Modules for course WPQ0 | BA/CST
BA Creative Studies
This is a provisional list of modules to be offered on this course in the 2019–20 academic year.
The list may not be complete, and the final course content may be different.
120 credits from:
- UXS-1000: Issues in Media and Journalism (20) (Semester 2)
- UXS-1001: Intro to Practical Journalism (20) (Semester 1) The Basics of Writing a News Story; How to write Intros, Drop Intros, Lively Intros; What makes a good news story?; Where do stories come from?; How to build a contacts book; How to conduct an interview; Writing for TV and Radio; Colour and Feature Writing; An Introduction to Shorthand; How to deal with breaking news.or
UXC-1001: Cyfl. i Newyddiaduraeth Ymarf. (20) (Semester 1)Hanfodion ysgrifennu straeon newyddion; Sut i ysgrifennu Intros, Drop Intros, ac Intros Bywiog; Beth sy’n gwneud stori dda?; O le mae straeon yn dod?; Sut i greu llyfr contacts; Sut i gynnal cyfweliad; Ysgrifennu ar gyfer teledu a radio; Ysgrifennu erthyglau nodwedd; Cyflwyniad i llawfer; Ymdopi â newyddion sy’n torri.
- WXK-1010: Sonic Art (20) (Semester 1) or
WXC-1010: Celfyddyd Sonig (20) (Semester 1)
- WXK-1011: Composition Year 1 (20) (Semester 2) This course will introduce students to some of the compositional techniques used in the twentieth and twenty first centuries and show how harmony, rhythm, structure, instrumentation and pitch have evolved, presenting students with the basic tools for composition. The first half of the course will look at these techniques in relation to a number of important musical styles that evolved during the twentieth century. The course will also consider individual instruments and their particular characteristics, in addition to vocal writing. Students are then encouraged to try out these techniques in exercises and assignments, which will be set throughout the course..or
WXC-1011: Cyfansoddi Blwyddyn 1 (20) (Semester 2)Bydd y cwrs hwn yn cyflwyno’r myfyriwr i rai o’r technegau cyfansoddi a ddefnyddiwyd yn yr 20fed ganrif, gan ddangos sut mae harmoni, rhythm, adeiledd, offeryniaeth a thraw wedi datblygu. Rhoddir y cyfryngau sylfaenol i’r myfyrwyr ar gyfer cyfansoddi. Bydd y cwrs hefyd yn ystyried offerynnau penodol a’u nodweddion arbennig, yn ogystal ag ysgrifennu ar gyfer y llais. Yna anogir y myfyrwyr i roi cynnig ar y technegau yn eu cyfansoddiadau hwy eu hunain.
- UXS-1017: Writing Across Media (20) (Semester 1) In "Creating Narratives" you will have the opportunity to investigate, and participate in, a variety of creative activites relating to the production of fiction. You will be able to develop an awareness of issues connected with the writing and consumption of fiction (e.g.creative, cultural and technological issues), and discover how cultural norms and assumptions, and individually writerly actions, influence fiction writing choice and fiction readerships. You will look at contemporary fiction writing around the world in a variety of media, and consider the role of publishers and readers in the creative process.
- UXS-1024: Introduction to Screenwriting (20) (Semester 2) This module is an introduction to the basic underlying principles of screenwriting. It introduces students to key features of writing for film, and assesses them on their analyses of the screenplay form, plus the writing of a screenplay and treatment, and the pitching of an original concept. Students will primarily focus on writing for the short film format in order to facilitate their assessed short film screenplay assignment. Lectures will deliver various aspects of screenwriting, broken down week-by-week so that students can digest specific aspects of the craft of screenwriting. These include script formatting, style, structure, genre, plotting, characterisation and dialogue. Students will also learn how to present their work in the form of industry treatments and outlines, as well as techniques for outlining a concept orally, in the form of a film pitch. Students will be encouraged to develop professional writing habits and to give and receive critically constructive comment and advice. Seminar time will be spent discussing aspects of screenwriting, screened short films, as well as providing an opportunity for students to carry out creative screenwriting tasks in groups. Students will also be encouraged to critically peer evaluate the work of their cohort, and to analyse published screenplays, applying knowledge gained in the lecture. Students will also be required to read portions of screenplay extracts from published work prior to the seminars and lectures (uploaded to Blackboard) in order to analyse them during the seminars.
- UXS-1038: Intro' to Media Practice (20) (Semester 1) This course will introduce students to the basic skills and techniques which will enable them to explore the principles of media production through creative work. Students will work in groups to produce two short media texts, using broadcast standard equipment. Students will also be taught how to analyse their own work within the context of theory, and to establish a relationship between media production theory and practice.or
UXC-1038: Cyf. i Ymarfer y Cyfryngau (20) (Semester 1)Bydd y cwrs hwn yn cyflwyno myfyrwyr i'r sgiliau a'r technegau sylfaenol fydd yn eu galluogi i archwilio egwyddorion cynhyrchu'r cyfryngau trwy waith creadigol. Bydd myfyrwyr yn gweithio mewn grwpiau i gynhyrchu dau destun cyfryngau byr, gan ddefnyddio offer darlledu safonol. Caiff myfyrwyr hefyd eu dysgu i ddadansoddi eu gwaith eu hunain yng nghyd-destun theori, a chreu cysylltiad rhwng theori ac ymarfer cynhyrchu'r cyfryngau.
