Modules for course VW23 | BA/HCAC
BA Hanes Cymru a Cherddoriaeth

These are the modules currently offered on this course in the 2018–19 academic year.

You can also view the modules offered in the years: 2017–18.

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Year 1 Modules

Compulsory Modules

Semester 1

  • WXC-1002: Astudio Cerddoriaeth (JH) (20)
    Mae’r modiwl yn edrych ar hanes cerddoriaeth gelfyddydol Orllewinol o tua 1000 AD i'r cyfnod presennol. Astudir gweithiau dethol o’r cyfnod yn fanwl, a gosodir newidiadau a datblygiadau mewn arddull gerddorol yn eu cyd-destunau hanesyddol, diwylliannol, cymdeithasol, daearyddol ac esthetaidd. Yn ogystal, bydd y modiwl yn annog datblygiad amrywiaeth o sgiliau sydd eu hangen i astudio cerddoriaeth ar lefel gradd, a bydd yn sylfaen ar gyfer astudiaeth gerddolegol a wneir ym Mlynyddoedd 2 a 3 a thu hwnt.
  • HXC-1007: Cymru: Tywysogion i Duduriaid (20)
    Oes Owain Gwynedd a'r Arglwydd Rhys; Gerallt Gymro; Llywelyn ap Iorwerth (m. 1240) a'i feibion; Penarglwyddiaeth a chwymp Llywelyn ap Gruffudd, Tywysog Cymru (m. 1282); barddoniaeth a hanes yn yr Oesoedd Canol; dyheadau gwleidyddol Cymreig yn y bedwaredd ganrif ar ddeg; mudiad Glyndwr; Brutus, 1485 a'r traddodiad proffwydol; Cymru a'r Diwygiad Protestannaidd; Cymru a'r Dadeni; Cymru a gwleidyddiaeth yr unfed ganrif ar bymtheg - y Deddfau Uno.
  • HCC-1050: Dechrau o'r Dechrau (20)
    1. Rhagarweiniad: O'r Gorffennol i'r Presennol: Rhai syniadau ar sut i wneud y defnydd gorau o'ch sgiliau presennol wrth i chi symud ymlaen i astudio ar lefel prifysgol. Dysgu rhai o egwyddorion sylfaenol astudio Hanes ac/neu Archaeoleg ym Mangor. 2. Sgiliau llyfrgell a defnyddio'r we yn ddeallus: Edrych ar yr hyn y dylech ei ddisgwyl yn llyfrgell y brifysgol, sut i ddefnyddio rhestrau darllen, faint i'w ddarllen a beth i'w wneud gyda'r holl adnoddau electroneg hynny sydd ar gael i chi. 3. O anrhefn i drefn: rhoi trefn ar bethau a chymryd nodiadau. Sut i gynllunio a threfnu eich gwaith, a sut i wneud penderfyniadau doeth wrth gymryd nodiadau o lyfrau, erthyglau a darlithoedd. 4. Osgoi llên-ladrad: Dysgu sut mae torri a phastio deunydd o'r we yn ffordd wael iawn o weithio a pham mae camymddwyn academaidd yn cael ei drin fel mater difrifol iawn. Dysgu'n ogystal sut i osgoi hyn drwy gyfeirnodi effeithiol, h.y. defnyddio tystiolaeth, troednodiadau a llunio llyfryddiaethau cadarn. 5. Traethodau a gwneud argraff (ramadegol) dda: Deall beth yn union mae cwestiwn y traethawd eisiau i chi ei wneud, sut i drefnu eich gwaith a sut i ddatblygu dadl. Cael golwg ar rai camgymeriadau cyffredin mewn traethodau Hanes ac Archaeoleg a gweld pam fod sillafu da ac atalnodi yn allweddol. 6. Hanesyddiaeth: Sut i wneud synnwyr o'r holl academyddion hyn yn dweud pethau gwahanol ac anghytuno â'i gilydd. Beth yw'r gwahaniaethau (a'r tebygrwydd) rhwng hanes 'academaidd' a 'phoblogaidd'? 7. Dadansoddi a meddwl yn feirniadol: Neu, sut i fynd ymhellach na dim ond disgrifio'r gorffennol. Deall beth mae eich tiwtor yn ei olygu pan fydd yn dweud wrthych am fod yn fwy beirniadol. 8. Cyfle i ddweud eich dweud: cyfathrebu medrus: Deall pam mae'n bwysig i chi gyfathrebu eich syniadau'n glir, a sut y gellwch baratoi'n effeithiol at gyflwyniadau. 9. Dogfennau a ffynonellau: Dysgu sut mae haneswyr yn defnyddio gwahanol fathau o ddogfennau ac arteffactau ac edrych sut y gellwch eu dadansoddi eich hun. 10. Adborth (sylwadau) pellgyrhaeddol: Beth yw diben adborth (sylwadau ar eich gwaith), a sut y caiff mathau gwahanol o aseiniadau eu marcio? Dysgu bod angen i chi edrych y tu hwnt i'ch marc i wella eich gwaith. 11. Sut i weithredu mewn arholiadau: Sut i beidio â chynhyrfu a gwneud yn dda mewn arholiadau, a gweld beth yn union mae cwestiynau arholiad yn gofyn i chi ei wneud.
    or
    HCH-1050: The Past Unwrapped (20)
    1. Introduction: From Past to Present: Some ideas on how to make the best of your existing skills as you move to university-level study. Learn some of the basics of studying History and/or Archaeology at Bangor. 2. Library skills and making intelligent use of the web: Looking at what to expect in the university library, how to use reading lists, how much to read and what to do with all those electronic resources at your disposal. 3. From chaos to order: organisation and note-taking. How to plan and organise your work, and how to make wise decisions when taking notes from books, articles and lectures. 4. Avoiding plagiarism: Learn why cutting and pasting from the web is bad practice, and why academic misconduct is treated very seriously. Learn as well how to avoid this by referencing effectively i.e. using evidence, footnotes and compiling solid bibliographies. 5. Essays and making a good (grammatical) impression: Understand what the essay question actually wants you to do, how to structure your work, and how to develop an argument. Gain insight into some of the common errors in History and Archaeology essays, and see why good spelling and punctuation are crucial. 6. Historiography: How to make sense of all these academics saying different things and disagreeing with each other. What are the differences (and similarities) between ‘academic’ and ‘popular’ history? 7. Analysis and critical thinking: Or, how to move beyond just describing the past. Understand what your tutor means by telling you to be more critical. 8. Make your voice heard: competent communication: Understand why it’s important for you to communicate your ideas clearly, and how you can prepare effectively for presentations. 9. Documents and sources: Learn how historians use different types of documents and artefacts, and explore how you can analyse them yourself. 10. Far-reaching feedback: What is the purpose of feedback, and how are different types of assignments marked? Learn that you need to look beyond your mark to improve your work. 11. Exam technique: How to keep it together in exams, and how to deduce what exam questions actually want you to do.

Semester 2

  • WXC-1002: Astudio Cerddoriaeth (JH)
    Mae’r modiwl yn edrych ar hanes cerddoriaeth gelfyddydol Orllewinol o tua 1000 AD i'r cyfnod presennol. Astudir gweithiau dethol o’r cyfnod yn fanwl, a gosodir newidiadau a datblygiadau mewn arddull gerddorol yn eu cyd-destunau hanesyddol, diwylliannol, cymdeithasol, daearyddol ac esthetaidd. Yn ogystal, bydd y modiwl yn annog datblygiad amrywiaeth o sgiliau sydd eu hangen i astudio cerddoriaeth ar lefel gradd, a bydd yn sylfaen ar gyfer astudiaeth gerddolegol a wneir ym Mlynyddoedd 2 a 3 a thu hwnt.
  • HXC-1006: Cymru yn y Byd Modern (20)
    Wythnos 1: Darlith: Deall Cymru fodern ac amcanion y modiwl Dim seminar Wythnos 2: Darlith: Meithrin Cymru fodern (i): Diwydiant ac economi Seminar: Siartiaeth a Beca Wythnos 3: Darlith: Meithrin Cymru fodern (ii): Trosedd, cosb a moesoldeb Seminar: Y Gymru fywgraffiadol: David Lloyd George fel astudiaeth achos Wythnos 4: Darlith: Themâu (i): Mewnfudo ac allfudo Seminar: Mewnfudo Wythnos 5: Darlith: Themâu (ii): Iaith, addysg a chrefydd yn y 19eg ganrif Seminar: Cenedlaetholdeb, Tynged yr Iaith Wythnos 6: Darlith: Themâu (iii): Effaith y ddau ryfel byd Seminar: Y Gymru Lafurol Gweithdy: Eidalwyr yng Nghymru Wythnos 7: WYTHNOS DDARLLEN Wythnos 8: Darlith: Themâu (iv): Merched a llunio Cymru fodern Seminar: Cerddoriaeth boblogaidd Wythnos 9: Darlith: Themâu (v): Diwylliant poblogaidd a newid cymdeithasol Seminar: Merched mewn llenyddiaeth Gymreig Wythnos 10: Darlith: Themâu (vi): Chwaraeon a hunaniaeth Seminar: Hunaniaeth Wythnos 11: Darlith: Materion (i): Y frwydr am hunan-reolaeth Seminar: Y Cwestiwn Cenedlaethol Wythnos 12: Darlith: Materion (ii): Creu Cymru newydd? Seminar: Sesiwn adolygu
    or
    HXW-1010: Wales since 1789 (20)

Optional Modules

40 credits from:

