Run by School of Arts, Culture and Language

20.000 Credits or 10.000 ECTS Credits

Semester 1

Organiser: Dr Tristan Burke

1. To provide students with critical knowledge of Victorian texts from a range of genres including the novel, the essay, poetry, and drama.
2. To promote students' knowledge of Victorian literature and culture, with particular emphasis on the mutual relationship between literary works and their broader cultural, economic, political, social, and material contexts.
3. To analyse and discuss key themes, tropes, and aesthetic features of Victorian literature.
4. To develop and strengthen students’ skills in (a) close reading and literary analysis, (b) written and oral communication, (c) independent research through critical engagement with print and digital resources, (d) time management through planning and submission of coursework.

The Victorians are both very strange and very familiar: simultaneously modern and traditional, democratic and elitist, innovative and conservative. They lived in a period of immense change, marked by internal conflicts and contradictions. Women and the working classes were fighting for improved rights and representation. Mechanised industry and imperial expansion created unprecedented wealth, but also provoked profound anxieties and trenchant criticism. Enthusiasm for scientific discoveries and new technologies clashed with nostalgic longing for the medieval past. On this module, we will read a selection of Victorian texts from across genres – including novels, short stories, long and short poems, and essays – to explore the above themes, along with: print culture; the development of (and challenges against) realism; the country and the city; class, industrialisation and social mobility; the women’s movement, women’s writing, and the 'New Woman'; gender and sexuality; the relationship between notions of scientific ‘truth’ and religious ‘faith’; education; ideas of nationality, race, and eugenics; late-Victorian Gothic; and imperialism and its critics.. Authors studied will vary from year to year, but will likely include: Charles Dickens, Elizabeth Gaskell, Elizabeth Barett Browning, Thomas Hardy, Robert Browning, Alfred Tennyson, Christina Rossetti, Robert Louis Stevenson, and Oscar Wilde.

threshold

Typically, work graded D- to D+ (or 40 to 49) will show many of the following qualities: • Unsure and lacking in confidence when discussing ideas • Referring to the subject in question in a superficial manner • Making an effort to provide fairly balanced answers • Some points in the argument irrelevant to the topic • Little evidence of background reading • Some uncertainty over language and syntax • Strengths and weaknesses fairly balanced; occasionally clumsy and unimaginative • In creative work: superficial • Not succeeding in mastering the requirements of the medium

good

Typically, work graded B- to B+ (or 60 to 69) will show many of the following qualities: • Discusses ideas adeptly • Most of the arguments about a specific field are well-aired • Displays knowledge of the subject in question; the answer is relevant • Shows analytical and clear thought • Gives evidence of relevant reading • Shows accuracy in expression with mastery over language. • A few minor errors here and there. • Signs of creative thought deserve a higher position within the class • In creative work: shows signs of originality, having understood the requirements of the medium • Plans of well-balanced and full answers, despite some gaps

excellent

Typically, work graded B- to B+ (or 60 to 69) will show many of the following qualities: • Discusses ideas adeptly • Most of the arguments about a specific field are well-aired • Displays knowledge of the subject in question; the answer is relevant • Shows analytical and clear thought • Gives evidence of relevant reading • Shows accuracy in expression with mastery over language. • A few minor errors here and there. • Signs of creative thought deserve a higher position within the class • In creative work: shows signs of originality, having understood the requirements of the medium • Plans of well-balanced and full answers, despite some gaps

C- to C+

Typically, work graded C- to C+ (or 50 to 59) will show many of the following qualities: • Discusses ideas, but without much confidence • A respectable effort but not showing any unusual talent; a few flashes of originality here and there • Makes reference to the subject in question, but some important matters not mentioned • Fairly clear thought on most occasions, and the arguments relevant on the whole • Evidence of having read some works associated with the field in question • Quite accurate expression, though the points may sometimes be presented clumsily • Signs of conscientious work deserve a higher position within the class • In creative work: not having quite mastered the requirements of the medium • Evidence of planning in the answers, but a lack of coherence at times; undisciplined and unsure at times

1. Understand and critically discuss the relationship between Victorian texts and their historic and cultural contexts.

2. Understand the range and variety of genres employed by authors during this period, and critically discuss individual texts within their generic context.