- UXS-1055: Digital Communication (20) (Semester 1) The module looks includes a study of information theory in which students engage models for understanding concepts that include data, pattern, similarity of differences, information, structure, design, and communication. Students also explore the history and technology of the internet and the web, the communication models that have grown from them, and the relationship between these channels and the production, delivery, sharing and sale of information. The model includes a practical element in which students work with various software tools to engage with tools and technologies for information design/presentation; this includes background to the main types of information software available and some of the principles that inform them.or
UXB-1055: Cyfathrebu Digidol (20) (Semester 1)Mae myfyrwyr yn ymgysylltu â modelau ar gyfer deall cysyniadau sy'n cynnwys data, patrwm, tebygrwydd o wahaniaethau, gwybodaeth, strwythur, dylunio, a chyfathrebu. Myfyrwyr yn archwilio hanes a thechnoleg y rhyngrwyd a'r we, y modelau cyfathrebu sydd wedi tyfu oddi wrthynt, a'r berthynas rhwng y sianelau a chynhyrchu, cyflwyno, rhannu a gwerthu gwybodaeth. Mae'r modiwl yn cynnwys elfen ymarferol y myfyrwyr yn ymgysylltu ag offer a thechnolegau gwybodaeth am ddylunio / cyflwyniad. Mae hyn yn cynnwys cefndir y prif fathau o feddalwedd gwybodaeth sydd ar gael a'r egwyddorion sy'n llywio eu dyluniad. The module looks includes a study of information theory in which students engage models for understanding concepts that include data, pattern, similarity of differences, information, structure, design, and communication. Students also explore the history and technology of the internet and the web, the communication models that have grown from them, and the relationship between these channels and the production, delivery, sharing and sale of information. The model includes a practical element in which students work with various software tools to engage with tools and technologies for information design/presentation; this includes background to the main types of information software available and some of the principles that inform them.
- UXS-1062: Film Language (20) (Semester 2) This module provides students with a toolkit for the analysis of the moving image and aims to provide students with a technical vocabulary to enable them to analyse and to discuss how films communicate meaning. The individual elements of this toolkit are analysed in detail. Lectures cover topics such as: Mise-en-Scene, Editing, Camerawork, Sound, Lighting, and Style. Weekly screenings illustrate relevant aspects of film form. Films to be screened may include: A Man Escaped (Bresson, 1956), The Innocents (Clayton, 1961), City of God (Meirelles, 2002), Atonement (Wright, 2007), Bourne Ultimatum (Greengrass, 2007). The Red Shoes (Powell & Pressburger, 1948), and Moulin Rouge! (Luhrman, 2001)or
UXC-1062: Iaith y Ffilm (20) (Semester 2)Mae'r cwrs hwn yn fodd o alluogi myfyrwyr i ddysgu hanfodion dadansoddi'r ddelwedd symydol. Bydd myfyrwyr ar y cwrs yn dysgu terminoleg dechnegol a fydd yn eu cynorthwyo i ddadansoddi a dehongli y modd y mae ffilm yn cyfathrebu ystyr. Bydd darlithoedd unigol yn trafod pynciau megis Mise-en-Scene, Montage, Gwaith Camera, Sain, Goleuo ac Arddull Weledol. Bydd dangosiadau o ffilmiau perthnasol yn cael eu cynnal yn wythnosol, er mwyn cyflwyno engrheifftiau o'r pynciau dan sylw. Bydd y ffilmiau a ddangosir yn cynnwys: A Man Escaped (Bresson, 1956), The Innocents (Clayton, 1961), City of God (Meirelles, 2002), Atonement (Wright, 2007), Bourne Ultimatum (Greengrass, 2007). The Red Shoes (Powell & Pressburger, 1948), ac Moulin Rouge! (Luhrman, 2001)
- UXS-1063: Film History (20) (Semester 1) This module aims to provide students with an understanding of the link between film technologies, narratives, styles, genres, and subjects, and the societies in which film circulates. Lectures will introduce students to a range of important changes which have influenced the development of the filmic medium. The course will help students to situate the selected films in their cultural, , generic, and technological context. Lectures cover topics such as: Genre (Western, Screwball Comedy, Sport, Epic...), Narrative structure, Early Cinematic Milestones, The Introduction of Sound, Classical Hollywood Studio System, Asian Post-War Cinema, Italian Neo-Realism. Weekly screenings illustrate issues covered in lectures and associated readings, and will provide a case study for weekly workshops. Films/shorts to be screened may include: Le Voyage dans la Lune (Méliès, 1902), Man with a Movie Camera (Vertov, 1929), M (Lang, 1931), Blackmail (Hitchcock, 1929), Der Blaue Engel (Von Sternberg, 1930), Citizen Kane (Welles, 1941), Roma, Città Aperta (Rossellini, 1945), Rashomon (Kurosawa, 1950), Ladri di Biciclette (De Sica, 1948), À bout de soufflé (Godard, 1960), Memento (Nolan, 2000), There Will Be Blood (Anderson, 2007).