  • WXC-1004: Cyflwyniad Harmoni/Gwrthbwynt (20) (Semester 1 + 2)
    Bwriad y modiwl hwn yw datblygu dealltwriaeth myfyrwyr o elfennau ieithwedd gerddorol – alaw, harmoni, gwrthbwynt, rhythm – trwy astudio’r arfer a oedd yn gyffredin i gyfansoddwyr yn ystod cyfnod y Dadeni Hwyr a'r Baróc. Mae myfyrwyr yn gweithio trwy gwrs o astudiaeth a fydd yn datblygu medrau sain glust, darllen sgorau, a medrau dadansoddol, creadigrwydd a dealltwriaeth o’r paramedrau a osodai’r sylfeini ar gyfer creu cerddoriaeth yn ystod y cyfnod dan sylw. Bwriedir y modiwl hwn ar gyfer y myfyrwyr hynny sydd â phrofiad cyfyngedig o egwyddorion harmonig. Anogir myfyrwyr mwy profiadol (e.e. y rhai sydd wedi astudio cydgordio corâl fel rhan o Lefel-A) i gofrestru ar gyfer WXC1008 yn lle hwn.
    or
    WXM-1004: Intro - Harmony & Counterpoint (20) (Semester 1 + 2)
    This module aims to develop students’ understanding of the elements of musical language – melody, harmony, counterpoint, rhythm – through the study of compositional practice in the late Renaissance and Baroque periods. Students work through a course of study which will develop aural skills, score reading and analytical skills, creativity, and a thorough understanding of the parameters for the construction of music during the periods in question. This module is intended for those students who little or no prior knowledge of harmonic principles. Students with some prior experience (e.g. those who have done chorale harmonization as part of A-Levels or equivalent) will be encouraged to register for WXM1008. Please note: WXM1004 and 1008 both cover effectively the same material in both semesters; in semester 2, both groups are taught together; in semester 1 WXM1004 covers similar ground as WXM1008, but at a slower pace (hence the doubled contact hours).
  • WXC-1008: Harmoni a Gwrthbwynt Uwch (20) (Semester 1 + 2)
    Cynnwys y Modiwl Bwriad y modiwl hwn yw datblygu dealltwriaeth myfyrwyr o elfennau ieithwedd gerddorol – alaw, harmoni, gwrthbwynt, rhythm – trwy astudio’r arfer a oedd yn gyffredin i gyfansoddwyr yn ystod cyfnod y Dadeni Hwyr a'r Baróc. Mae myfyrwyr yn gweithio trwy gwrs o astudiaeth a fydd yn datblygu medrau sain glust, darllen sgorau, a medrau dadansoddol, creadigrwydd a dealltwriaeth drylwyr o’r paramedrau a osodai’r sylfeini ar gyfer creu cerddoriaeth yn ystod y cyfnod dan sylw. Mae’r modiwl hwn wedi’i anelu at y myfyrwyr hynny sydd eisoes â rhywfaint o wybodaeth o egwyddorion harmoni (e.e. y rhai sydd wedi astudio cydgordio corâl fel rhan o Lefel-A). Anogir myfyrwyr llai profiadol i gofrestru ar gyfer WXC1004 yn lle hwn.
    or
    WXM-1008: Higher Harmony & Counterpoint (20) (Semester 1 + 2)
    This module aims to develop students’ understanding of the elements of musical language – melody, harmony, counterpoint, rhythm – through the study of compositional practice in the late Renaissance and Baroque periods. Students work through a course of study which will develop aural skills, score reading and analytical skills, creativity, and a thorough understanding of the parameters for the construction of music during the periods in question. This module is intended for those students who have some prior knowledge of harmonic principles (e.g. those who have done chorale harmonization as part of A-Levels or equivalent). Students with less experience will be encouraged to register for WXM1004 instead. Please note: WXM1004 and 1008 both cover effectively the same material in both semesters, in semester 2 both groups are taught together, in semester 1 WXM1004 covers similar ground as WXM1008, but at a slower pace (hence double contact hours)
  • WXC-1010: Celfyddyd Sonig (20) (Semester 1 + 2) or
    WXK-1010: Sonic Art (20) (Semester 1 + 2)
  • WXC-1011: Cyfansoddi Blwyddyn 1 (20) (Semester 1 + 2)
    Bydd y cwrs hwn yn cyflwyno’r myfyriwr i rai o’r technegau cyfansoddi a ddefnyddiwyd yn yr 20fed ganrif, gan ddangos sut mae harmoni, rhythm, adeiledd, offeryniaeth a thraw wedi datblygu. Rhoddir y cyfryngau sylfaenol i’r myfyrwyr ar gyfer cyfansoddi. Bydd y cwrs hefyd yn ystyried offerynnau penodol a’u nodweddion arbennig, yn ogystal ag ysgrifennu ar gyfer y llais. Yna anogir y myfyrwyr i roi cynnig ar y technegau yn eu cyfansoddiadau hwy eu hunain.
    or
    WXK-1011: Composition Year 1 (20) (Semester 1 + 2)
    This course will introduce students to some of the compositional techniques used in the twentieth and twenty first centuries and show how harmony, rhythm, structure, instrumentation and pitch have evolved, presenting students with the basic tools for composition. The first half of the course will look at these techniques in relation to a number of important musical styles that evolved during the twentieth century. The course will also consider individual instruments and their particular characteristics, in addition to vocal writing. Students are then encouraged to try out these techniques in exercises and assignments, which will be set throughout the course..
  • WXC-1016: Perfformio Unawdol Blwyddyn 1 (20) (Semester 1 + 2)
    Mae’r modiwl yn cyfuno rhaglen o hyfforddiant unigol ar offeryn neu lais â chyflwyniad i amrediad o faterion pwysig sy’n ymwneud â cherddorion, yn cynnwys paratoi a pherfformio rhaglen datganiad, technegau ymarfer effeithiol, gweithio â cherddorion eraill, a dulliau gwahanol o dehongli. NID YW'R MODIWL HWN AR GAEL I FYFYRWYR O'R TU ALLAN I'R YSGOL CERDDORIAETH. CYD-OFYNIAD: o leiaf ABRSM Gradd 7 neu gyfwerth.
    or
    WXP-1016: Solo Performance Year 1 (20) (Semester 1 + 2)
    This module combines a programme of individual instrumental or vocal tuition with an introduction to a range of important issues which concern performers, including preparing and delivering a recital programme, effective practice techniques, working with other musicians, and different approaches to interpretation. THIS MODULE IS NOT AVAILABLE TO STUDENTS OUTSIDE THE SCHOOL OF MUSIC. CO-REQUISITE: minimum of ABRSM 7 or equivalent.

Year 2 Modules

Compulsory Modules

Semester 1

Semester 2

20 to 40 credits from:

  • WXC-2011: Cerddoreg Blwyddyn 2 (20) (Semester 1 + 2)
    Mae ymchwil yn fedr academaidd sylfaenol, ac felly hefyd y gallu i ysgrifennu’n effeithiol ar ganlyniad yr ymchwil honno. Ar y modiwl hwn, mae myfyrwyr yn gwneud ymchwil i bwnc o’u dewis, ac yn ysgrifennu ar eu canfyddiadau mewn traethawd o ryw 4500-5000 o eiriau. Ar yr un pryd, mae’r modiwl yn cyflwyno myfyrwyr i rai o gonfensiynau a dulliau ymchwil a chyflwyno cerddoregol, a hynny trwy astudiaeth ar wahanol enghreifftiau o ysgrifennu academaidd. Ar ben hynny, bydd myfyrwyr yn parhau i ddatblygu’r medrau astudio a ddysgir yn Astudio Cerddoriaeth, yn cynnwys medrau llyfryddiaethol, medrau meddwl yn annibynnol, a medrau cyflwyno ar lafar. Bydd y modiwl yn paratoi myfyrwyr ar gyfer ysgrifennu Traethawd Hir ym Mlwyddyn 3, a gall hefyd fod yn fuddiol i fyfyrwyr sy’n ystyried Project Golygu ym Mlwyddyn 3.
    or
    WXM-2011: Musicology Year 2 (20) (Semester 1 + 2)
    Research is a fundamental academic skill, and so too is the ability to effectively communicate the results of that research in writing. On this module, students undertake research into a musical topic of their own choice, and write up their findings in the form of a short dissertation of around 4500-5000 words. At the same time, the module introduces students to some of the conventions and methods of musicological research and presentation, through the study of various examples of academic writing. Moreover, students will continue to develop study skills taught in The Study of Music, including bibliographical skills, skills of independent thinking, and skills in oral presentation. The module will prepare students for undertaking a Dissertation in Year 3, and may also be useful to students considering undertaking an Editing Project in Year 3.
  • WXM-2205: Notation and Editing (20) (Semester 1 + 2)
    Students taking the course will transcribe and edit a variety of music, some vocal and some instrumental, from the fifteenth to the nineteenth centuries, from reproductions of original sources. Some sources will be in score, some in parts, some in tablature; some will be manuscript and some printed. Certain pieces of work will involve a single source; others will require the collation and appraisal of more than one source, with variant readings tabulated and conclusions drawn about the relationship of the sources. As the title suggests, the course is divided into two parts, which will focus on different skills: Semester 1: ‘Notation’ introduces students to the palaeography of music before 1600 and teaches the elementary skills for the understanding and transcription of white mensural notation. Semester 2: ‘Editing’ covers techniques and approaches of critical editing and philology, which will enable you to produce a scholarly edition with all the standard ingredients. Case studies for this part of the module are taken mainly from the so-called ‘common practice era’.
  • WXC-2233: Cyfansoddi Blwyddyn 2 (20) (Semester 1 + 2)
    Adeilada’r modiwl hwn ar astudiaethau Cyfansoddi Blwyddyn 1, ynghyd â chyflwyno syniadau a thechnegau newydd ar yr un pryd. Bydd pwyslais cyson ar arbrofi mentrus a newydd-deb creadigol, gan weithio gydag arddulliau anghyweiraidd (cyn-donyddol, ôl-donyddol ac anhonyddol), ynghyd ac ymdriniaethau newydd o ffurf. Ceir gwaith damcaniaethol (gwrando, dadansoddi a thrafod pynciau) ynghyd a gwaith ymarferol (gweithio drwy dechnegau, cyflwyno enghreifftiau, datrys problemau), gan ganolbwyntio ar dechnegau ac elfennau penodol - rhai yn newydd, a rhai yn gyfarwydd ers modiwl Cyfansoddi Lefel 1. Nid yw’r modiwl hwn yn addas ar gyfer myfyrwyr sy’n dymuno cyfansoddi mewn arddulliau hanesyddol neu pastiche.
    or
    WXK-2233: Composition Year 2 (20) (Semester 1 + 2)
    This module seeks to build on Level 4 Composition, while at the same time introducing new ideas and techniques. Throughout, the emphasis will be on introducing students to the multiplicity of styles and techniques that have emerged during the second half of the 20th century and the first decade of the 21st. This may include bold experimentation and creative innovation, including working with non-tonal styles (pre-tonal, post-tonal, atonal), or the study of post-tonal and post-minimal styles of recent decades.
  • WXK-2235: Acousmatic Composition (20) (Semester 1 + 2)
    Acousmatic music is sonic art which uses sound as its basic material and the loudspeaker as its mode of delivery. This module aims to introduce students to acousmatic composition in a more focused way than is possible in the Year 1 Practical Music Technology module, and with a more creative emphasis. It aims to equip students with the basic technological, compositional and aesthetic knowledge and understanding necessary for acousmatic composition. (This module is not intended for students wishing to compose popular music, or music using conventional approaches to harmony, melody or rhythm.)
  • WXC-2241: Perfformio Unawdol Blwyddyn 2 (20) (Semester 1 + 2)
    Bydd disgwyl i’r myfyrwyr adeiladu ar fedrau y maent eisoes wedi’u dysgu yn ystod y modiwlau perfformio unigol ar lefelau 1 neu 2 ac adeiladu arnynt. Gwneir hyn trwy hyfforddiant offerynnol neu leisiol unigol. Bydd y myfyriwr a’r tiwtor yn ymgynghori, a bydd y tiwtor yn cynorthwyo i lunio rhaglen arfaethedig o repertoire technegol a deongliadol yn dangos arddulliau amrywiol, i’r harchwilio gan y myfyriwr, ac a fydd yn fuddiol i ddatblygiad technegol a cherddorol yr unigolyn. modiwl 'cap' o 20 o fyfyrwyr
    or
    WXP-2241: Solo Performance Year 2 (20) (Semester 1 + 2)
    The students will be expected to build on and expand skills already established during the solo performance modules in Year 1. This will be carried out through individual instrumental or vocal tuition. The tutor will provide consultation and help construct a projected programme of stylistically-varied technical and interpretive solo repertoire for the students to explore that will benefit the individual’s technical and musical development. Please note that students may also follow a maximum of 20 credits in ensemble performance across levels 5 & 6. This module is capped at 20 students
  • WXC-2269: Celfyddydau yn y Gymuned (20) (Semester 1 + 2) or
    WXM-2269: Arts in the Community (20) (Semester 1 + 2)

Optional Modules

20 credits from:

  • HCG-2011: Dehongli'r Gorffennol (20) (Semester 1)
    Er y byddir yn rhoi peth sylw i rai o haneswyr mawr y bedwaredd ganrif ar bymtheg – fel Ranke, Macaulay a Marx – bydd pwyslais y cwrs ar hanesyddiaeth yr ugeinfed ganrif. Canolbwyntir gan hynny ar feddylwyr a thueddiadau allweddol ym maes hanesyddiaeth yn ystod y ganrif ddiwethaf gan astudio enghreifftiau penodol o gynnyrch y meddylwyr a’r ysgolion dan sylw. Ymysg y pynciau a astudir bydd Ysgol yr Annales, Hanesyddiaeth Farcsaidd, Hanes Merched, Hanes Llafar, a her syniadaeth ôl-strwythurol ac ôl-fodern. Neulltuir yn ogystal ddwy ddarlith i drafod agweddau ar Hanesyddiaeth Cymru yn y cyfnod diweddar.
    or
    HCH-2050: Debating History (20) (Semester 1)
    The first part of the course is concerned with the use of the past made by historians and commentators such as politicians, the way traditions are invented (and destroyed), and introduces the different historiographical schools. The second part covers some historiographical (ie. concerned with the art of writing history) issues with emphasis on the various ideas about the study and writing of history which have developed over the last two centuries and which students need to understand in order to engage confidently with the different approaches which professional historians take to their work. This is taught through a case-study approach where students can apply the different approaches studied in the first part of the course to specific controversial historical subjects. The course will cover the following topics: Whig and Tory history, Ranke, the professionalisation of the study of history, nations, empire, structuralism, post-structuralism, revisionism, counter-factual history, case studies may change from year to year but will include topics such as The Peasants’ Revolt, The English civil war, the outbreak of world war one; suffrage, consumerism, the Welsh in history, the Reformation. American Civil war, Cold War; Oral history; National identity.
  • HWC-2070: Modiwl Gweithle Hanes Cymru S1 (20) (Semester 1)
    Fel rheol, mae myfyrwyr yn treulio un diwrnod yr wythnos yn ystod y semester priodol, sef cyfanswm o 70 awr, yn gweithio mewn archifdy, uned archeolegol neu amgueddfa yn cyflawni tasgau penodol, rhai ymarferol yn ogystal â rhai academaidd, a neilltuir iddynt gan y swyddog(ion) â gofal. Mae’r tasgau hyn yn cynnwys llunio stocrestrau, casglu tystiolaeth maes, llunio catalogau o lawysgrifau arwahanol neu gasgliadau o arteffactau. Bydd angen iddynt ddelio ag ymholiadau'r cyhoedd hefyd ar adegau. Ar hyn o bryd, mae gan yr Adran gytundebau gyda'r rhan fwyaf o swyddfeydd cofnodion archifau gogledd Cymru (yn arbennig yng Nghaernarfon a Llangefni), gydag Ymddiriedolaeth Archeolegol Gwynedd, Oriel Bangor, Oriel Môn yn Llangefni a’r Amgueddfa Gatrodol yng Nghaernarfon. Gallai cyrsiau hyfforddiant sydd wedi eu cymeradwyo mewn cloddio hefyd fod yn gymwys os ydynt yn ddigon hir a thrylwyr ac yn cydymffurfio a Chanllawiau’r Cwrs. Dylai myfyrwyr fod yn ymwybodol hefyd fod goblygiadau iechyd a diogelwch ynghlwm wrth yr holl leoliadau.
    or
    HWW-2070: Welsh History Workplace S1 (20) (Semester 1)
    The student normally spends one day a week during the appropriate semester, and in total about 70 hours, working in an archives office, an archaeological unit or a museum service undertaking specific tasks of a practical as well as an academic nature as given them by the officer(s) in charge. These typically include drawing up inventories, collating field evidence, drawing up catalogues of discrete manuscript or artefact collections, as well as at times dealing with public enquiries. Currently the Department has agreements with most of the archive record offices in north Wales, but especially at Caernarfon and Llangefni, with the Gwynedd Archaeological Trust, with Oriel Bangor and Oriel Môn at Llangefni and the regimental Museum at Caernarfon. Approved excavation training courses may qualify if of sufficient duration and rigour and conform to the Course Guidelines. Students should also be aware that there are health and safety implications to all placements.
  • HWC-2071: Modiwl Gweithle Hanes Cymru S2 (20) (Semester 2) or
    HWW-2071: Welsh History Workplace S2 (20) (Semester 2)
  • HTA-2102: Celtic and Anglo-Saxon Art (20) (Semester 2)
    1. Introduction: art in Britain and Ireland c. AD400–1100 2. Ways of Seeing 1: Time and Place 3. Ways of Seeing 2: Context. Materials and Technologv 4. Ways of Seeing 3: Form, Ornament and Symbolism 5. The Iron Age and Roman Origins of Insular Art 6. Pagan Anglo-Saxon Art 7. The Origins of Christian Art 8. Secular Metalwork c.650-825 9. Ecclesiastical Metalwork c.650-825 10. Insular Illuminated Manuscripts: Luxury Gospel Books 11. Insular Illuminated Manuscripts: Bibles. pocket Gospels and Psalters 12. Sculpture c.675-830 13. The Viking Impact 14. Viking Art and Viking Integration 15. Anglo-Saxon art and the Reform Movement 16. Irish Art in the tenth – twelfth centuries
  • HTA-2103: Early Medieval Ireland (20) (Semester 1)
    This course will discuss the major types of archaeological evidence for early medieval Ireland c. AD 400-1150. It will consider the major types of settlement- ringfort, crannog, unencllosed settlement, ecclestiastical sites, Viking towns- their origins, chronology, layout and functions using specific examples. It will then review the different types of evidence for the farming economy and consider their significance; the evidence of artefact production; trade and exchange and the development of the ealy medieval Irish economy from a society primarily concerned with patronage, gift giving, reciprocity and luxury trade to a limited urban economy using coin and silver.
  • HTH-2110: The Guardians of Heritage (20) (Semester 1)
    This course will examine the agencies which protect our heritage, for example English Heritage, the National Trust, and Cadw and, where applicable, parallel agencies abroad. It will examine the protection of sites and landscapes, historic buildings and objects: legislation and its effectiveness and look at key debates and case-studies. * The Guardians of Heritage: national and international * Protection and curation: law, theory and practice * will the taxpayer foot the bill? Who pays for Heritage? * Selling heritage? Marketing: public and private * Sites and landscaped: who protects what, and how effective is protection? * The protection of buildings: types and legislation; advantages and problems * Portable heritage - the role of museums * Antiquities legislation and the problem of illicit trade This course will examine the agencies which protect our heritage, for example English Heritage, the National Trust, and Cadw and, where applicable, parallel agencies abroad. It will examine the protection of sites and landscapes, historic buildings and objects: legislation and its effectiveness and look at key debates and case-studies.
  • HGH-2112: Civil War: Eng & Wal 1558-1660 (20) (Semester 1)
    The course concentrates upon political and religious history - but social, cultural, economic and intellectual aspects are also considered where they are relevant to the core of the course. Major topics explored include: The ‘crisis’ of the 1590s; The impact of the arrival of the Stuart dynasty; Divisions in English Protestantism; Charles I’s Personal Rule, and the outbreak of civil war; The course of the conflict, and attempts at a settlement; The reasons for the regicide; The English Republic and the restoration, 1649-1660
  • HGH-2119: Britain 1945-1990 (20) (Semester 2)
    Britain at the outbreak of war; Dawn of a new Jerusalem; The Attlee governments, 1945-51; The affluent society ? The Wilson governments; Heath to Thatcher The decline of socialism Social attitudes and class; Youth culture Thatcherism to the Third Way; New Labour The break-up of Britain ?.
  • HTA-2120: Rethinking Archaeology (20) (Semester 1)
    Lectures 1. The origins of archaeological theory 2. The ‘New Archaeology’ and post processualism 3. Marxist and structuralist approaches in archaeology 4. The post-processualist critique 5. Multi disciplinary approaches to the archaeological record 6. The archaeology of people and social relations 7. Towards an archaeology of gender 8. Approaches to the study and interpretation of material culture 9. Contemporary approaches to archaeological landscapes 10. Understanding the built environment 11. The archaeology of ritual and religion 12. Archaeology in theory and in practice Seminars 1. The identification of cultural groups from archaeological evidence 2. The loss of innocence and the development of the ‘New Archaeology’ 3. Symbolic and structural archaeology 4. Re-constructing an interpretive archaeology 5. Social evolution and cognitive archaeology 6. How were past societies organised? 7. Representing gender in the archaeological past 8. Art or artefact: key debates in material culture studies 9. Experiencing the past: a phenomenology of landscape 10. House form and culture 11. What is ritual and religion and can we identify them in the archaeological record? 12. Critical approaches to archaeological fieldwork
  • HGH-2123: Vikings to Magna Carta (20) (Semester 1)
    After introducing the historiographical and historical background and interpretative frameworks for the course, the lectures will deal chronologically and thematically with the historical and archaeological evidence for the key developments of the period. This will take account of the main historical, cultural, social and economic development of Britain. Topics covered include the reign of Cnut, the late Anglo-Saxon kingdom, Edward the Confessor, the origins and impact of the Norman Conquest, the Anglo-Norman kingdoms, Wales and Scotland, the ‘anarchy’ of Stephen’s reign, Henry II and the Angevin Empire, king Richard, king John and Magna Carta. The emphasis during the seminars will be on discussion of key primary sources. 1. Medieval British Historiography; 2. Britain and its Neighbours 950-1066; 3. The Norman Conquest; 4. The Norman kings: William Rufus, Henry I; 5. The Reign of King Stephen, Henry II; 6. Women, Culture and Society; 7. Knights, Chivalry & Lordship, 8. The Church and State; 9.Wales and Scotland in the Twelfth Century; 10. Angevin Government and Empire; 11. King Richard the Lionheart; 12. King John and Magna Carta. Students will study these topics using both primary and secondary sources, such as Orderic Vitalis, The Ecclesiastical History or the text of Magna Carta, as well as secondary sources.
  • HTA-2125: Time and Tide (20) (Semester 2)
  • HTC-2126: Hanes ar y Teledu (20) (Semester 2)
    1. Cyflwyniad: arolwg o'r maes ac amlinelliad o'r pynciau i'w trafod gan y modiwl; y tensiynau rhwng dyheadau'r hanesydd a gofynion y cynhyrchwyr teledu 2. `Llais yr awdur', a'r trafferthion sy'n deillio wrth adael i unigolyn adrodd yr hanes ei hunan; AJP Taylor a'r mentrau cynnar i gyflwyno hanes ar y teledu 3. “A History of Britain” gan Simon Schama: adrodd hanes y genedl; sut i gadw cydbwysedd rhwng anghenion amrywiol y comisiynwyr, y gynulleidfa a'r sylwebyddion, tra'n diogelu cywirdeb hanesyddol y rhaglen; ai dim ond “Hanes Lloegr” yw'r gyfres hon? 4. Adrodd hanes cenedl fechan - sut cafodd hanes Cymru ei bortreadu ar y teledu; “Tywysogion”; “Dilyn Ddoe”; “Your Century”; “Wales and the History of the World” 5. Gwaith Gwyn Alf Williams: cyflwyno hanes o safbwynt Marcsaidd 6. Cyfuno archif, tystiolaeth llygad-dystion a llais `awdurdodol' y sylwebydd: “The Great War”, a dylanwad parhaol y gyfres, fel y gwelir yn “The World at War” a “Lleisiau'r Rhyfel Mawr” 7. Defnyddio hanes lafar mewn rhaglenni teledu, a'r trafferthion; manteision a phroblemau defnyddio ffilm archif mewn rhaglenni nodwedd hanes 8. Cyflwyno hanes gwrthdaro a therfysg yn hanes y Gymru fodern (“The Dragon has Two Tongues”; “Wales! Wales?”; “Tonypandy Riots - A New History” a.y.y.b.); cyflwyno pynciau dadleuol lle nad oes cytundeb: y Brigadau Rhyngwladol yn Rhyfel Cartref Sbaen 9. Rhaglenni nodwedd bywgraffiadol, a'u trafferthion: sut i fod yn wrthrychol ac osgoi cynnig naill ai `buchedd sant' neu sarhad 10. Problemau'r dull ôl-fodern wrth gyflwyno cyfres hanes : “Y Ditectif Hanes” a “Cymru Hywel Williams”
  • HTC-2129: Morladron a Brenhinoedd y mor (20) (Semester 2)
    Crynodeb o Gynnwys y Cwrs: Dylai hwn fod yn baragraff cryno yn rhestru’r themâu y bydd y modiwl yn ymwneud â hwy. 1. Themau a hanes cynnar. Y craidd, yr ymyl a 'hanes Brydeinig'; cyrchau a gwladychiad y llychlynwyr yn Môr Iwerddon/Ynysoedd Heledd hyd at yr unarddegfed ganrif; brwydr Clontarf. 2. Sefydlu llinach Godred Crovan: gorwel hanesyddol y deyrnas? Crynodeb cronolegol o hanes y deyrnas yn galluogi trafodaethau mwy thematig i ddod. 3. Cyflwyno'r ffynhonellau: gweld popeth o'r tu fas? Cronicl Brenhinoedd Manaw, blwyddnodion, barddoniaeth. 4. Y deyrnas a Norwy: rhan o'r byd Llychlynaidd? Ymgyrchoedd Norwy a'u pwrpas. 5. Y cyd-destun Gwyddelig a'r cyd-destun Cymreig. 6. Yr 'Ymerodraeth Angefinaidd'. Esgobaeth y deyrnas a gwleidyddiaeth. 7. Somerled a'r Alban: brenhin neu wrthryfelwr, Llychlynwr neu Wyddel? 8. Diwylliant. Iaith, archeoleg, enwau lleoedd/personol, arysgrifiadau. Economi a hunaniaeth ddiwylliannol y deyrnas. 9. Dwy deyrnas? Rhyfeloedd cartref, disgynyddion Somerled, disgynyddion Godred a Norwy. 10. Rhyfel 1265 a diwedd annibyniaeth y deyrnas. Hanes hwyrach yr ynysoedd, a'u perthynas a Phrydain ac Iwerddon. Bydd y seminarau yn cynnig ystyriaeth o themau, a bydd cyfle i amlygu pwysigrwydd ystyriaeth fanwl o'r defnydd o ffynhonellau o natur gwahanol trwy drafodaeth. Bydd cyfle hefyd i ffocysu ar drafodaethau hanesyddiaethol ar ddigwyddiadau neu agweddau penodol o'r pwnc, a phontio'r disgyblaethau hanesyddol gwahanol sydd rhaid deall er mwyn cael darlun cyflawn o'r pwnc.
  • HGH-2133: The Tudors 1485-1603 (20) (Semester 2)
    1. Bosworth Field and the end of the Wars of the Roses; 2. Henry VII and the Tudor Dynasty; 3. The reign of Henry VII; 4. The accession of Henry VIII; 5. Henry VIII: ; 6. Henry VIII: The Early Years; Henry VIII: The King's `Great Matter' and Rome ; 7. The Later Years of Henry VIII; 8. Edward VI; 9. Edward VI and the Disputed Succession; 10. The Reign of Mary Tudor: Part I; 11. The Reign of Mary Tudor: Part II; 12. Elizabeth I: 1558-1580; 13. Elizabeth I: 1580-1603; 14. Elizabeth I: The Golden Age?; 15. Religion, Society, and Politics under the Tudors. Students taking this module will study these topics through a in-depth grasp of the modern historiography on the subject, complimented by the use of some primary sources (including select contemporary writings, records, contemporary paintings and woodcuts).
  • HGH-2137: USA, 1945-2001 (20) (Semester 2)
    Lectures on the module will focus on the social and domestic history of the United States and will include: Affluent society – America in the 1950s; The Kennedy assassination and its aftermath; LBJ and ‘the great society’; Civil Rights and the problem of ‘black America’; Nixon and the Watergate scandal; Crime and social dislocation; Ronald Reagan and the rise of Conservative America; Bill Clinton and post-Cold war American society; 9/11 and its impact. Seminars on the module will focus on foreign policy developments and will include: the origins of the Cold War; the Korean war; the Cuban missile crisis; the ‘race to the moon’; the Vietnam war and its aftermath; the politics of détente; Reaganism and the spectre of communism; the end of the cold war; the road to 9/11.
  • HGH-2138: Europe 1945-1992 (20) (Semester 1)
  • HTH-2145: The Lion of Justice - Henry I (20) (Semester 2)
    1. Background; 2. The youngest brother, 1068¿1100; 3. King of the English, 1100¿1106; 4. The conquest of Normandy, 1106; 5. The governance of the Anglo-Norman regnum; 6. Henry and the Church; 7. Rebellion and disaster, 1118¿1124; 8. The monastic chroniclers: Orderic Vitalis and William of Malmesbury; 9. Henry's personality, family, and environment; 10. The end of the reign and its aftermath. Students taking the course will study these topics using both primary sources and the modern historiography.
  • HTH-2149: Britannia Rule the Waves (20) (Semester 2)
    (1) Introduction to the module, British Empire and Imperial Studies (2) Governing the Empire (3) British Policy and Trade (4) Technological Change (5) Scientific Exploration (6) The Empire: Asia (7) The Empire: America (8) The Empire: Africa (9) The Empire: Australasia (10) The British Empire and the Approach of War (11) Concluding lecture
  • HTC-2150: Cenedlaetholdeb yn Sbaen (20) (Semester 1)
    1. Sbaen: un gwlad neu nifer? 2. Rhyfel Cartref Sbaen a’r cenhedloedd bach 3. Cenedlaetholdeb Ffasgaidd 4. Ailymddangosiad cenedlaetholdeb lleiafrifol yn yr 1960au 5. Gwlad y Basg (1): iaith a diwylliant 6. Gwlad y Basg (2): terfysgaeth a hunan-lywodraeth 7. Catalwnia (1): 8. Catalwnia (2): 9. Galisia: y brawd tlawd? 10. Yr Undeb Ewropeaidd; Crash Ariannol 2008
  • HTH-2150: Britain in the Jazz Age (20) (Semester 2)
    1. War, Empire and Modernisation: The Boer War, WWI and an overview of the period. 2. Royalty and national identity: the Edwardian era; 1911 Investiture of the Prince of Wales; the Abdication Crisis. 3. Technological modernisation: Electricity, the wireless and motors. Case study of the Wembley Exhibition 4. Britain on the Breadline: health, living conditions and depression 5. Whippets, fish & chips and gambling: Workers, socialism and leisure 6. Nationalism and identity: Wales, Ireland and Scotland. 7. Ideology and the prelude to 1939 in Britain. A case study of Oswald Mosley and the British Union of Fascists. 8. Women in Love: Gender roles and fashion. A case study of the Mitford sisters 9. Bright Young People: Sexuality, aristocracy and decadence 10. Popular music: music halls, Jazz and Americanisation. 11. From bodyline bowling to mountaineering: Sport and society 1900-1939. 12. Workshop: Film and Jazz Age Britain 13. 1 day field trip to Manchester: Museum of Science and Industry and the People’s History Museum (including access to the Labour Party Archive)
  • HTH-2156: Museum - management, curation (20) (Semester 2)
    Practical skills: Curating collections, designing exhibitions and/or museum learning programmes, strategically managing (museum) resources Theoretical knowledge: Diachronic and synchronic knowledge of the evolution of the role of museums in society, of key resources in museum management, of methods, principles and practices of collections management and curation, exhibition design and museum learning programmes.
  • HTW-2159: History in Practice (20) (Semester 2)
  • HTC-2160: Age of Reform (Cymraeg) (20) (Semester 1) or
    HTH-2160: The Age of Reform 1770-1835 (20) (Semester 1)
  • HTH-2163: Nazi Germany 1933-1945 (20) (Semester 1)
  • HTH-2165: Magic and the Supernatural (20) (Semester 1)

10 to 40 credits from:

  • WXM-2009: 20th Century Women Composers (10) (Semester 2)
    Musicology has in recent years been enriched by research that highlights the contribution made by women to Music & Music History.This module forms an introduction to some of the most important women musicians of the twentieth century, including: a. British: Ethel Smyth (1858-1944), Elisabeth Lutyens (1906-83), Grace Williams (1906-77) and Elizabeth Maconchy (1907-94). b. Europe: Cecile Chaminade (1857-1944), Germaine Tailleferre (1892-1983), Nadia (1887-1979) and Lili Boulanger (1893-1918). c. American: Amy Beach (1867-1944), Marion Bauer (1882-1955), Ruth Crawford Seeger (1901-53) and Louise Talma (1906-96). d. Established Contemporary Voices: Thea Musgrave (1928-), Sofia Gubaidulina (1931-), Kaija Saariaho (1952-) and Chen Yi (1953-).
  • WXM-2010: Zappa: the man and the music (10) (Semester 2)
    In this module, Frank Zappa’s music and life will be explored chronologically, starting from his beginnings as a young musician in Baltimore to his classical compositions towards the end of his life. The subject matter to be covered throughout the lectures and seminars will comprise: Zappa’s compositional styles and influences; his engagement in political issues (including censorship); humour and satire in his music; his classical works; his collaborations, and the legacy left by him.
  • WXM-2019: Opera: Monteverdi to Mozart (10) (Semester 2)
  • WXM-2020: 19th Century Symphony (10) (Semester 1)
  • WXC-2115: Minimaliaeth (10) (Semester 2)
    Bydd y cwrs hwn yn cychwyn gan edrych ar y defnydd o'r term Minimaliaeth mewn celfyddyd gain a cherddoriaeth, cyn olrhain esblygiad y term yng ngherddoriaeth La Monte Young a Terry Riley. Trafodir ysgrif arwyddocaol Steve Reich 'Cerddoriaeth fel Proses Raddol', cyn dadansoddi gweithiau Reich, Glass, Adams a Torke, ac yna edrych ar gyfraniad cyfansoddwyr Ewropeaidd megis Pärt, Gorecki, Andriessen, Bryars, Skempton a Nyman.
    or
    WXM-2115: Minimalism (10) (Semester 2)
    This course will begin by looking at the use of the term Minimalism in art and music and trace its evolution in the early works of La Monte Young and Terry Riley. Discussion of Steve Reich's significant essay 'Music as Gradual Process', will be followed by the analysis of works by Reich, Glass, Adams and Torke, before looking at the contribution of European composers such as Pärt, Gorecki, Andriessen, Bryars, Skempton and Nyman.
  • WXM-2153: From Dufay to Josquin (10) (Semester 1)
    Description: Numerous composers of the fifteenth and sixteenth centuries had well-deserved reputations in their day as excellent singers or renowned choirmasters. Nevertheless it is Josquin de Prez (d. 1521) whose reputation towered over those of his contemporaries, and continues to do so today. This module considers the music of Josquin alongside that of his contemporaries, such as Antoine Brumel, Pierre de la Rue, Loyset Compère, Jacob Obrecht and Heinrich Isaac, and examines the nature of musical production and distribution during Josquin's lifetime. Method, number and frequency of classes: Normally one class of 1 hour and 15 minutes per week for nine weeks, plus up to two individual consultations by arrangement. Assessment: One essay submitted in week 12 (80%); one seminar presentation of 10 minutes' duration (20%). Learning Outcomes: On completion of the module, the student should have: 1. acquired a reasonably detailed knowledge of the main compositional genres of the period, and of selected works by Josquin and his contemporaries 2. developed an awareness of the historical and cultural contexts which gave rise to this music 3. gained an awareness of the problem of anonymous music and composer attribution during the period 4. developed an enhanced perspective of the portrayal of one of the first 'great composers'
  • WXM-2157: The Music of Stockhausen (10) (Semester 1)
    This module forms an introduction to the music of the radical German composer Karlheinz Stockhausen (1928-2007). It will consider specific works by Stockhausen, as well as the issues they raise, and will do so from both historical and analytical perspectives. It will also aim to consider the music of Stockhausen in the context of works by other composers.
  • WXC-2189: Ligeti (Cymraeg) (10) (Semester 2)
    Sefydlodd y cyfansoddwr Hwngaraidd, György Ligeti, ei hun fel un o ffigyrau mwyaf blaenllaw ail hanner yr ugeinfed ganrif. Canolbwyntia’r modiwl hwn ar astudio detholiad o’i weithiau enwocaf (sy’n cynnwys y darnau cerddorfaol Atmosphères a Melodien, ei Gonsierto i’r Ffidil, yr opera Le Grand Macabre, yr Études i’r piano ac ambell i waith siambr a lleisiol arall), gan asesu ei gyfraniad artistig o fewn datblygiadau celfyddydol Ewropeaidd ei gyfnod. Gosodir eu harwyddocâd o fewn cefndir creadigol a hanesyddol y cyfansoddwr gan fanylu ar ei arddull unigryw a’i dechnegau cyfansoddi a’r modd y dylanwadodd y rhain ar ei allbwn annibynnol a digyfaddawd.
    or
    WXM-2189: Ligeti (10) (Semester 2)
    The Hungarian born György Ligeti established himself as one of the most distinguished composers from the second half of the twentieth century. This module will focus on a selection of his most well-known compositions (which features his orchestral Atmosphères and Melodien, his Violin Concerto, the opera Le Grand Macabre, the piano Études and selected chamber and vocal pieces), assessing his artistic contribution within the European cultural developments of the time while placing their significance within the composer’s creative and historical background. Close attention will be paid in identifying his distinctive style and composition techniques, and on how they shaped his independent and uncompromising creative output.
  • WXM-2209: Brazilian Music and Culture (10) (Semester 1)
    The module will explore some important Brazilian musical genres and relate these to cultural and political developments in the country. The impact of Brazilian popular music outside Brazil will be discussed as well as the effect of foreign music on the country. The module will give students the opportunity to familiarise themselves with several musical styles and artists. Key ideas for the analysis of the issues covered will also be discussed.
  • WXC-2216: Cerdd Cymru A: 20fed-g (10) (Semester 1)
    Er amled y cyfeiriadau ar hyd y canrifoedd at Gymru-'Gwlad y gân' - dim ond yn ddiweddar iawn y rhoddwyd y sylw dyladwy i faes CERDDORIAETH YNG NGHYMRU fel rhan o gwrs gradd (Cerddoriaeth).Gwelwyd tuedd gyffredinol ymhlith cerddorion proffesiynol y gorffennol i anwybyddu'r traddodiad ar draul derbyn agweddau ar gerddoriaeth gwledydd estron. I'r perwyl hwn, fe adawyd bylchau mawr yn ein llenyddiaeth gerddorol fel cenedl, dibrisiwyd gwerth nifer o'n traddodiadau a chollwyd golwg ar rai nodweddion unigryw Cymru a'i phobl.

0 to 30 credits from:

  • WXC-2187: Cerdd mewn Iechyd a Lles A (10) (Semester 2)
    Yn y modiwl hwn, bydd cyfle i ystyried y pŵer sydd mewn cerddoriaeth i ddylanwadu arnom ar lefel seicolegol, emosiynol a chymdeithasol. Edrychir hefyd ar gerddoriaeth mewn cyd-destun meddygol, a’r gydnabyddiaeth sydd wedi bodoli ers dechrau amser am y cyswllt rhwng cerddoriaeth ac iechyd a lles cyffredinol. Edrychir yn benodol ar ddefnydd y Groegiaid cynnar o gerddoriaeth wrth iachau, yn ogystal â’r datblygiadau mwyaf diweddar yn y maes yn yr 21ain ganrif, a pham fod gwyddonwyr erbyn heddiw yn cydnabod fod lle i gerddoriaeth mewn cyd-destun therapiwtig ym maes iechyd a lles.
    or
    WXM-2187: Music, Health and Wellbeing A (10) (Semester 2)
  • WXC-2191: Ysgrifennu Caneuon (20) (Semester 1 + 2)
    Amcan y modiwl Sgiliau Ysgrifennu Caneuon yw cyflwyno’r myfyriwr i elfennau technegol a chreadigol bwysig y grefft o gyfansoddi cân dda, tra ar yr un pryd yn cynnig cipolwg ar ddatblygiadau ffurfiol y gân boblogaidd yn ystod ail hanner yr ugeinfed ganrif drwy ddadansoddi enghreifftiau penodol. Cyflwynir sgiliau sylfaenol ynghŷd â rhai mwy soffistigedig o gyfansoddi a threfnu caneuon mewn nifer o genres gwahanol, gan gyfeirio yn arbennig at elfennau megis gwrthbwynt rhythmig, geirfa harmonig, siapio alawol, ffurfiau set, a gwead a lliwio cerddorol. Dangosir hyn mewn perthynas a nifer o arddulliau caneuon, o Gwerin at Jazz a Roc. Disgwylir i’r myfyriwr feithrin sgiliau’r cyfarwyddwr cerdd hefyd, gan ddangos y gallu i drawsgrifio recordiad o gân bop a’i threfnu yn gywir ar gyfer gitâr fas ac un chwe thant, drymiau, piano, allweddellau, ac yn y blaen. Ar ddiwedd y cwrs fe fydd y myfyriwr yn medru cyfansoddi mewn nifer o arddulliau gwahanol, ac wedi meithrin ar y sgiliau o gyflwyno gwaith i safon boddhâol un ai’n electronaidd (ar ffeil MP3, CD, neu debyg) neu mewn nodiant cerddorol ar feddalwedd Sibelius.
    or
    WXK-2191: Songwriting (20) (Semester 1 + 2)
    Students will be introduced to many basic and advanced aspects of composing in various song genres, with particular reference to the presentation of rhythmic counterpoint, harmonic vocabulary, melodic shaping, formal archetypes and lyrics in their songs. These will be illustrated with reference to a number of song styles, ranging from folk to jazz and rock genres. At the end of the module, the student will have created a small portfolio their own songs, and be able to present their work to a good standard either on audio CD or in written form. (For recordings this means that the sounds are distortion-free unless intentionally so, all elements are appropriately audible and relatively balanced in terms of level. Scores must be presented in an accepted form such as jazz lead-sheet, full score or popular piano-and-vocal sheet. They should follow the conventions of the particular style chosen and be clear, intelligible, and make sense for the harmonic language, time signature and instruments chosen.)
  • WXM-2207: Harmony & Counterpoint (Adv) (20) (Semester 1 + 2)
    This module builds on and develops the basic analytical and (pastiche) compositional skills acquired in WXM/WXC 1004/1008. It will explore in detail a variety of vocal and instrumental music, and compositional practices and techniques from the late sixteenth to the early nineteenth centuries; students will be introduced to a range of music from analytical and compositional perspectives. The module will focus on particular genres (such as piano sonata, string quartet) and forms (such as sonata- form exposition, rondo). It will also introduce students to advanced chromaticism and modulation in a range of contexts; these aspects will also be discussed in relation to historical development.
  • WXC-2234: Cyfansoddi - Ffilm/Cyfryngau (20) (Semester 1 + 2)
    Amcan y cwrs yw rhoi'r medrau technegol a chreadigol angenrheidiol i fyfyrwyr er mwyn eu paratoi ym myd cerddoriaeth ar gyfer cerddoriaeth i ffilm, teledu a'r cyfryngau - maes o gyfansoddi sy'n llawn her ond yn bleserus iawn. Rhoddir cyfarwyddiadau ar feddalwedd a chaledwedd benodol (megis Logic Pro a sibelius), yn ogystal â sut i gydamseru delweddau â sain, defnydd allweddellau a pheiriannau samplo, a sut i gofnodi a chymysgu cerddoriaeth. Ar yr un pryd, cyflwynir darlithoedd ar bynciau sy'n ymwneud ag ymchwil, diwydiant a beirniadaeth ar arddulliau a genres cerddorol yn y cyfryngau. Dadansoddir enghreifftiau cerddorol o eiddo rhai o feistri'r ffurf, megis John Williams, Alexandre Desplat a Harry Gregson-Williams er mwyn i'r myfyrwyr gael dealltwriaeth o'r cyfrwng. Rhoddir sylw gweddol fanwl i'r goblygiadau ar fusnes a materion cyfreithiol. CO-REQUISITES: Gorau oll os oes gan fyfyrwyr brofiad o Cerddorfaeth (WXK2231 neu WXC2232) a Chyfansoddi (WXC2233 neu WXK2233) neu Gyfansoddi Acwsmatig (WXK2235), ond nid yw hynny'n orfodol.
    or
    WXK-2234: Composing for Film/Media (20) (Semester 1 + 2)
    The aim of the course is to equip students with the necessary technical and creative skills to prepare them for the world of music for film, television and the media – a field of composition that is full of challenges but very pleasurable. Instruction will be given on the use of specific software and hardware (such as Logic Pro and sibelius), as well as how to synchronise images with sound, the use of keyboards and software samples, and basic mixing techniques. Alongside this will be a series of lectures on topics relating to research, industry and criticism of musical styles and genres in the media. Examples from the work of some of the masters of the form will be analysed, such as John Williams, Alexandre Desplat and Harry Gregson-Williams, to enable the student to gain an understanding of the medium. Detailed attention will be paid to business and legal implications. CO-REQUISITES: Ideally students will have experience of Orchestration (WXK2231 or WXC2232) and Composition (WXC2233) or WXK2233) or Acousmatic Composition (WXK2235), but this is not essential.
  • WXP-2243: Ensemble performance 1 (10) (Semester 1)
    Students will be required to form small instrumental or vocal ensembles before the course commences. If students have a specific instrumental formation in mind that cannot be formed within the module, they may invite guest performers. Pianists will have the option to choose collaborative piano (accompanying) as their specialism within the module. Collective rehearsal sessions will be organised by the students with individual coaching provided by members of the School of Music staff. Ensembles are encouraged to explore the existing repertoire during weeks 1–3, and then in subsequent weeks to work on their performance of the work(s) selected by the group. Please note that students may follow a maximum of 20 credits in EnsemblePerformance across Levels 5 and 6.
  • WXP-2244: Ensemble performance 2 (10) (Semester 2)
    Students will be required to form small instrumental or vocal ensembles before the course commences. If students have a specific instrumental formation in mind that cannot be formed within the module, they may invite guest performers. Pianists will have the option to choose collaborative piano (accompanying) as their specialism within the module. Collective rehearsal sessions will be organised by the students with individual coaching provided by members of the School of Music staff. Ensembles are encouraged to explore the existing repertoire during weeks 1–3, and then in subsequent weeks to work on their performance of the work(s) selected by the group. Please note that students may follow a maximum of 20 credits in EnsemblePerformance across Levels 5 and 6.
  • WXP-2253: Fusion Ensemble 1 (10) (Semester 1)
    Students will learn approaches to improvisation and playing together from a number of musical traditions including jazz, European traditional music, and the music of other cultures such as those of China and Brazil. They will be led in workshops by a tutor where they will experiment with different techniques and develop pieces for performance. Students will work in different ensembles and with various instruments. Feedback will be provided as performance pieces are rehearsed for assessment.
  • WXP-2254: Fusion Ensemble 2 (10) (Semester 2)
  • WXM-2270: Music Teaching in Context (20) (Semester 1 + 2)

Year 3 Modules

Compulsory Modules

40 credits from:

  • HSW-3019: Native Wales & the Normans (40) (Semester 1 + 2)
  • HDC-3075: Hanes Cymru Traethawd Hir (40) (Semester 1 + 2)
    Bydd yr adroddiad a'r traethawd hir yn gosod yr ymchwil a ddewiswyd yn ei chyd-destun ehangach e.e. hanesyddiaeth, fframwaith theoretig, fframwaith daearyddol a hanesyddol. Bydd yn gosod cwestiynau ymchwil a bydd strwythur yn cael ei lunio. Bydd yn disgrifio ac yn dadansoddi'r pwnc a ddewiswyd gan ddefnyddio ystod o dystiolaeth wreiddiol ac eilaidd berthnasol. Ysgrifennir adroddiad ar y project mewn dull trefnus ac academaidd
    or
    HDW-3075: Welsh History Dissertation (40) (Semester 1 + 2)
    The report and dissertation will set the chosen Welsh History research in its broader context e.g. historiography, theoretical framework, geographical and historical framework. It will set research questions and a structure will be worked out. It will describe and analyse the chosen topic using a range of relevant secondary and primary evidence. The project will be written up in an ordered and academic manner.
  • Students must EITHER take the Dissertation OR Special Subject (to be taken over both semesters).

30 to 60 credits from:

  • WXC-3275: Traethawd: Cerdd yn y Gymuned (20) (Semester 1 + 2)
    Mae'r traethawd hir mewn Cerddoriaeth yn y Gymuned yn ddarn annibynnol o ysgrifennu yn canolbwyntio ar faes o gerddoriaeth yn y gymuned . Gall fod yn yr unig traethawd hir ydych yn ysgrifennu , neu gall fod yn ail draethawd hir mewn ardal gyferbyniol i'ch prif traethawd hir. Efallai y bydd y traethawd hir mewn Cerddoriaeth yn y Gymuned yn astudiaeth hunan -gynhaliol yn canolbwyntio ar bwnc penodol ( fel agwedd ar therapi cerddoriaeth ) , neu fe all gynnwys elfen ymarferol , megis ymchwil i'r farchnad a wnaed ar ran Canolfan y Celfyddydau, neu Ŵyl , gyda golwg ar gynhyrchu cyfres o argymhellion ar bolisi. Mewn llawer o achosion , bydd y prosiect yn dilyn ymlaen o'r medrau a ddysgwyd neu brosiectau ar raddfa fach a gynhaliwyd yn ystod un o'r modiwlau rhagofynnol ( Gweinyddu'r Celfyddydau a / neu Gerddoriaeth yn y Gymuned) . Bydd y pwnc yn cael eu dewis gan y myfyriwr mewn ymgynghoriad ag aelod o staff ac a gymeradwywyd gan y Bwrdd Arholwyr yn y modd arferol. Mae'r dewis a chymeradwyo yn digwydd yn nhymor yr haf yn union cyn Blwyddyn 3 . Dylai'r ysgrifennu gymryd i ystyriaeth ymchwil perthnasol blaenorol a chyfredol ond dangos gwreiddioldeb meddwl o ran dull ac ymresymiad . Bydd credyd yn cael ei roi am ansawdd syniadau, eglurder a rhesymeg y ddadl a chyflwyniad , addasrwydd llyfryddiaeth , a cheinder y cyflwyniad .
    or
    WXM-3275: Diss.: Music in the Community (20) (Semester 1 + 2)
    The dissertation in Music in the Community is an independent piece of writing focusing on some area of music in the community. It may be the only dissertation you are writing, or it may be a second dissertation in a contrasting area to your longer main dissertation. The dissertation in Music in the Community may be a self-contained study focusing on a set topic (such as an aspect of music therapy), or it may involve a practical element, such as market research undertaken on behalf of an Arts Centre or Festival, with a view to producing a series of recommendations on policy. In many cases the project will follow on from skills learned or small-scale projects undertaken during one of the pre-requisite modules (Arts Administration and/or Music in the Community). The topic will be selected by the student in consultation with a member of staff and approved by the Board of Examiners in the normal manner. This selection and approval takes place in the summer term immediately preceding Year 3. The writing should take account of previous and current relevant research but demonstrate originality of mind in approach and argument. Credit will be given for quality of ideas, clarity and logic of argument and presentation, suitability of bibliography, and elegance of presentation.
  • WXC-3276: Traethawd Hir (30) (Semester 1 + 2)
    Mae’r traethawd hir yn ddarn o ysgrifennu annibynnol ar destun a ddewisir gan yr ymgeisydd mewn ymgynghoriad ag aelod staff ac a gymeradwyir gan y Bwrdd Arholi. Mae’r dewis a’r cymeradwyo hwn yn digwydd yn ystod tymor yr haf yn union cyn Blwyddyn 3. Dylai’r ysgrifennu gymryd i ystyriaeth ymchwil flaenorol berthnasol, ond dylai ddangos gwreiddioldeb meddwl o ran dull ymdrin a dadl. Rhoddir credyd am ansawdd syniadau, eglurder a rhesymeg dadl, addasrwydd llyfryddiaeth a mireinder y cyflwyniad. I gyd-fynd â’r traethawd hir ceir seminarau ar y sgiliau ymchwil, llyfryddiaeth a methodoleg sydd eu hangen i ysgrifennu'r traethawd hir
    or
    WXM-3276: Dissertation (30) (Semester 1 + 2)
    The dissertation is an independent piece of writing on a subject selected by the candidate in consultation with a member of staff and approved by the Board of Examiners. This selection and approval takes place in the summer term immediately preceding Year 3. The writing should take account of previous relevant research but demonstrate originality of mind in approach and argument. Credit will be given for quality of ideas, clarity and logic of argument and presentation, suitability of bibliography, and elegance of presentation. The dissertation will be accompanied by seminars on the research, bibliography and methodology skills required for writing the dissertation.
  • WXC-3277: Traethawd Hir (40) (Semester 1 + 2)
    Mae'r traethawd hir yn ddarn o ysgrifennu annibynnol ar destun a ddewisir gan yr ymgeisydd mewn ymgynghoriad ag aelod staff ac a gymeradwyir gan yr Bwrdd Arholi. Mae'r dewis a'r cymeradwyo hwn yn digwydd yn ystod tymor yr haf yn union cyn Blwyddyn 3. Dylai'r ysgrifennu gymryd i ystyriaeth ymchwil flaenorol berthnasol, ond dylai ddangos gwreiddioldeb meddwl o ran dull ymdrin a dadl. Rhoddir credyd am ansawdd syniadau, eglurder a rhesymeg dadl, dull cyflwyno, addasrwydd llyfryddiaeth a mireinder y cyflwyniad. I gyd-fynd a'r traethawd hir ceir seminarau bob pythefnos lle bydd y myfyrwyr yn gweithio gyda thiwtoriaid y modiwl ar y sgiliau ymchwil, llyfryddiaeth a methodoleg sydd eu hangen i ysgrifennu'r traethawd hir
    or
    WXM-3277: Dissertation (40) (Semester 1 + 2)
    The dissertation is an independent piece of writing on a subject selected by the candidate in consultation with a member of staff and approved by the Board of Examiners. This selection and approval takes place in the summer term immediately preceding Year 3. The writing should take account of previous relevant research but demonstrate originality of mind in approach and argument. Credit will be given for quality of ideas, clarity and logic of argument and presentation, suitability of bibliography, and elegance of presentation. The dissertation will be accompanied by seminars on the research, bibliography and methodology skills required for writing the dissertation.
  • WXM-3282: Edition (30) (Semester 1 + 2)
    Participants of this module will prepare a critical edition of a suitable work from original sources or photographic reproductions of such sources. The work concerned will be selected by the candidate in consultation with a member of staff; the selection approved by the Board of Examiners, during the summer term of Year 2. The length of the work will depend upon various factors, including scoring, the number and complexity of sources, and the extent and degree of editorial intervention the materials demand; but in every instance full editorial apparatus will be required, including a detailed textual commentary. The edition should show awareness of previous editions of relevant music, but also demonstrate a capacity for solving specific editorial problems. Credit will be given for the quality of presentation as well as of editorial work. The project will be accompanied by seminars on the research, bibliography and methodology skills required for preparing the edition.
  • WXM-3283: Edition (40) (Semester 1 + 2)
    Participants of this module will prepare a critical edition of a suitable work from original sources or photographic reproductions of such sources. The work concerned will be selected by the candidate in consultation with a member of staff; the selection approved by the Board of Examiners, during the summer term of Year 2. The length of the work will depend upon various factors, including scoring, the number and complexity of sources, and the extent and degree of editorial intervention the materials demand; but in every instance full editorial apparatus will be required, including a detailed textual commentary. The edition should show awareness of previous editions of relevant music, but also demonstrate a capacity for solving specific editorial problems. Credit will be given for the quality of presentation as well as of editorial work. The project will be accompanied by seminars on the research, bibliography and methodology skills required for preparing the edition.
  • WXC-3288: Cyfansoddi (project) (30) (Semester 1 + 2)
    Mae’r project yn gyfle i fyfyrwyr dreulio cyfnod estynedig mewn gweithgaredd yn ymwneud â chyfansoddi, gan weithio tuag at greu gwaith, neu weithiau, ar raddfa a hyd sylweddol. Mae myfyrwyr yn cwblhau cyfansoddiad neu bortffolio o gyfansoddiadau ar gyfer unrhyw gyfuniad o offerynnau, lleisiau, adnoddau electroacwstig ac adnoddau stiwdio, dan gyfarwyddyd arolygwr. Bydd y cyfansoddwyr sydd ar y project yn cwrdd yn gyson fel grŵp i ystyried materion eang ac i rannu syniadau a dulliau. Dylai cyfansoddiadau ddangos dealltwriaeth drylwyr o’u genre, meistrolaeth ar y medrau technegol perthnasol, eglurder o ran bwriad creadigol, a pherthnasedd diwylliannol cyfoes o ran eu dull esthetig. Dylai myfyrwyr gyflwyno cyfansoddiadau ar ffurf sgôr wedi’i nodiannu, recordiad neu gyfuniad. Os yw’r gwaith yn cynnwys cerddoriaeth ar gyfer delwedd symudol, dylech hefyd gyflwyno DVD o gerddoriaeth wedi’i chydamseru â’r llun. Fel rheol, dylai’r darn neu’r portffolio gymryd rhyw 18 munud, trwy gytundeb â’r arolygwr, ac yn ôl y tempo, cymhlethdod y gerddoriaeth a nodweddion yr adnoddau offerynnol/ lleisiol/ electroacwstig a ddefnyddir. Gall portffolios gynnwys cymysgedd o wahanol genres. Nid yw’r modiwl hwn yn addas i fyfyrwyr sy’n dymuno cyfansoddi mewn arddulliau hanesyddol neu pastiche.
    or
    WXK-3288: Composition (project) (30) (Semester 1 + 2)
    The composition project is an opportunity for students to spend a sustained period engaged in compositional activity, working towards the production of a work, or works, of significant scale and duration. Students complete a composition or portfolio of compositions for any combination of instruments, voices, electroacoustic and studio resources, with the guidance of a supervisor. Project composers meet regularly as a group to consider broad issues and to share ideas and approaches. Compositions should demonstrate a thorough understanding of their genre, facility in the relevant technical skills, clarity of creative intent, and contemporary cultural relevance in their aesthetic approach. Compositions should be submitted in the form of a notated score, recording or a combination. If the work involves music for moving image, a DVD of music synchronised to picture must also be submitted. The piece or portfolio should normally be about 18 minutes in duration, by agreement with the supervisor, and depending on the tempo, the complexity of the music and the nature of the instrumental/vocal/ electroacoustic resources used. Portfolios may contain a mix of different genres. This module is not appropriate for students wishing to compose in historical or pastiche styles.
  • WXC-3289: Cyfansoddi (project) (40) (Semester 1 + 2)
    Mae’r project yn gyfle i fyfyrwyr dreulio cyfnod estynedig mewn gweithgaredd yn ymwneud â chyfansoddi, gan weithio tuag at greu gwaith, neu weithiau, ar raddfa a hyd sylweddol. Mae myfyrwyr yn cwblhau cyfansoddiad neu bortffolio o gyfansoddiadau ar gyfer unrhyw gyfuniad o offerynnau, lleisiau, adnoddau electroacwstig ac adnoddau stiwdio, dan gyfarwyddyd arolygwr. Bydd y cyfansoddwyr sydd ar y project yn cwrdd yn gyson fel grŵp i ystyried materion eang ac i rannu syniadau a dulliau. Dylai cyfansoddiadau ddangos dealltwriaeth drylwyr o’u genre, meistrolaeth ar y medrau technegol perthnasol, eglurder o ran bwriad creadigol, a pherthnasedd diwylliannol cyfoes o ran eu dull esthetig. Dylai myfyrwyr gyflwyno cyfansoddiadau ar ffurf sgôr wedi’i nodiannu, recordiad neu gyfuniad. Os yw’r gwaith yn cynnwys cerddoriaeth ar gyfer delwedd symudol, dylech hefyd gyflwyno DVD o gerddoriaeth wedi’i chydamseru â’r llun. Fel rheol, dylai’r darn neu’r portffolio gymryd rhyw 22 munud, trwy gytundeb â’r arolygwr, ac yn ôl y tempo, cymhlethdod y gerddoriaeth a nodweddion yr adnoddau offerynnol/ lleisiol/ electroacwstig a ddefnyddir. Gall portffolios gynnwys cymysgedd o wahanol genres. Nid yw’r modiwl hwn yn addas i fyfyrwyr sy’n dymuno cyfansoddi mewn arddulliau hanesyddol neu pastiche.
    or
    WXK-3289: Composition (project) (40) (Semester 1 + 2)
    The composition project is an opportunity for students to spend a sustained period engaged in compositional activity, working towards the production of a work, or works, of significant scale and duration. Students complete a composition or portfolio of compositions for any combination of instruments, voices, electroacoustic and studio resources, with the guidance of a supervisor. Project composers meet regularly as a group to consider broad issues and to share ideas and approaches. Compositions should demonstrate a thorough understanding of their genre, facility in the relevant technical skills, clarity of creative intent, and contemporary cultural relevance in their aesthetic approach. Compositions should be submitted in the form of a notated score, recording or a combination. If the work involves music for moving image, a DVD of music synchronised to picture must also be submitted. The piece or portfolio should normally be about 22 minutes in duration, by agreement with the supervisor, and depending on the tempo, the complexity of the music and the nature of the instrumental/vocal/ electroacoustic resources used. Portfolios may contain a mix of different genres. This module is not appropriate for students wishing to compose in historical or pastiche styles.
  • WXC-3297: Project Perfformio Unawdol (30) (Semester 1 + 2)
    Bydd y rhai sy’n dilyn y modiwl yn paratoi a pherfformio datganiad cyhoeddus yn para am 30 munud, yn cynnwys repertoire unawdol mewn arddulliau amrywiol o gyfnodau gwahanol. Caiff myfyrwyr hyfforddiant offerynnol neu leisiol unigol ochr yn ochr â seminarau, lle bydd y myfyrwyr yn gweithio ar gwestiynau uwch ar repertoire, strategaethau ymarfer, ymarfer ar gyfer perfformio, a pherfformio dan ddylanwad hanesyddol. Dim ond 15 myfyriwr ar y modiwl yma
    or
    WXP-3297: Solo Performance Project (30) (Semester 1 + 2)
    Participants of the module will prepare and perform a public recital of 30 minutes’ duration, featuring stylistically-diverse solo repertoire from different periods. Individual instrumental or vocal tuition will be accompanied by seminars in which the students will work on advanced questions of repertoire, rehearsal strategies, performance practice and historically-informed performance. This module is capped at 15
  • WXC-3298: Project Perfformio Unawdol (40) (Semester 1 + 2)
    Bydd y rhai sy’n dilyn y modiwl yn paratoi a pherfformio datganiad cyhoeddus yn para am 40 munud, yn cynnwys repertoire unawdol mewn arddulliau amrywiol o gyfnodau gwahanol. Caiff myfyrwyr hyfforddiant offerynnol neu leisiol unigol ochr yn ochr â seminarau, lle bydd y myfyrwyr yn gweithio ar gwestiynau uwch ar repertoire, strategaethau ymarfer, ymarfer ar gyfer perfformio, a pherfformio dan ddylanwad hanesyddol. Dim ond 15 o fyfyrwyr ar y modiwl yma
    or
    WXP-3298: Solo Performance Project (40) (Semester 1 + 2)
    Participants of the module will prepare and perform a public recital of 40 minutes’ duration, featuring stylistically-diverse solo repertoire from different periods. Individual instrumental or vocal tuition will be accompanied by seminars in which the students will work on advanced questions of repertoire, rehearsal strategies, performance practice and historically-informed performance. This module is capped at 15 students
  • SPECIAL PROJECTS: Students must choose at least ONE project, either in Music or in other subject. Students are welcome to choose more than one project: either two in Music or one in each School.

