module provides an opportunity to examine a range of works by Geoffrey Chaucer, one of the most interesting and important authors of late medieval English literature. Through an analysis of the Canterbury Tales alongside The House of Fame, The Book of the Duchess, Troilus and Criseyde, and selections from the Legend of Good Women, Chaucer’s literary accomplishments will be examined with the aim of understanding his place in the English canon. During the seminars there will by opportunity to explore the wide range of themes and motifs employed in Chaucer’s works, as well as his extraordinary versatility in tackling different literary genres. Students will also engage with a diversity of theoretical and critical approaches to Chaucer’s work and modern adaptations of his texts, reflecting this medieval author’s continued appeal in the modern world. This module is an ideal companion to any of the other level three medieval literature modules.
  • QXE-3086: Shakespeare's Afterlives (20) (Semester 2)
    In order to explore the concept of literary afterlives, the weekly seminars alternate between the study of a Shakespeare play and the investigation of instances of the ‘afterlife’ of that particular play. For example, a seminar on A Midsummer Night’s Dream is followed by a seminar on Angela Carter’s novel Wise Children, a text riddled with references to the play and its adaptations as well as to the ‘Shakespeare industry’ as a whole. The module encourages students to be alert to examples of the use and abuse of Shakespeare in our own contemporary contexts, and to respond creatively as well as critically to the plays and other texts under discussion. Participation in seminars is stimulated by a variety of means, including weekly presentations by pairs of students and a final colloquium on the essay projects being researched by members of the group.
  • QXE-3088: Bob Dylan (20) (Semester 2)
    SEMINARS Material to be studied in seminars will include: Critical distinctions between modernist, mass, and popular cultures; `Folk music¿ and Dylan's early career; Rock music and Dylan's transition to electric performance; The relationship between biography and critical analysis; Dylan and religion; Dylan and literature; Textual analysis of the song lyric; Dylan and the visual arts; The transition from analogue to digital reproduction and dissemination; Bootleg culture.
  • QXP-3093: Experimental Writing (20) (Semester 1)
  • QXE-3094: Realms of Magic (20) (Semester 2)
    This module will cover the development of the romance genre from its earliest form in Marie de France’s and Chrétien de Troyes’ work through to insular productions such as Amis and Amiloun, Emaré, King of Tars, Isumbras, Sir Amadace, Bevis of Hampton, and Floris and Blancheflour. The range of texts will remain flexible, and their early modern versions will also form part of the discussion; the transformations and adaptations of these romances in medieval manuscripts and early modern prints will also be addressed. Topics as varied as spiritual instruction, courtly love, political governance, war, sexual fulfilment and magic will be investigated alongside incest, race, gender and ideology. The versatility of the genre will be explored in its development into other genres, in particular, but not exclusively, in early modern drama, and the endurance of its appeal will be judged with reference to the transformation of the genre in the early modern period. Connections will be established with Shakespeare’s plays and Spenser’s Faerie Queene. The module will end with analyses of adaptations of romance in the modern period (novel, film productions).
  • QXE-3096: Medieval Women's Literature (20) (Semester 1)
    What texts were medieval women writing and reading? This module examines women’s textual culture in an historical period in which many male-authored works encouraged women to be ‘chaste, silent and obedient,’ in spite of an assumption that women were naturally inclined towards lust and gossip. The module explores texts from the range of literature written and read by women, and the ways in which female-produced works (those written, translated, read, commissioned, performed and discussed in medieval England) were in dialogue with the constructions of medieval womanhood current during this period. The texts studied in seminar offer opportunity to hear, amongst others, the intimate thoughts and words of Margery Kempe, Julian of Norwich, the Paston wives and Marie de France, on topics as broad as love, marriage, sex, death and religion, as recorded in travel narratives, letters, devotions, lyrics and other literature – all of which contributed to the rich textual culture of the Middle Ages. This module is an ideal companion to any of the other level three medieval literature modules.
  • QXE-3099: The English Dissertation (40) (Semester 1 + 2)
    This module involves the production of an extended piece of critical writing of a length and quality appropriate to the culmination of the undergraduate degree scheme. Drawing on knowledge and critical methodologies learned earlier in the degree, students will be assisted via lectures and individual supervisions in devising, refining, developing and presenting a substantial piece of critical work on a topic of their choosing. The series of introductory lectures and workshops will focus on how to develop the initial research idea into a workable project presented in appropriate scholarly form. Critical self-reflection will be developed via the proposal and oral presentation in the first semester, and via discussions with the supervisor, which are held at key stages in the development of the project in both semesters.
  • QXE-3107: EM Lit: Sex, Sects and Scandal (20) (Semester 1)
    Beginning with English constructions of nationhood in the 1590s, this module will examine the pressures that are placed upon Tudor notions of English identity by the ways in which early modern texts engage with Britishness. From here, the module will move to explore seventeenth century Anglophone literature in Wales, Ireland and Scotland. Authors to be studied might include Edmund Spenser, Thomas Nashe, Thomas Deloney, Thomas Heywood, William Shakespeare, Katherine Philips, Henry Vaughn, William Drummond and Roger Boyle.
  • QXE-3109: Victorian Networks (20) (Semester 1)
  • Students may NOT take a Dissertation in both English Literature and the other WITH discipline.