- UXS-1065: Film Criticism (20) (Semester 1)
- UXS-1066: American Television Drama (20) (Semester 2)
- UXB-1120: Dyfeisio Theatr (20) (Semester 2) What is performance? What are all the elements involved in a performance? The historical and cultural legacy of selected theatre traditions. How selected theatre traditions challenged and enhanced the notion of performance and the theatre.or
UXS-1120: Theatre Making (20) (Semester 2)What is performance? What are all the elements involved in a performance? The historical and cultural legacy of selected theatre traditions. How selected theatre traditions challenged and enhanced the notion of performance and the theatre.
- UXS-1126: Animation Principles & Practic (20) (Semester 1)
- WXM-1300: Music since 1850 (20) (Semester 1) or
WXC-1300: Cerddoriaeth Ers 1850 (20) (Semester 1)
- WXM-1301: Music 1550 -1850 (20) (Semester 2) or
WXC-1301: Cerddoriaeth 1550 - 1850 (20) (Semester 2)
- UXB-1403: Perf. ar gyfer y Llwyfan & Sg. (20) (Semester 1) • Introduction to the key techniques and methods used for performing for the stage and screen • Exploring the psychological, physical and vocal understanding of actor’s training • Investigating the historical and cultural legacy of selected performing traditions.or
UXS-1403: Performing for Stage & Screen (20) (Semester 1)
- UXS-1800: Game Studies (20) (Semester 1)
- UXS-1801: Game Design 1 (20) (Semester 2)
120 credits from:
- WXM-2011: Musicology Year 2 (20) (Semester 2) Research is a fundamental academic skill, and so too is the ability to effectively communicate the results of that research in writing. On this module, students undertake research into a musical topic of their own choice, and write up their findings in the form of a short dissertation of around 4500-5000 words. At the same time, the module introduces students to some of the conventions and methods of musicological research and presentation, through the study of various examples of academic writing. Moreover, students will continue to develop study skills taught in The Study of Music, including bibliographical skills, skills of independent thinking, and skills in oral presentation. The module will prepare students for undertaking a Dissertation in Year 3, and may also be useful to students considering undertaking an Editing Project in Year 3.or
WXC-2011: Cerddoreg Blwyddyn 2 (20) (Semester 2)Mae ymchwil yn fedr academaidd sylfaenol, ac felly hefyd y gallu i ysgrifennu’n effeithiol ar ganlyniad yr ymchwil honno. Ar y modiwl hwn, mae myfyrwyr yn gwneud ymchwil i bwnc o’u dewis, ac yn ysgrifennu ar eu canfyddiadau mewn traethawd o ryw 4500-5000 o eiriau. Ar yr un pryd, mae’r modiwl yn cyflwyno myfyrwyr i rai o gonfensiynau a dulliau ymchwil a chyflwyno cerddoregol, a hynny trwy astudiaeth ar wahanol enghreifftiau o ysgrifennu academaidd. Ar ben hynny, bydd myfyrwyr yn parhau i ddatblygu’r medrau astudio a ddysgir yn Astudio Cerddoriaeth, yn cynnwys medrau llyfryddiaethol, medrau meddwl yn annibynnol, a medrau cyflwyno ar lafar. Bydd y modiwl yn paratoi myfyrwyr ar gyfer ysgrifennu Traethawd Hir ym Mlwyddyn 3, a gall hefyd fod yn fuddiol i fyfyrwyr sy’n ystyried Project Golygu ym Mlwyddyn 3.
- WXM-2021: Ethnomusicology in Action (20) (Semester 1)
- UXS-2025: Stanley Kubrick: Auteur (20) (Semester 1) Topics that will be covered in this module include all of Kubrick’s films, as well as how these intersect with events such as World War One, the Holocaust, the Cold War and the Vietnam War and such issues as science, technology, history, race, violence, gender, ethnicity, sexuality and war.
- UXS-2038: Journalism and Risk (20) (Semester 1)
- UXS-2048: Transmedia Storytelling (20) (Semester 2) In this module you will investigate storytelling in its various forms, writing through an awareness of critical theory, and creating original work relating to your investigations. You'll develop an awareness of issues (critical and creative) connected with storytelling, and consider the range, type and style of stories (genres, media, perspectives). You will discover how cultural norms and assumptions influence the telling of stories, exploring and applying relevant critical theory from the perspective of a writer, and reveal through your original work the nature of authorship and readership.
- UXS-2050: Race & Gender (20) (Semester 2) Topics to be looked at will include, Senegalese Cinema, representing prostitution, women in photography, race and gender in performance art, representing women on film, women and genre, Women and horror, women and action, Australian Visual Culture, Aboriginal female film makers, remembering the slave trade, post-colonialism, neo-colonialism and representation, how we define ‘white’.
- UXC-2052: Radio Theori ac Ymarfer (20) (Semester 1) Bydd y darlithoedd yn canolbwyntio yn gyntaf ar hanes radio fel cyfrwng penodol, gyda sylw arbennig i Gymru a’r Deyrnas Unedig, yn ogystal â phersbectif rhyngwladol ehangach. Nesaf, fe archwilir amryw o ddulliau cynhyrchu radio, ac yna gwahanol fathau o raglenni radio, gan ddadansoddi enghreifftiau penodol. Bydd agweddau damcaniaethol y modiwl yn cael eu crynhoi yn derfynol gydag arolwg cysyniadol eang o natur y cyfrwng a sut mae hyn yn newid yn yr oes ddigidol. Bydd y gweithdai ymarferol yn cyd-redeg â’r darlithoedd, gyda’r myfyrwyr yn datblygu eu sgiliau cynhyrchu cyffredinol cyn iddynt gynllunio, ymchwilio a chreu cynyrchiadau unigol. Bydd yr astudiaeth o ddulliau cynhyrchu, mathau o raglenni a rhaglenni penodol yn y darlithoedd o gymorth i’r myfyrwyr gyda’r gwaith ymarferol.or
UXS-2052: Radio: Theory and Practice (20) (Semester 1)The lectures will initially focus on the history of radio as a specific medium, with a particular focus on Wales and the UK, as well as a broader international perspective. Different radio production methods will then be examined, and subsequently different programme genres, with specific examples being studied. The theoretical aspects of the module culminate in a broad conceptual review of the nature of the medium and how this is changing in the digital age. The practical workshops will run concurrently, with the students revising and developing generic production skills at the beginning of the course, before planning, researching and producing their own individual productions. These will be informed by the study of production methods, genres and programmes introduced in the lectures.
- UXS-2055: Privacy and the Media (20) (Semester 1) Week 1 – Introduction: why privacy matters Week 2 – Philosophical/theoretical contexts Week 3 – Journalism Week 3 – Telecommunications, transparency and the Snowden leaks Week 4 – Behavioural advertising Week 5 – Big data and sentiment analysis Week 6 – The direction of Google, search and personal assistants Week 7 – Social media Week 8 – Gaming and biometric media Week 9 – Wearable media Week 10 – Telekinetic media and Google Glass Week 11 – Wrap-up: what do media developments tell us about privacy?
- UXS-2057: Documentary Filmmaking (20) (Semester 2) During the first half of the module students will be given formal instruction in both documentary theory and media practice. This part of the module will examine the ways in which theoretical viewpoints influence the work of practitioners. It will also give students instruction in advanced production techniques, building upon the techniques learnt as part of UXS 1038 Introduction to Media Practice. In addition, the workshop sessions held during the first part of the course will allow students to undertake pre-production work on their final projects, in consultation with the tutors. During the second half of the semester, students will not be expected to attend weekly timetabled sessions. Students will undertake independent study during this period, using the time to develop and produce their final production project. Tutors will provide support, by appointment.or
UXC-2057: Cynhyrchu'r Ffilm Ddogfen (20) (Semester 2)Yn ystod hanner cyntaf y modiwl, caiff myfyrwyr hyfforddiant ffurfiol ar theori rhaglenni dogfen ac ymarfer y cyfryngau. Bydd y rhan hwn o'r modiwl yn edrych ar sut mae safbwyntiau damcaniaethol yn dylanwadu ar waith ymarferwyr. Bydd hefyd yn rhoi hyfforddiant i fyfyrwyr ar dechnegau cynhyrchu uwch, gan adeiladu ar y technegau a ddysgwyd fel rhan o'r modiwl UXS 1038 Cyflwyniad i Ymarfer y Cyfryngau. Yn ogystal â hyn, bydd y sesiynau gweithdy a gynhelir yn ystod rhan gyntaf y cwrs yn caniatáu i fyfyrwyr wneud gwaith cyn-cynhyrchu ar eu projectau terfynol, gan ymgynghori â'r tiwtoriaid. Yn ystod ail hanner y semester, ni fydd disgwyl i fyfyrwyr fynd i sesiynau wythnosol wedi eu hamserlennu. Bydd myfyrwyr yn astudio'n annibynnol yn ystod y cyfnod hwn, gan ddefnyddio'r amser i ddatblygu a chynhyrchu eu project cynhyrchu terfynol. Bydd y tiwtoriaid yn rhoi cefnogaeth, trwy apwyntiad.
- UXS-2058: Writing for Film & Television (20) (Semester 2) This module is designed to develop knowledge and skills in writing for film, and introduces key stylistic and textual characteristics of writing for television. The module provides an overview of television writing, separated into television drama and the situation comedy, and outlines the specific demands of these formats for screenwriters. Students are then assessed on their own original television concept in the form of a treatment and screenplay extract, plus a short critical and reflective essay. The course then goes on to present advanced theories of writing for film - developing concepts of characterisation, structure, genre, visual storytelling and the use of dialogue and action. Students will be encouraged to engage with formal screenwriting concepts such as the three-act structure, genre tropes, active protagonists and plot resolutions. However, they will also be expected to interrogate and challenge these elements of screenwriting craft, and are expected to display this engagement in their assessed work. Students will be assessed on their own original film concept in the form of a treatment and screenplay extract (for a short film or feature film), plus a critical and reflective essay. Lectures will deliver various features of writing for television and film, using screenings as contextual support material. Lectures will initially present some basic concepts of screenwriting such as script formatting, style, structure, genre, plotting, characterisation and dialogue, before moving on to deal specifically with television drama, situation comedy, the short film and the feature film. Seminar time will be spent discussing various aspects of screenwriting outlined in the lectures. Students will be encouraged to engage with, and challenge, elements of the craft of screenwriting, and to carry out creative screenwriting tasks in groups. Students will also critically peer evaluate the work of their cohort, and analyse published screenplays, applying knowledge gained in the lectures. Students will be required to develop professional writing habits and to give and receive critically constructive comment and advice. Proposed films and television programmes to be screened include: The Sopranos (Chase, 1999-2007), The Wire (Simon, 2002-08), Red Riding (Jarrold, 2009), The Singing Detective (Potter, 1986), The Prisoner (McGoohan, 1967-68), Oz (Fontana, 1997-2003), Twin Peaks (Frost/Lynch, 1990-91), The IT Crowd (Linehan, 2006- ), Spaced (Wright, 1999-2001), The Office (Gervais/Merchant, 2001-3), Father Ted (Linehan, 1995-8). The Third Man (Reed, 1949), Brief Encounter (Lean, 1945), The Devil¿s Backbone (Del Toro, 2001), Intacto (Fresnadillo, 2001), Hunger (McQueen, 2008), Dead Man's Shoes (Meadows, 2004), The Sea Inside (Amenábar, 2004), The White Ribbon (Haneke, 2009), Festen (Vinterberg, 1998), Uzak (Ceylan, 2002), Sympathy for Mr Vengeance (Park, 2002), Let the Right One In (Alfredson, 2008), The Road (Hillcoat, 2009), Sexy Beast (Glazer, 2000), No Country for Old Men (Coen, 2007)
- UXS-2059: Understanding Documentary (20) (Semester 1) This course will look at the development of documentary film, attempting to place important developments within a theoretical context. The course will begin by looking at the way in which the early pioneers of documentary film emerged in the 1920s, and seek to understand the contributions of John Grierson, Robert Flaherty and Dziga Vertov, and the relationship between their work. This will be followed by an examination of the emergence of Direct Cinema and Cinema Verité during the 1960s, and the challenges faced by those attempting to work within observational documentary. The rejection of the purely observational mode of documentary, and the rise of the participatory film-maker will follow, leading on to an examination of reflexive documentaries, the role of dramatisation within documentary film, drama-documentary and docudrama. The final part of the course will look at the influence of new technology upon documentary film, analysing the influence of both computer generated imagery and animation upon documentary film. Specific attention will be paid to the work of film-makers such as Albert and David Maysles, DA Pennebaker, Nick Broomfield, Molly Dineen, Errol Morris, and Kevin MacDonald among others.or
UXC-2046: Y Ffilm ddogfen:Theori (20) (Semester 1)Bydd y cwrs hwn yn edrych ar ddatblygiad ffilmiau dogfen gan geisio gosod datblygiadau pwysig mewn cyd-destun damcaniaethol. Caiff hanes y ffilm ddogfen ei drafod yng nghyd-destun y cwestiynnau syniadaethol a ddilynodd o esblygiad gwahanol fathau o ffilmiau dogfen. Bydd myfyrwyr ar y cwrs yn edrych ar amrediad o ffilmiau, o'r 1920au hyd heddiw, ond bydd mwyafrif y ffilmiau a fydd yn cael eu harchwilio yn rhai cyfoes. Bydd gofyn i'r myfyrwyr ddadansoddi'r ffilmiau, gan gyfeirio at theori dogfen wedi ei ysgrifennu gan amrywiaeth o awduron, gan gynnwys: John Grierson, Dziga Vertov, Paul Rotha, Bill Nichols, Stella Bruzzi, John Corner, a Paul Wells, ymhlith eraill.
- UXS-2062: Film Distribution & Marketing (20) (Semester 1)
- UXS-2064: Film Theory (20) (Semester 2)
- UXS-2076: Global News Agenda (20) (Semester 2)
- UXS-2099: Research and Methods (20) (Semester 2) Introduction; choosing a research topic Writing a research proposal Research Paradigms: Positivism vs Interpretivism Working with texts 1: Textual analysis Working with texts 2: Content analysis Fieldwork 1: Questionnaires, interviews and focus groups Fieldwork 2: Ethnography and participant observation Case study approaches Quantitative and qualitative sampling issues Research Ethics Doing a literature review; writing a dissertation
- UXS-2126: Animation & motion graphics (20) (Semester 1) Keyframe animation, drawn animation, rotoscoping, stop-motion animation, infographic design, principles of design, elements of design, storyboarding and animation design, reflective practice, history of animation, major animation styles, current independent animations.
- WXK-2232: Orchestration Today (20) (Semester 1) Description: This course aims to expand upon issues addressed in Orchestration A. More involved orchestration procedures will be discussed in relation to the new elements of instrumental technique that evolved in the wake of developments in instrumental technology. Students will add auxiliary woodwind instruments to their orchestras together with additional percussion so that students can score for a modern orchestra. Each student is required to respond both verbally and on paper in either week 3, 6 or 9, to a task which will be given out in the previous seminar. This will be assessed as part of the coursework (see assessment below). Method, frequency and number of classes: Eight classes of around 1 hour and 15 minutes during weeks 1 - 6 and weeks 8 - 9, with a one-to-one tuition session in week 10. Assessment: One large assignment at 50% with three smaller pieces of course work making up 30%, and a verbal/written response to a set task, worth 20%. coursework 1: set in week 1, to be submitted in week 3 coursework 2: set in week 4 to be submitted in week 6 coursework 3: set in week 8 to be submitted in week 10 assignment: set in semester 2 week 10, to be submitted in week 13 WXK 2232: Learning Outcomes: On completion of the module, a student should have: 1. acquired skills of scoring in an appropriate manner for a modern orchestra, writing idiomatically for the instruments used (assessed by the written coursework and the assignment) 2. understood the technical restraints of instruments (assessed by the written coursework and the assignment) 3. developed skills in score presentation, using appropriate indications such as bowing (assessed by the written coursework and the assignment) 4. identified Orchestration procedures and should be able to discuss these (assessed by the aural task)or
WXC-2232: Cerddorfaeth Gyfoes (20) (Semester 1)Bwriad y modiwl hwn yw dysgu'r sylfeini ar gyfer cerddorfaeth. Bydd pob enghraifft cerddorol yn deillio o gyfansoddwyr o gyfnodau Clasurol, Rhamantaidd a'r Ugeinfed Ganrif (e.e. Beethoven, Rachmaninov a Prokofiev) sydd wedi dylanwau yn gryf ar gyfansoddwyr ffilm heddiw (e.e. John Williams, Dario Marianelli a David Arnold). Bydd y cwrs yn ddechrau gyda'r Gerddorfa Linynnol gan ychwanegu offerynau chwyth a pres yn raddol. Erbyn wythnos darllen, bydd y myfyriwr yn medru trefnu yn hyderus ar gyfer cerddorfa fechan. Yn ystod yr ail hanner, bydd pwyslais ar dechnegau cerddorfaeth ar gyfer cerddorfa lawn gan ychwanegu mwy o offerynnau. Bwriad y cwrs yw dysgu cerddorddfaeth draddodiadol gyda phwyslais ar ddefnydd mewn cerddorfaeth ffilm. Gorau oll os yw'r myfyriwr yn dilyn (neu wedi dilyn) WXC2234/3234
- WXK-2233: Composition Year 2 (20) (Semester 2) This module seeks to build on Level 4 Composition, while at the same time introducing new ideas and techniques. Throughout, the emphasis will be on introducing students to the multiplicity of styles and techniques that have emerged during the second half of the 20th century and the first decade of the 21st. This may include bold experimentation and creative innovation, including working with non-tonal styles (pre-tonal, post-tonal, atonal), or the study of post-tonal and post-minimal styles of recent decades.or
WXC-2233: Cyfansoddi Blwyddyn 2 (20) (Semester 2)Adeilada’r modiwl hwn ar astudiaethau Cyfansoddi Blwyddyn 1, ynghyd â chyflwyno syniadau a thechnegau newydd ar yr un pryd. Bydd pwyslais cyson ar arbrofi mentrus a newydd-deb creadigol, gan weithio gydag arddulliau anghyweiraidd (cyn-donyddol, ôl-donyddol ac anhonyddol), ynghyd ac ymdriniaethau newydd o ffurf. Ceir gwaith damcaniaethol (gwrando, dadansoddi a thrafod pynciau) ynghyd a gwaith ymarferol (gweithio drwy dechnegau, cyflwyno enghreifftiau, datrys problemau), gan ganolbwyntio ar dechnegau ac elfennau penodol - rhai yn newydd, a rhai yn gyfarwydd ers modiwl Cyfansoddi Lefel 1. Nid yw’r modiwl hwn yn addas ar gyfer myfyrwyr sy’n dymuno cyfansoddi mewn arddulliau hanesyddol neu pastiche.
- WXK-2235: Acousmatic Composition (20) (Semester 2) Acousmatic music is sonic art which uses sound as its basic material and the loudspeaker as its mode of delivery. This module aims to introduce students to acousmatic composition in a more focused way than is possible in the Year 1 Practical Music Technology module, and with a more creative emphasis. It aims to equip students with the basic technological, compositional and aesthetic knowledge and understanding necessary for acousmatic composition. (This module is not intended for students wishing to compose popular music, or music using conventional approaches to harmony, melody or rhythm.)
- WXK-2300: Interactive Sound and Music (20) (Semester 1)
- WXM-2303: Genres & Composers A (20) (Semester 1) or
WXC-2303: Genres a Chyfansoddwyr A (20) (Semester 1)
- WXM-2304: Genres and Composers B (20) (Semester 2)
- WXP-2307: Ensembles and Groups A (20) (Semester 1)
- WXP-2308: Conducting (20) (Semester 1)
- WXM-2309: Music in Health and Well-being (20) (Semester 2) or
WXC-2309: Cerdd mewn Iechyd a Lles (20) (Semester 2)
- UXB-2400: Ymarfer Theatr Cyfoes (20) (Semester 2) Introduce theoretical and practical research in Contemporary Theatre Practice Explore advance theatre making methods to create original creative work Practice Workshop delivery and how to evaluate practiceor
UXS-2400: Contemporary Theatre Practice (20) (Semester 2)
- UXS-2401: Practical Journalism: ELD (20) (Semester 1)
UXC-2401: Newyddiaduraeth Ymarferol: MCD (20) (Semester 1)
- UXB-2408: Perfformio Safle Benodol (20) (Semester 1) Introduction to site specific performances, conventions and performance practice Exploring performance in a non-theatre building environment The historical and cultural legacy of selected performing traditions.or
UXS-2408: Site Specific Performance (20) (Semester 1)Introduction to site specific performances, conventions and performance practice Exploring performance in a non-theatre building environment The historical and cultural legacy of selected performing traditions.
- UXS-2800: Game Design Level & Mechanics (20) (Semester 1)
- UXS-2801: Game Development (20) (Semester 2)
- No core or compulsory modules, but modules might be subject to pre-requisites.
40 credits from:
- UXB-3900: Research Dissertation (40) (Semester 1 + 2)
- UXB-3901: Creative Practice Dissertation (40) (Semester 1 + 2)
- UXB-3902: Enterprise Dissertation (40) (Semester 1 + 2)
80 credits from:
- UXS-3016: The Politics of Media (20) (Semester 1)
- WXM-3021: Ethnomusicology in Action (20) (Semester 1)
- UXS-3025: Stanley Kubrick: Auteur (20) (Semester 1) The enigmatic Stanley Kubrick was one of the most well-known filmmakers of the twentieth century. Although not prolific, his work was widely admired both by critics and mass audiences. Kubrick's films also provide a prism through which we can view the major events of the twentieth century including World War One, the Holocaust, the Cold War and the Vietnam War. In doing so, his films provide an opportunity to explore the key themes of science, technology, history, race, violence, gender, ethnicity, sexuality and war. Teaching is by means of a two-hour seminar per week. In addition, students are required to organise small-group viewing of designated films per week.
- UXS-3038: Journalism and Risk (20) (Semester 1)
- UXS-3049: Advanced Screenwriting (20) (Semester 1) Lectures will deliver various discourses on the history and development of adaptations, and interrogate the relationship of various media to film. Lectures will also examine a range of concepts related to adaptation, including authorship, visual storytelling, narratology and intertextuality. These concepts will then be applied to film adaptations screened in the same week. Seminar time will be spent discussing theories of adaptation, and also provide an opportunity for students to carry out creative adaptation tasks in groups, such as conceiving short film ideas, and developing adaptations from non-literary sources, such as music and photography, and other visual arts. Students will need to demonstrate an understanding of key theories related to the comparative textual analysis of an adaptation to its source material in assessed essays. However, the module is heavily focused on the creative act and process of adaptation, and offers the chance for students to radically imagine pre-existing texts in other media in their assessed coursework. Proposed films to be screened include: Adaptation (Jonze, 2002), Throne of Blood (Kurosawa, 1957), American Psycho (Harron, 2000), The Innocents (Clayton, 1961), The Others (Amenábar, 2001), The Watchmen (Snyder, 2009), Don't Look Now (Roeg, 1973), The Shining (Kubrick, 1980), Apocalypse Now (Coppola, 1979), Stalker (Tarkovsky, 1979), Zatoichi (Kitano, 2003), Where the Wild Things Are (Jonze, 2009), La Jetée (Marker, 1962), 12 Monkeys (Gilliam, 1995), Naked Lunch (Cronenberg, 1991), A Cock & Bull Story (Winterbottom, 2005), Elephant (Clarke, 1989), Elephant (Van Sant, 2003), The Five Obstructions (Leth/Von Trier, 2003).