Optional Modules

20 credits from:

0 to 30 credits from:

  • WXM-3009: 20th Century Women Composers (10) (Semester 2)
    Musicology has in recent years been enriched by research that highlights the contribution made by women to Music & Music History.This module forms an introduction to some of the most important women musicians of the twentieth century, including: a. British: Ethel Smyth (1858-1944), Elisabeth Lutyens (1906-83), Grace Williams (1906-77) and Elizabeth Maconchy (1907-94). b. Europe: Cecile Chaminade (1857-1944), Germaine Tailleferre (1892-1983), Nadia (1887-1979) and Lili Boulanger (1893-1918). c. American: Amy Beach (1867-1944), Marion Bauer (1882-1955), Ruth Crawford Seeger (1901-53) and Louise Talma (1906-96). d. Established Contemporary Voices: Thea Musgrave (1928-), Sofia Gubaidulina (1931-), Kaija Saariaho (1952-) and Chen Yi (1953-).
  • WXM-3010: Zappa: the man and the music (10) (Semester 2)
    In this module, Frank Zappa’s music and life will be explored chronologically, starting from his beginnings as a young musician in Baltimore to his classical compositions towards the end of his life. The subject matter to be covered throughout the lectures and seminars will comprise: Zappa’s compositional styles and influences; his engagement in political issues (including censorship); humour and satire in his music; his classical works; his collaborations, and the legacy left by him.
  • WXM-3019: Opera: Moteverdi to Mozart (10) (Semester 2)
  • WXM-3020: 19th Century Symphony (10) (Semester 1)
  • WXC-3115: Minimaliaeth (10) (Semester 2)
    Bydd y cwrs hwn yn cychwyn gan edrych ar y defnydd o'r term Minimaliaeth mewn celfyddyd gain a cherddoriaeth, cyn olrhain esblygiad y term yng ngherddoriaeth La Monte Young a Terry Riley. Trafodir ysgrif arwyddocaol Steve Reich 'Cerddoriaeth fel Proses Raddol', cyn dadansoddi gweithiau Reich, Glass, Adams a Torke, ac yna edrych ar gyfraniad cyfansoddwyr Ewropeaidd megis Pärt, Gorecki, Andriessen, Bryars, Skempton a Nyman.
    or
    WXM-3115: Minimalism (10) (Semester 2)
    This course will begin by looking at the use of the term Minimalism in art and music and trace its evolution in the early works of La Monte Young and Terry Riley. Discussion of Steve Reich's significant essay 'Music as Gradual Process', will be followed by the analysis of works by Reich, Glass, Adams and Torke, before looking at the contribution of European composers such as Pärt, Gorecki, Andriessen, Bryars, Skempton and Nyman.
  • WXM-3153: From Dufay to Josquin (10) (Semester 1)
    Description: Numerous composers of the fifteenth and sixteenth centuries had well-deserved reputations in their day as excellent singers or renowned choirmasters. Nevertheless it is Josquin de Prez (d. 1521) whose reputation towered over those of his contemporaries, and continues to do so today. This module considers the music of Josquin alongside that of his contemporaries, such as Antoine Brumel, Pierre de la Rue, Loyset Compère, Jacob Obrecht and Heinrich Isaac, and examines the nature of musical production and distribution during Josquin's lifetime. Method, number and frequency of classes: Normally one class of 1 hour and 15 minutes per week for nine weeks, plus up to two individual consultations by arrangement. Assessment: One essay submitted in week 12 (80%); one seminar presentation of 10 minutes' duration (20%). Learning Outcomes: On completion of the module, the student should have: 1. acquired a reasonably detailed knowledge of the main compositional genres of the period, and of selected works by Josquin and his contemporaries 2. developed an awareness of the historical and cultural contexts which gave rise to this music 3. gained an awareness of the problem of anonymous music and composer attribution during the period 4. developed an enhanced perspective of the portrayal of one of the first 'great composers'
  • WXM-3157: The Music of Stockhausen (10) (Semester 1)
    This module forms an introduction to the music of the radical German composer Karlheinz Stockhausen (1928-2007). It will consider specific works by Stockhausen, as well as the issues they raise, and will do so from both historical and analytical perspectives. It will also aim to consider the music of Stockhausen in the context of works by other composers.
  • WXC-3187: Cerdd mewn Iechyd a Lles A (10) (Semester 2)
    Yn y modiwl hwn, bydd cyfle i ystyried y pŵer sydd mewn cerddoriaeth i ddylanwadu arnom ar lefel seicolegol, emosiynol a chymdeithasol. Edrychir hefyd ar gerddoriaeth mewn cyd-destun meddygol, a’r gydnabyddiaeth sydd wedi bodoli ers dechrau amser am y cyswllt rhwng cerddoriaeth ac iechyd a lles cyffredinol. Edrychir yn benodol ar ddefnydd y Groegiaid cynnar o gerddoriaeth wrth iachau, yn ogystal â’r datblygiadau mwyaf diweddar yn y maes yn yr 21ain ganrif, a pham fod gwyddonwyr erbyn heddiw yn cydnabod fod lle i gerddoriaeth mewn cyd-destun therapiwtig ym maes iechyd a lles.
    or
    WXM-3187: Music, Health and Wellbeing A (10) (Semester 2)
  • WXC-3189: Ligeti (Cymraeg) (10) (Semester 2)
    Sefydlodd y cyfansoddwr Hwngaraidd, György Ligeti, ei hun fel un o ffigyrau mwyaf blaenllaw ail hanner yr ugeinfed ganrif. Canolbwyntia’r modiwl hwn ar astudio detholiad o’i weithiau enwocaf (sy’n cynnwys y darnau cerddorfaol Atmosphères a Melodien, ei Gonsierto i’r Ffidil, yr opera Le Grand Macabre, yr Études i’r piano ac ambell i waith siambr a lleisiol arall), gan asesu ei gyfraniad artistig o fewn datblygiadau celfyddydol Ewropeaidd ei gyfnod. Gosodir eu harwyddocâd o fewn cefndir creadigol a hanesyddol y cyfansoddwr gan fanylu ar ei arddull unigryw a’i dechnegau cyfansoddi a’r modd y dylanwadodd y rhain ar ei allbwn annibynnol a digyfaddawd.
    or
    WXM-3189: Ligeti (10) (Semester 2)
    The Hungarian born György Ligeti established himself as one of the most distinguished composers from the second half of the twentieth century. This module will focus on a selection of his most well-known compositions (which features his orchestral Atmosphères and Melodien, his Violin Concerto, the opera Le Grand Macabre, the piano Études and selected chamber and vocal pieces), assessing his artistic contribution within the European cultural developments of the time while placing their significance within the composer’s creative and historical background. Close attention will be paid in identifying his distinctive style and composition techniques, and on how they shaped his independent and uncompromising creative output.
  • WXC-3191: Ysgrifennu Caneuon (20) (Semester 1 + 2)
    Amcan y modiwl Sgiliau Ysgrifennu Caneuon yw cyflwyno’r myfyriwr i elfennau technegol a chreadigol bwysig y grefft o gyfansoddi cân dda, tra ar yr un pryd yn cynnig cipolwg ar ddatblygiadau ffurfiol y gân boblogaidd yn ystod ail hanner yr ugeinfed ganrif drwy ddadansoddi enghreifftiau penodol. Cyflwynir sgiliau sylfaenol ynghŷd â rhai mwy soffistigedig o gyfansoddi a threfnu caneuon mewn nifer o genres gwahanol, gan gyfeirio yn arbennig at elfennau megis gwrthbwynt rhythmig, geirfa harmonig, siapio alawol, ffurfiau set, a gwead a lliwio cerddorol. Dangosir hyn mewn perthynas a nifer o arddulliau caneuon, o Gwerin at Jazz a Roc. Disgwylir i’r myfyriwr feithrin sgiliau’r cyfarwyddwr cerdd hefyd, gan ddangos y gallu i drawsgrifio recordiad o gân bop a’i threfnu yn gywir ar gyfer gitâr fas ac un chwe thant, drymiau, piano, allweddellau, ac yn y blaen. Ar ddiwedd y cwrs fe fydd y myfyriwr yn medru cyfansoddi mewn nifer o arddulliau gwahanol, ac wedi meithrin ar y sgiliau o gyflwyno gwaith i safon boddhâol un ai’n electronaidd (ar ffeil MP3, CD, neu debyg) neu mewn nodiant cerddorol ar feddalwedd Sibelius.
    or
    WXK-3191: Songwriting (20) (Semester 1 + 2)
    Students will be introduced to many basic and advanced aspects of composing in various song genres, with particular reference to the presentation of rhythmic counterpoint, harmonic vocabulary, melodic shaping, formal archetypes and lyrics in their songs. These will be illustrated with reference to a number of song styles, ranging from folk to jazz and rock genres. At the end of the module, the student will have created a small portfolio their own songs, and be able to present their work to a good standard either on audio CD or in written form. (For recordings this means that the sounds are distortion-free unless intentionally so, all elements are appropriately audible and relatively balanced in terms of level. Scores must be presented in an accepted form such as jazz lead-sheet, full score or popular piano-and-vocal sheet. They should follow the conventions of the particular style chosen and be clear, intelligible, and make sense for the harmonic language, time signature and instruments chosen.) Pre-requisites: Satisfactory completion of Year 1 Music (single or joint honours), or satisfactory completion of Year 1 English with Songwriting. It is assumed that students will be able to record or computer-notate their own songs to a good standard for this module; therefore it is recommended that they have completed a music technology module or equivalent. For recordings ‘good’ means that the sounds are distortion-free, all elements are appropriately audible and relatively balanced in terms of level. Scores must be presented in an accepted form such as jazz lead-sheet, full score or popular piano-and-vocal sheet, and preferably computer-notated. They should follow the conventions of the particular style chosen and be clear, intelligible, and make sense for the harmonic language, time signature and instruments chosen.
  • WXM-3207: Harmony & Counterpoint (Adv) (20) (Semester 1 + 2)
    This course looks at the music of the baroque and classical periods in some depth. The first semester is given over to a study of Baroque harmonic and contrapuntal practice, with particular emphasis on the trio sonata. During the second semester, string quartet writing will form the basis of a close investigation of Classical procedures. Specially written course-books provide the basis for instruction in both semesters.
  • WXM-3209: Brazilian Music and Culture (10) (Semester 1)
    The module will explore some important Brazilian musical genres and relate these to cultural and political developments in the country. The impact of Brazilian popular music outside Brazil will be discussed as well as the effect of foreign music on the country. The module will give students the opportunity to familiarise themselves with several musical styles and artists. Key ideas for the analysis of the issues covered will also be discussed.
  • WXC-3234: Cyfansoddi - Ffilm/Cyfryngau (20) (Semester 1 + 2)
    Amcan y cwrs yw rhoi'r medrau technegol a chreadigol angenrheidiol i fyfyrwyr er mwyn eu paratoi ym myd cerddoriaeth ar gyfer cerddoriaeth i ffilm, teledu a'r cyfryngau - maes o gyfansoddi sy'n llawn her ond yn bleserus iawn. Rhoddir cyfarwyddiadau ar feddalwedd a chaledwedd benodol (megis Logic Pro a sibelius.), yn ogystal â sut i gydamseru delweddau â sain, defnydd allweddellau a pheiriannau samplo, a sut i gofnodi a chymysgu cerddoriaeth. Ar yr un pryd, cyflwynir darlithoedd ar bynciau sy'n ymwneud ag ymchwil, diwydiant a beirniadaeth ar arddulliau a genres cerddorol yn y cyfryngau. Dadansoddir enghreifftiau cerddorol o eiddo rhai o feistri'r ffurf, megis John Williams, Alexandre Desplat a Harry Gregson-Williams er mwyn i'r myfyrwyr gael dealltwriaeth o'r cyfrwng. Rhoddir sylw gweddol fanwl i'r goblygiadau ar fusnes a materion cyfreithiol. CYDOFYNION: Gorau oll os oes gan fyfyrwyr brofiad o Cerddorfaeth (WXK2231 neu WXC2232) a Chyfansoddi (WXC2233 new WXK2233) neu Gyfansoddi Acwsmatig (WXK2235), ond nid yr hynny'n orfodol.
    or
    WXK-3234: Composing for Film/Media (20) (Semester 1 + 2)
    The aim of the course is to equip students with the necessary technical and creative skills to prepare them for the world of music for film, television and the media – a field of composition that is full of challenges but very pleasurable. Instruction will be given on the use of specific software and hardware (such as Logic Pro and sibelius), as well as how to synchronise images with sound, the use of keyboards and software samples, and basic mixing techniques . Alongside this will be a series of lectures on topics relating to research, industry and criticism of musical styles and genres in the media. Examples from the work of some of the masters of the form will be analysed, such as John Williams, Alexandre Desplat and Harry Gregson-Williams, to enable the student to gain an understanding of the medium. Detailed attention will be paid to business and legal implications. CO-REQUISITES: Ideally students will have experience of Orchestration (WXK2231 or WXC2232) and Composition (WXC2233 or WXK2233) or Acousmatic Composition (WXK2235), but this is not essential.
  • WXP-3243: Advanced Ensemble Performance1 (10) (Semester 1)
    Students will be required to form small instrumental or vocal ensembles before the course commences. If students have a specific instrumental formation in mind that cannot be formed within the module, they may invite guest performers. Pianists will have the option to choose collaborative piano (accompanying) as their specialism within the module. Collective rehearsal sessions will be organised by the students with individual coaching provided by members of the School of Music staff. Ensembles are encouraged to explore the existing repertoire during weeks 1–3, and then in subsequent weeks to work on their performance of the work(s) selected by the group. Please note that students may follow a maximum of 20 credits in EnsemblePerformance across Levels 5 and 6.
  • WXP-3244: Advanced Ensemble Performance2 (10) (Semester 2)
    Students will be required to form small instrumental or vocal ensembles before the course commences. If students have a specific instrumental formation in mind that cannot be formed within the module, they may invite guest performers. Pianists will have the option to choose collaborative piano (accompanying) as their specialism within the module. Collective rehearsal sessions will be organised by the students with individual coaching provided by members of the School of Music staff. Ensembles are encouraged to explore the existing repertoire during weeks 1–3, and then in subsequent weeks to work on their performance of the work(s) selected by the group. Please note that students may follow a maximum of 20 credits in EnsemblePerformance across Levels 5 and 6.
  • WXP-3249: Conducting (10) (Semester 2)
    This module will equip students with the essential skills for conducting and rehearsing, and related musical and organisational skills. Work will be mostly practical and will include study of gesture, beating time, the detailed preparation of a score, rehearsal technique, and psychological skills required by a conductor.
  • WXP-3253: Fusion Ensemble 1 (10) (Semester 1)
  • WXP-3254: Fusion Ensemble 2 (10) (Semester 2)
  • WXM-3268: Studio Techniques (10) (Semester 1)
    To introduce students to digital sound recording and editing techniques. The various equipment found in a recording studio will be introduced and explained, and practical skills in its uses will be developed.
  • WXM-3270: Music Teaching in Context (20) (Semester 1 + 2)
  • WXM-3302: Fugue (10) (Semester 2)
    Fugue, in one form or another, has been a prominent aspect of Western art music since the late Middle Ages. It can perhaps best be described as a contrapuntal compositional procedure, in two or more voices, in which a short theme (the subject) is introduced in imitation (based on tonal principles); this subject then recurs throughout the rest of the composition. Fugues typically have three sections, using terminology shared with sonata-form: exposition, development, recapitulation. Fugue is not a fixed form, however: it is best understood as a compositional procedure. By the end of the 17th century, fugue was widely regarded as the fullest expression of imitative polyphony. The fugues of Johann Sebastian Bach (1685–1750) represent the apex of the style, particularly his Die Kunst der Fuge (The Art of Fugue). The status of the fugue waned in the late 18th century, though we still find it cultivated in the works of Haydn, Mozart and Beethoven. This module will examine theories about fugue and its characteristics; the primary musical focus will be on the fugal style of JS Bach. Students will learn how to analyse and assess fugal compositions, and learn how to compose a fugal exposition.