Modiwl UXS-3074:
Short film production

Ffeithiau’r Modiwl

Rhedir gan School of Languages, Literatures, Linguistics and Media

20.000 Credyd neu 10.000 Credyd ECTS

Semester 2

Trefnydd: Dr Dyfrig Jones

Amcanion cyffredinol

The aim of this module is to allow students to produce a short dramatic film, and to locate this process of production within an industrial and academic context.

Students work in small groups under the supervision of a member of staff, to complete a short film. Students will be given the freedom to choose a particular role - such as director, camera person, sound person or editor - and will be expected to develop an understanding of that role while working on the film. In this way, the module equips students with an understanding of how films are made, as well as developing new creative skills.

Cynnwys cwrs

The first part of the course will teach students about the four main elements of short film production

- Video recording   - Sound recording   - Video editing   - Audio editing and dubbing

Following this each group will work under the supervision of a tutor to develop and complete the film. The tutor will give students regular feedback on their work, and work with them to identify areas for development, give guidance on how each group, and each individual student, can improve their work.

Meini Prawf

trothwy

(D)

  • Knowledge of key areas/principles only
  • Weaknesses in understanding of main areas
  • Limited evidence of background study
  • Answer only poorly focussed on question and with some irrelevant material and poor structure
  • Arguments presented but lack coherence
  • Several factual/computational errors
  • No original interpretation
  • Only major links between topics are described
  • Limited problem solving
  • Many weaknesses in presentation and accuracy

da

(C)

  • Knowledge of key areas/principles
  • Understands main areas
  • Limited evidence of background study
  • Answer focussed on question but also with some irrelevant material and weaknesses in structure
  • Arguments presented but lack coherence
  • Has several factual/computational errors
  • No original interpretation
  • Only major links between topics are described
  • Limited problem solving
  • Some weaknesses in presentation and accuracy

(B)

  • Strong knowledge
  • Understands most but not all
  • Evidence of background study
  • Focussed answer with good structure
  • Arguments presented coherently
  • Mostly free of factual/computational errors
  • Some limited original interpretation
  • Well known links between topics are described
  • Problems addressed by existing methods/approaches
  • Good presentation with accurate communication

ardderchog

(A)

  • Comprehensive knowledge
  • Detailed understanding
  • Extensive background study
  • Highly focussed answer and well structured
  • Logically presented and defended arguments
  • No factual/computational errors
  • Original interpretation
  • New links between topics are developed
  • New approach to a problem
  • Excellent presentation with very accurate communication

Canlyniad dysgu

  1. Analyze the main processes involved in short film production in a professional context, critically comparing different trends within the field

  2. Demonstrate advanced technical skill in one aspect of a media production

  3. Demonstrate an understanding of the collaborative nature of film production, and how individual film production roles relate to each other

  4. Produce a short film, which meets professional production standards

Dulliau asesu

Math Enw Disgrifiad Pwysau
TRAETHAWD Essay

An essay analyzing one production role within a film crew

 40.00
LLYFR LOG NEU BORTFFOLIO Portfolio

Short film of 5-10 minutes duration, with relevant documentation. The film and documents will be presented by the whole group, with one set of feedback and one mark given to the group. This assignment is assessed as a group, rather than individually, to reflect the collaborative nature of film production, and in line with accepted norms across Higher Education film production teaching.

 60.00

Strategaeth addysgu a dysgu

Oriau
Workshop

6 x 3 hour workshops

 18
Tutorial

11 x Weekly half hour tutorial, held in groups of four. If the panel is not satisfied with this, the number of workshops (above) could be increased from 6 to 11, but this will undermine the student experience. My professional opinion, as a subject matter expert, is that a small weekly half hour tutorial is perfectly acceptable in this area.

 6
Private study

Conduct research that will contribute to the development of the essay, as well as completing work on the short film.