- UXS-3050: Race & Gender (20) (Semester 2) Topics to be looked at will include, Senegalese Cinema, women in photography, race and gender in performance art, representing women on film, women and genre, Women and horror, women and action, Australian Visual Culture, Aboriginal female film makers, remembering the slave trade, post-colonialism, neo-colonialism and representation, how we define `white'.
- UXS-3055: Privacy and the Media (20) (Semester 1) Week 1 – Introduction: why privacy matters Week 2 – Philosophical/theoretical contexts Week 3 – Journalism Week 3 – Telecommunications, transparency and the Snowden leaks Week 4 – Behavioural advertising Week 5 – Big data and sentiment analysis Week 6 – The direction of Google, search and personal assistants Week 7 – Social media Week 8 – Gaming and biometric media Week 9 – Wearable media Week 10 – Telekinetic media and Google Glass Week 11 – Wrap-up: what do media developments tell us about privacy?
- UXS-3062: Film Distribution & Marketing (20) (Semester 1)
- UXS-3068: Wandering (20) (Semester 2)
- UXS-3074: Short film production (20) (Semester 2) The taught element of this course will provide students with advanced instruction in four elements of short film production Video recording Sound recording Video editing Sound editing and dubbing Supervisory sessions will be tailored to each group's individual needs, and will be mapped out at the beginning of the module, in consultation with each group's individual supervisor. Supervisors will provide students with consistent feedback on their work, and will co-operate with them to identify areas where there is a need for development, providing guidance on how each group, and each individual student, can improve their work through both guided tutoring and student-led learning.or
UXC-3074: Cynhyrchu'r ffilm fer (20) (Semester 2)Bydd rhan hyfforddedig y cwrs yn rhoi uwch gyfarwyddiadau i fyfyrwyr am bedair elfen o gynhyrchu ffilm fer Recordio fideo Recordio sain Golygu fideo Golygu sain a dybio Bydd y sesiynau dan oruchwyliaeth yn cael eu teilwra at anghenion unigol pob grŵp a byddant wedi eu rhestru ar ddechrau'r modiwl, mewn ymgynghoriad â goruchwyliwr unigol pob grŵp. Bydd goruchwylwyr yn rhoi adborth cyson i fyfyrwyr am eu gwaith, ac yn cydweithio gyda hwy i ddynodi meysydd sydd angen eu datblygu, yn rhoi canllawiau am sut y gall pob grŵp, a phob myfyriwr unigol, wella eu gwaith trwy gael arweiniad tiwtor a dysgu dan arweiniad myfyrwyr.
- UXS-3076: Global News Agenda (20) (Semester 2)
- WXP-3111: Ensembles and Groups B (20) (Semester 1)
- WXK-3300: Interactive Sound & Music (20) (Semester 1)
- WXM-3305: Genres and Composers C (20) (Semester 1) or
WXC-3305: Genres a Chyfansoddwyr C (20) (Semester 1)
- WXM-3306: Genres and Composers D (20) (Semester 2)
- WXP-3308: Conducting (20) (Semester 1)
- WXM-3309: Music in Health & Well-being (20) (Semester 2) or
WXC-3309: Cerdd Mewn Iechyd a Lles (20) (Semester 2)
- UXB-3400: Ymarfer Theatr Cyfoes (20) (Semester 2) Introduce theoretical and practical research in Contemporary Theatre Practice Explore advance theatre making methods to create original creative work Practice Workshop delivery and how to evaluate practiceor
UXS-3400: Contemporary Theatre Practice (20) (Semester 2)
- UXC-3401: Newyddiaduraeth Ymarferol: MCD (20) (Semester 1)
UXS-3401: Practical Journalism: ELD (20) (Semester 1)
- UXB-3408: Perfformio Safle Benodol (20) (Semester 1) Introduction to site specific performances, conventions and performance practice Exploring performance in a non-theatre building environment The historical and cultural legacy of selected performing traditions.or
UXS-3408: Site-Specific Performance (20) (Semester 1)
- UXS-3412: Playable Fiction (20) (Semester 2) The creative writer is constantly challenged by the evolution of literary form, striving to create fresh and original narratives that depart from the conventional. Modernism, postmodernism, and now digital media are all avenues of exploration and experimentation. This module focuses on the latter domain, as writers approach narrative through the creation of games. Story-games, such as hypertexts, interactive fictions, and visual novels, necessitate unconventional, and even unnatural, structures and perspectives. By creating playable narratives, students on this course will open their writing up to new expressions, forms, and genres. Students will discuss and explore critical and creative responses to these texts, applying new techniques and awareness to their creative writing practice.
- UXS-3800: Game Design 3 (20) (Semester 2)
- UXS-3801: Game Production (20) (Semester 1)
- UXS-3802: Creative Enterprise (20) (Semester 1)
- Some optional modules might be subject to pre-requisites