3. Apply appropriate literary and contextual theories to the study of individual authors and texts.

4. Identify and critically analyse the significance of, and relationship between, key thematic and formal aspects of Victorian literary texts.

5. Select, digest and organise material and produce a consistent and coherent argument, presented in essay form both to a deadline and under exam conditions.

Type	Name	Description	Weight
Written assignment, including essay	Outline & Literature Review	This assignment builds toward the final essay, in which students will answer a question of their own choosing. It will consist of two parts: 1) Outline of broad topic and annotated bibliography of three related secondary sources (800 words) 2) Annotated bibliography of three relevant primary (i.e. nineteenth century sources) (1200 words)	20.00
Written assignment, including essay	Final Coursework Essay	Students will write an essay on a question of their own choice (after consulting with the module co-ordinator) or 2,000 words in length. This will build on the mid-semester research portfolio.	50.00
	Primary research & research question		30.00

		Hours
	Discussion of reading questions on the module forum.	11
Seminar	1x1 hour seminar per week	11
Lecture	22 x1 hour lecture per week	22
Private study		156

• Literacy - Proficiency in reading and writing through a variety of media
• Computer Literacy - Proficiency in using a varied range of computer software
• Self-Management - Able to work unsupervised in an efficient, punctual and structured manner. To examine the outcomes of tasks and events, and judge levels of quality and importance
• Exploring - Able to investigate, research and consider alternatives
• Information retrieval - Able to access different and multiple sources of information
• Inter-personal - Able to question, actively listen, examine given answers and interact sensitevely with others
• Critical analysis & Problem Solving - Able to deconstruct and analyse problems or complex situations. To find solutions to problems through analyses and exploration of all possibilities using appropriate methods, rescources and creativity.
• Teamwork - Able to constructively cooperate with others on a common task, and/or be part of a day-to-day working team
• Argument - Able to put forward, debate and justify an opinion or a course of action, with an individual or in a wider group setting
• Self-awareness & Reflectivity - Having an awareness of your own strengths, weaknesses, aims and objectives. Able to regularly review, evaluate and reflect upon the performance of yourself and others

• Rhetorical skills of effective communication and argument, both oral and written (English Benchmark Statement 2.3; 3.1.10; 3.2.5; 3.3.1; 3.3.6).
• Sensitivity to generic conventions and to the shaping effects upon communication of circumstances, authorship, textual production and intended audience (English Benchmark Statement 1.3.8; 2.3.; 3.1.2; 3.2.3).
• The capacity for independent thought and judgement; the ability to articulate knowledge and understanding of texts, concepts and theories and to interrogate and apply a variety of theoretical positions and weigh the importance of alternative perspectives (English Benchmark Statement 1.3.9; 2.1; 2.3; 3.1.10; 3.2.2; 3.3.1; 3.3.7; 3.3.11).
• Critical Skills in the close reading, description, reasoning and analysis of texts (English Benchmark Statement 1.3.6; 1.3.9; 2.1; 2.3; 3.2.1; 3.3.1; 3.2.1; 3.3.8; 3.3.12).
• Competence in the planning and execution of essays, presentations and other writing and project work (English Benchmark Statement 3.3.6).
• Conceptual skills developed by demonstration and discussion. (English Benchmark Statement 3.2.2; 3.3.14; 3.3.17; 3.3.18; 3.3.19).
• Study skills in researching concepts and contexts by directed reading. (English Benchmark Statement 3.3.22; 3.3.23).
• The ability to express ideas clearly in discussion and in organised written form. (English Benchmark Statement 3.2.5; 3.2.7; 3.3.11; 3.3.15; 3.3.16; 3.3.21; 3.3.24).
• The ability to situate texts in intertextual debate and as responses to and interventions in contemporary culture. (English Benchmark Statement 3.1.7; 3.1.10; 3.1.11; 3.2.3; 3.2.8).
• Broad knowledge of a range of texts, genres, aesthetic forms and cultural practices, and the ability to produce close analysis of these and of the uses and implications of these approaches; an understanding of particular media forms and genres, and the way in which they organize understandings, meanings and affects (English Benchmark Statement 1.3.1; 3.1.1; 3.1.2; Communication, Media, Film and Cultural Studies benchmarks 4.1.5; 8.2.5).
• Awareness of how different social and cultural contexts affect the nature of language and meaning (English Benchmark Statement 3.2).
• Ability to gather information, analyse, interpret and discuss different viewpoints (NAWE Creative Writing Benchmark Statement 3.2; English Benchmark Statement 3.3).

Resource implications for students

In addition to the Norton Anthology, Vol. E, students will be expected to buy three novels, all of which are available in affordable paperback editions. The overall cost should amount to no more than £35.

Talis Reading list

http://readinglists.bangor.ac.uk/modules/qxe-2005.html

Reading list

The reading list will vary from year to year, but students should purchase the core text: Norton Anthology of Victorian Literature: Volume E: The Victorian Age, 10th edn.. This features many of the key texts we will study as part of the module.

Compulsory in courses:

• 3Q5Q: BA Cymraeg and English Literature year 2 (BA/CEL)
• 2P78: BA English Lit with Creative Writing with International Exp year 2 (BA/ECI)
• Q310: BA Eng Lit with Eng Lang year 2 (BA/ELEL)
• 3QV1: BA History and English Literature year 2 (BA/ELH)
• 09V3: BA English Literature and Italian year 2 (BA/ELI)
• 3YT5: BA English Literature and Spanish year 2 (BA/ELIS)
• 065C: BA English Literature with Journalism year 2 (BA/ELJ)
• 1Q3Q: BA Linguistics and English Literature year 2 (BA/ELL)
• QQC3: BA English Lang and Lit year 2 (BA/ELLIT)
• QQCF: BA English Language & English Lit [with Foundation Year] year 2 (BA/ELLITF)
• 32N6: BA English Literature and Music year 2 (BA/ELM)
• 32N7: BA English Literature & Music with International Experience year 2 (BA/ELMIE)
• 32M8: BA English Literature with Theatre and Performance year 2 (BA/ELTP)
• M3Q9: BA English Literature and Criminology and Criminal Justice year 2 (BA/ENC)
• 2P17: BA English Literature and Creative Writing year 2 (BA/ENCW)
• 2P1P: BA English Literature and Creative Writing with Place Yr year 2 (BA/ENCWP)
• 8H25: BA English Literature year 2 (BA/ENGL)
• 2D13: BA English Literature with Creative Writing year 2 (BA/ENGLC)
• 8H2P: BA English Literature with Placement Year year 2 (BA/ENGLP)
• 8H26: BA English Literature (with International Experience) year 2 (BA/ENIE)
• 06CD: BA French and English Literature year 2 (BA/FEL)
• 3P3Q: BA Film Studies and English Literature year 2 (BA/FSEL)
• 3N7S: BA German and English Literature year 2 (BA/GEL)
• T124: BA English Literature & Chinese year 2 (BA/LITCH)
• 3HPQ: BA Media Studies and English Literature year 2 (BA/MEN)
• 3VQV: BA Philosophy and Religion and English Literature year 2 (BA/PREN)
• 3L3Q: BA Sociology and English Literature year 2 (BA/SEL)
• Q2W9: MArts English Literature with Creative Writing year 2 (MARTS/ELCW)
• Q321: MArts English Literature with International Experience year 2 (MARTS/ELIE)
• Q320: MArts English Literature year 2 (MARTS/ELIT)

Optional in courses:

• W890: BA Creative&Professional Writing year 2 (BA/CPW)
• W89P: BA Creative and Professional Writing with Placement Year year 3 (BA/CPWP)
• W899: BA Creative & Professional Writing with International Exp year 3 (BA/CRIE)
• Q3Q2: BA English Language w English Lit year 2 (BA/ENGEL)
• Q1Q3: BA Ling with Eng Lit year 2 (BA/LEL)
• M115: LLB Law with English Literature (International Experience) year 2 (LLB/ILEL)