 177

Sgiliau Trosglwyddadwy

  • Llythrennedd - Medrusrwydd mewn darllen ac ysgrifennu drwy amrywiaeth o gyfryngau
  • Rhifedd - Medrusrwydd wrth ddefnyddio rhifau ar lefelau priodol o gywirdeb
  • Defnyddio cyfrifiaduron - Medrusrwydd wrth ddefnyddio ystod o feddalwedd cyfrifiadurol
  • Hunanreolaeth - Gallu gweithio mewn ffordd effeithlon, prydlon a threfnus. Gallu edrych ar ganlyniadau tasgau a digwyddiadau, a barnu lefelau o ansawdd a phwysigrwydd
  • Archwilio - Gallu ymchwilio ac ystyried dewisiadau eraill
  • Adalw gwybodaeth - Gallu mynd at wahanol ac amrywiol ffynonellau gwybodaeth
  • Sgiliau Rhyngbersonol - Gallu gofyn cwestiynau, gwrando'n astud ar atebion a'u harchwilio
  • Dadansoddi Beirniadol & Datrys Problem - Gallu dadelfennu a dadansoddi problemau neu sefyllfaoedd cymhleth. Gallu canfod atebion i broblemau drwy ddadansoddiadau ac archwilio posibiliadau
  • Ymwybyddiaeth o ddiogelwch - Bod yn ymwybodol o'ch amgylchedd a hyder o ran cadw at reoliadau iechyd a diogelwch
  • Gwaith Tîm - Gallu cydweithio'n adeiladol ag eraill ar dasg gyffredin, ac/neu fod yn rhan o dîm gweithio o ddydd i ddydd
  • Hunanymwybyddiaeth & Ystyried - Bod yn ymwybodol o'ch cryfderau, gwendidau, nodau ac amcanion eich hun. Gallu adolygu ,cloriannu a myfyrio'n rheolaidd ar eich perfformiad eich hun ac eraill.

Sgiliau pwnc penodol

  • An understanding of creative and critical processes, and of the wide range of skills inherent in creative writing. (NAWE Creative Writing Benchmark Statement 3.1).
  • Artistic engagement and ability to articulate complex ideas in oral and written forms. (NAWE Creative Writing Benchmark Statement 3.2).
  • Ability to connect creative and critical ideas between and among forms, techniques and types of creative and critical praxis. (NAWE Creative Writing Benchmark Statement 3.2; English Benchmark Statement 3.2).
  • Reflective practitioner skills, including awareness of the practice of others in collaborative learning (NAWE Creative Writing Benchmark Statement 3.2; English Benchmark Statement 3.2).
  • The ability to synthesize information from various sources, choosing and applying appropriate concepts and methods (English Benchmark Statement 3.3).
  • Re-creative skills – interpretation, innovation, versatility, and other skills relating to performance
  • Creative skills – conception, elaboration, adaptation, presentation, collaboration, preservation
  • Technological skills – digital capture, digital expression, digital innovation
  • Intellectual skills shared with other disciplines – research and exploration, reasoning and logic, understanding, critical judgement, assimilation and application
  • Skills of communication and interaction – oral and written communication, public presentation, team-working and collaboration, awareness of professional protocols, sensitivity, ICT skills, etc.
  • Skills of personal management – self-motivation, self-critical awareness, independence, entrepreneurship and employment skills, time management and reliability, organisation, etc.

Adnoddau

Goblygiadau o ran adnoddau ar gyfer myfyrwyr

None

Rhestrau Darllen Bangor (Talis)

http://readinglists.bangor.ac.uk/modules/uxs-3074.html

Rhestr ddarllen

Bresson, Robert (1975) Notes on the Cinematographer Beaman, J. (2000) Interviewing for Radio. London: Routledge. Chapman, J. (2006) Documentary in Practice. London: Polity. Crisell, A.(1986) Understanding Radio. London: Methuen Dimbleby, N., (1994) Practical Media: a guide to production techniques. London: Hodder & Stoughton. Elsey, Eileen (2002) In short: a guide to short film-making in the digital age. London: BFI Publishing. Hausman, C et al (2003) Modern radio production: production, programming, and performance. Belmont, CA: Wadsworth Publishing Company. Lyver, D. & Swainson, G. (1995) Basics of Video Production, Oxford: Focal Press. Millerson, G. (1993) Effective TV Production. Oxford: Focal Press. Millerson, G. (1994) Video Camera Techniques. Oxford: Focal Press. Musburger, R. (1993) Single Camera Video Production. Oxford: Focal Press. Monaco, J (2000) How to Read a Film. Oxford: OUP, Nichols, Bill (1991) Representing Reality: Issues and Concepts in Documentary. Bloomington, IN: Indiana University Press Siegel, B.(1992) Creative Radio Production, Oxford: Focal Press. Starkey, G. (2006) Balance & Bias in Journalism. London: Palgrave Macmillan.

Cyrsiau sy’n cynnwys y modiwl hwn

Gorfodol mewn cyrsiau:

Opsiynol mewn cyrsiau: